Virtual Production | IBC365

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Building MXL together: progress of the multi-vendor open-source media exchange SDK

Building MXL together: Progress of the multi-vendor open-source media exchange SDK

Osmia VP: A low-cost, field-deployable virtual production system for in-camera VFX

Osmia VP: A low-cost, field-deployable virtual production system for in-camera VFX

Exploration of AI-assisted asset tools in VFX production pipelines 1

Exploration of AI-assisted asset tools in VFX production pipelines

A 100 Hz frame-interleaved approach to live multi-camera switching in led-based virtual production: Experience from a public-broadcaster proof of concept

Marcus B Brodersen: “Give directors and producers the opportunity to make calls and decisions on the fly”

Pixotope to launch unified virtual production platform

IBC2025 Innovation Awards

Innovation Awards: Stories behind Content Everywhere finalists

The production question AI demos rarely answer: where does the tool fail?

Workflow transformation: “AI should be for reliability, not creativity”

Upcoming webinar: Future Tech at IBC2026 – what to expect

Zero Density unites graphics and newsroom workflows

Storyboarder.ai’s storyboard tool gets enterprising revamp

WBD’s Alex Dinnin: “It was love at first sight, and it still is”

The American Experiment

Netflix uses GenAI on 300 titles in 2026

Anette Schaefer, CEO of EIT Culture & Creativity

EIT Culture & Creativity: “Too often, Europe generates the ideas, while others capture the economic value”

XR at Versailles

XR at Versailles: Bringing history to life at scale

IBC Accelerator: Bringing order to the studio selection process

IWON Global Forum at MWC2026

Why media networks are being rewired for the speed of light

Kay Bailey Hutchison Convention Center

FIFA officially opens 2026 World Cup IBC Centre in Dallas