Content creation will be increasingly democratised by the transformative power of AI, but the potential to deliver new types of content and inspire a new generation of media creatives is arguably the greatest prize, according to experts at the IBC x Google Cloud Hackfest dry run.
Speaking at the kick-off event at Google’s London HQ, Justin Grayston, Head of Customer Engineering, Telco, Media and Entertainment UK & I, Google, explained the value of the hackfest format and its wider import.
“The aim is that the technology [involved] could be applied to any vertical, but it's very practical, somebody should [be able to] take it back to their day job and see the possibilities – that’s the real value here. By bringing people to the technology that may not be using it now, they'll see that, once you have the infrastructure piece, you can use these models, and it can be surprisingly easy to do things you thought would be much harder.”
“I also think there is an educational barrier to getting into the industry and an affordability one too – I remember when I was younger, I could never be able to afford Final Cut Pro as a baseline tool to deliver something of any quality. I think that the entry point [for content creatives] is going to drop, we will see that increasingly democratised,” he explained.
You are not signed in
Only registered users can read the rest of this article.
Why media networks are being rewired for the speed of light
The elimination of OB trucks is just the start of the light revolution. For the media industry, a rewiring of the transport network from electrons to photons promises to unlock AI driven production, immersive formats, and globalised workflows while dramatically cutting energy consumption.
KICK: Writing the rules of high-altitude immersive production
From camera placement and viewer comfort to movement, pacing and post-production, the French Alps-set KICK provided Altitude101 with a unique opportunity to test, challenge and refine the methods shaping its immersive storytelling.
Sheffield DocFest: “We need to be more weird”
Funding remains a puzzle, but the documentary and factual entertainment genres are thriving at Sheffield Documentary Festival.
FIFA World Cup: A cyber criminal’s cash cow
Alongside financially motivated cybercrime, politically motivated hacktivists are also likely to target organisations linked to the tournament through distributed denial-of-service attacks, website defacements, and disinformation campaigns.
AI and sports piracy: “It's whack-a-mole, except now the mole is running an algorithm”
Illegal sports streams in Britain have more than doubled to 3.6bn in the past three years, according to a recent report from the Campaign for Fairer Gambling. But is there any correlation between the increase in piracy and advances in tech? Is AI more effective as the sword or the shield? Anna Tobin reports.



