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Film and TV Charity CEO Marcus Ryder shares his thoughts on the alarming findings from the organisation’s second Money Matters report.
Today (17 Feb), we publish the latest Money Matters report from the Film and TV Charity – and, as CEO, I am deeply concerned by what it reveals.
For eight years, I worked in Glasgow as Head of BBC Scotland’s Current Affairs Programmes. Glasgow was proud of its history – and rightly so. The Clyde shipyards were once a jewel in the crown of the British economy. In the late 19th and early 20th centuries...
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The immersive supervisor: A new role for a new Hollywood
As production crews struggle to adapt to evolving immersive tech workflows, Matt Celia, Chief Creative Director and Co-Founder of Light Sail VR, consults his decade of experience to offer a profoundly human answer to this technological problem.
Co-producing across borders: “Authenticity has become part of the appeal”
Responsible for more than half of Iceland’s scripted TV output in the past five years, production company Glassriver has adapted to a changing media landscape, becoming experts in navigating international co-productions. CEO Andri Ómarsson explains how these international partnerships are now helping local stories travel further than ever.
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Live video workflows: How IP and 5G are answering the call for low-latency contribution
As production teams seek more streamlined and scalable operations for outside broadcasts, Haivision’s Marcus Schioler considers the evolving role of IP and 5G for the secure, reliable and low-latency transfer of live content.
Virtual production is here: Lean into the learning curve
As VP stands on the cusp of revolutionising the industry, Rob Chandler, Founder of Starting Pixel, explains the importance of understanding the technology to harness its expansive potential.
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IP and cloud-driven broadcasts: Why control systems matter more than ever
BFE Studio und Medien Systeme Chief Technology Officer (CTO) Hartmut Opfermann explores how flexible and configurable broadcast control systems will revolutionise media workflows as the industry forays into increasingly complex cloud-native production environments.
