IBC365 speaks with key players on the new technologies, methods and practices available to productions to help sustain the future of content.
Global screen industries emitted more than 130,000 tonnes of CO2 in 2022 according to an international report by BAFTA albert, urging an industry-wide commitment to net zero carbon emissions by 2050.
Whilst studio production often follows sustainability protocols established by albert, filming away from the comfort of these facilities presents a series of energy consumption issues. So what can productions do on location to ensure everyone is working towards the same goal?
The knowledge gap
Lily Limmer, Sustainability Consultant at Picture Zero, worked as a Sustainability Officer for Apple TV’s The Essex Serpent, which won two awards around sustainability (including the British Film Designers Guild’s (BFDG) Planet Positive Award). She explained that ‘sustainable production’ means incorporating practices from the ground up: “We wanted to attempt to tackle every sustainability issue with (The Essex Serpent), knowing that...
You are not signed in
Only registered users can read the rest of this article.
TV: The Bigger Picture – “Measurement is valuation”
DTG’s annual TV: The Bigger Picture conference predicted an upcoming measurement war and stressed the importance of inclusivity in the rush for greater technological adoption. George Jarrett reports.
Creative Cities Convention: “See your background as an asset”
The Creative Cities Convention in Liverpool, UK, featured a range of highlights, including the first public speech from Channel 4’s new CEO, strategies to strengthen working-class voices, and the latest updates on a burgeoning regional production base.
Closing the security execution gap: “We are in a crisis… we collectively need to be aware”
Gathering at an IBC Roundtable, the industry’s top security experts confronted the 2026 TPN Star Report’s urgent results, the sharp increase in threat exposure, and the missing execution step for broadcasters, studios, and service providers alike.
The dish is not dead: Why the future of TV delivery is hybrid
IP is clearly gaining ground. Yet, infrastructure and distribution specialists suggest that it’s no silver bullet for the reliable, personalised, instantaneous delivery that today’s audiences demand. In this context, has satellite lost relevance, or is it simply no longer the only player in orbit?
World AI Film Festival: “There is no emotion in AI”
The World AI Film Festival fielded new and established storytelling voices, but the jury is out on whether AI can capture the human spirit of cinema. Adrian Pennington reports.
