Adrian Pennington

With more TV viewers second screening, it’s no surprise that shoppable ads are a huge area of development and interest, writes Adrian Pennington.

Oscar-winning Sound Designer Johnnie Burn on why being a runner is still the best route to success and how he creates the unsettling unorthodox worlds for Yorgos Lanthimos, Jordan Peele and Jonathan Glazer.

Award-winning Cinematographer David Luther had to draw on all his experience to help create a convincing backdrop for this dystopian short-story adaption. Adrian Pennington reports.

Masters of the Air takes place over the skies of Nazi-occupied Europe and at the very least doesn’t flinch from the horrific conditions faced by men in metal tubes flying five miles above ground, writes Adrian Pennington.

The highly-anticipated sequel to the epic Dune: Part One had the challenge of communicating the deeper narrative of the original novels all the while creating a standalone film, reports Adrian Pennington.

Oblique and powerful takes on the Second World War dominate at the Oscars, reports Adrian Pennington.

AI was the buzz at Mobile World Congress 2024, but making a return on their 5G investment was at the forefront of operators’ minds. Adrian Pennington reports.

The experience of cinematographer Pierre Gill on Disney series ‘Percy Jackson’ showed that lighting for an extensive shoot in a Volume is still work in progress, writes Adrian Pennington.

The Coalition for Content Provenance and Authenticity (C2PA) is an organisation developing technical methods to document the origin and history of digital media files, both real and fake.

The cinematic adaptation of a Martin Amis novel juxtaposes mundane everyday life with the horror of Auschwitz using thermal vision and audio, among other narrative devices, reports Adrian Pennington.