There was much to be concerned about at the recent Edinburgh TV Festival, but as Michael Burns reports there were also some bright sparks to cheer the industry.
The Edinburgh TV Festival, when the UK TV production community traditionally decamps en masse from ‘the Smoke’ to a conference centre in ‘Auld Reekie’, is an opportunity for big debates to be aired, as well as news revealed of upcoming shows and formats. With almost a week of sessions and panels, it’s impossible to cover everything in one article, but here’s an overview of announcements and a taste of some of the talks.
Edinburgh TV Festival 2023: New slates
On the horizon are Prime Video UK Original documentary The Fake Sheikh; Virdee, a new six-part detective drama based on AA Dhand’s crime novels and starring Sacha Dhawan; Jenna Coleman will star as a rookie detective in The Jetty, a four-part BBC thriller from writer Cat Jones and producer Firebird Pictures. Drama The Tattooist of Auschwitz (starring Harvey Keitel) and a host of factual shows were announced by Sky; a new reality TV series The Fortune Hotel, produced by Tuesday’s Child for ITV and STV in 2024 will be hosted by Stephen Mangan; while Disney+ showed previews of three-part documentary, Coleen Rooney: The Real Wagatha Story...
You are not signed in
Only registered users can read the rest of this article.
From green screen to Unreal worlds: The tech stack driving virtual production
As broadcasters and content creators embrace in-camera VFX and data-driven workflows, a new technology stack is redefining what can be achieved on set and who can afford to achieve it. Framestore’s Connor Ling explores the possibilities of this evolving ecosystem.
Software studios: How inevitable is fully software-defined production?
With the rise of free, high-quality media tools, physical broadcast production hardware is looking less and less essential. IBC365 investigates.
Is the race to 6G being driven by necessity, or FOMO?
6G is coming and promises massive improvements in efficiency across society. But beyond those with vested interests, 6G may not justify either hype or investment. Adrian Pennington reports.
IBC Content Everywhere: Personalisation and the role of AI
As the battle for views intensifies, streaming providers are increasingly turning to personalisation as a key strategy to attract and retain customers. In this piece, Content Everywhere companies explore this fundamental pillar of the attention economy, how it's changing, and what role AI is set to play.
Inside IBC’s Innovation and Insight Leadership Roundtable: Speed, sovereignty, and the value question
Top industry experts from the DTG, BBC, and more sat down with IBC365 to discuss how broadcasters plan to thrive in a time of heightened competition, viewer expectations, and constrained budgets.
.JPG)
.jpg)
