.jpg)
France has one standalone sporting spectacle this year in hosting the Rugby World Cup France 2023 and anticipation of a possible home triumph is building, writes Adrian Pennington.
“This reminds me of the excitement in the build-up to 1998 when France hosted the football World Cup,” said Julien Bertin, Executive Producer at HBS, told IBC365. “If France performs on the pitch anywhere near as well as [the team who won in 1998] the more the excitement will build; this is a huge opportunity for France as a country.”
In the four years separating the 2019 and the 2023 Rugby World Cups, World Rugby has worked hand in hand with its host broadcaster, HBS, to evolve its coverage to add new specialist cameras to the standard camera plan. Coverage this time will feature footage from cable-cameras for every match, drones, helicopters, and cine-style cameras.
“It has been a pleasure to work alongside HBS with the planning of RWC 2023 where we feel the broadcast of rugby will be shown in an...
You are not signed in
Only registered users can read the rest of this article.
Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
.jpg)