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SMDV unveils focused-beam softbox lighting tool

Olaf Sperwer, Director of Virtual Production, XR, and Broadcast EMEA at ROE Visual, is seeing “a profound transformation across the industry

ROE Visual blurs lines with LED at IBC

IWON Global Forum at MWC2026

Why media networks are being rewired for the speed of light

FIFA World Cup 2026

Behind the scenes: FIFA World Cup 2026

Today, immersive collaboration is delivering its clearest returns early in the production lifecycle

Hybrid by design: How immersive tech is transforming remote collaboration

La Haine's 30th anniversary was celebrated in 2025 by the BFI with a 4K UHD release

Mathieu Kassovitz tells filmmakers: “Adapt or die”

Virtual production after the hype: Where it actually works now

Volumetric humans: The next frontier of immersive broadcast storytelling

From green screen to Unreal worlds: The tech stack driving virtual production

Garden Studios VP stage

Garden Studios launches advanced virtual production stage

Oscars 2026: Contender breakdown for cinematography, editing and VFX

Behind the Scenes: Sentimental Value

NUA Students use the Sony Venice on the new virtual production stage at Norwich University of the Arts

Virtual thinking: Is education keeping pace with industry requirements?

BSC Expo: “AI is a real b*****d to work with”

Scalable broadcast tech provides backbone for Esports World Cup Festival

Sony launches virtual production studio at Norwich University

Netflix to merge Scanline VFX and Eyeline Studios

Behind the Scenes: The Lost Bus

Behind the scenes: The Lost Bus