Variable domestic bandwidth has been a challenge, but many productions – often assisted by responsive vendors – have adjusted remarkably quickly to the increased need for remote editing during Covid-19.
The workflows and technology used to create audio description has changed massively over the past 20 years, with programmes now completed in hours rather than days. Red Bee’s Sally Nevrkla looks at some landmark moments and how the industry will evolve.
What does the decision by Technicolor, arguably the motion picture industry’s best-known brand, to let go of its dailies, grading, sound and picture editing services tell us about the health of the post-production industry?
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