What began as a technical experiment in 1956 is now a global cultural institution reaching approximately 170 million viewers on TV across three live shows and generating billions of views on digital platforms. IBC365 gets a tour backstage in Vienna.
“This year we have several major innovations,” explains Michael Krön, who is responsible for the Host Broadcast of Austrian broadcaster Österreichischer Rundfunk (ORF) and is Executive Producer of the Eurovision Song Contest (ESC) 2026. “This is especially important for a broadcaster like ORF in a year that has not been easy for the company, or for public service broadcasters globally. We want to show Austria, Europe, and the world what ORF can do. Ultimately, we want the Austrian public to feel proud that ORF, as their public service broadcaster, achieved something on this scale.”
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
Behind the scenes: La Vida y Tal
Jaleo Producciones developed a compact broadcast-style workflow to capture Ana Milán’s improvised performances across theatres in Madrid, Bilbao, Valencia, and Seville, while moving each episode quickly from stage to post-production.
Behind the Scenes: Cape Fear
It’s a jungle out there. Celiana Cárdenas, Director of Photography, explains how the series evoked the oppressive and unsettling atmosphere of a stalker hunting its prey in Apple TV’s pulp fiction.
Esports World Cup: “Mainstream media is a big part of this now, we have to deliver enough content”
A last-minute pivot to Paris brought its own set of challenges as ESL FACEIT assembles the world’s largest esports event. Adrian Pennington reports.
Behind the Scenes: The Odyssey
Art and technology combine for epic storytelling, if you believe the marketing for Christopher Nolan’s latest.
.jpg)
