BBC Bitesize launches YouTube series for teen exam support

Netflix launches Clips vertical video feed

IBC Content Everywhere: Cloud adoption reaches a critical point

Boom in adoption of subtitling in UK advertising, XR finds

Sunrise’s yallo TV expands highlights feature with help from Media Distillery

Synamedia launches Go Shorts

S4C expands YouTube presence

NAB 2026 technology round-up: “The biggest shifts in media are no longer theoretical”

Channel 4’s longest-serving Chief Content Officer steps down

AI use rivals social media activity in UK adults, Ofcom finds

YouTube expected to approach 3 billion global users by 2027 – report

Europe’s audiovisual market is worth €142bn – report

Matt Brittin confirmed as next BBC Director-General

IBC Content Everywhere: Personalisation and the role of AI

YouTube secures Preferred Platform agreement for FIFA World Cup 2026

Disney+ launches vertical video feed Verts

iPlayer open to hosting rival PSBs to survive “permanent and irreversible” disruption

MWC 2026: Telcos confront the hard economics of 5G

Winter Olympic Games 2026 is most-watched ever for European broadcasters

MIP London: “A lot of creators feel held hostage by algorithms”

Micro-dramas overtake streamers on mobile engagement – report

Live TV viewing is still ‘substantial’, says Barb

BBC unveils fresh cost-cutting drive

Channel 4 unveils coverage plans for 2026 Paralympic Winter Games

Winter Wonderland: All the tech at the Milano Cortina Olympics

YouTube set to pass 30 billion videos in early 2026

Creator. Experience. Streaming: The new economies of broadcast AV

AI and the media revolution: A look ahead to 2026

Lydia Goomansingh to lead Fremantle's branded entertainment push

BBC Group to deliver original content for YouTube

BBC in talks to produce content for YouTube

Disney+ pushes into short-form vertical video space

FIFA strikes preferred platform deal with TikTok ahead of World Cup

M&E predictions and analysis: “It's going to be an exciting decade”

Oscars to livestream exclusively on YouTube in 2029

Poacher turned gamekeeper: Netflix rules, for now

TikTok and YouTube trigger influencer boom among older audiences

Stephen J Arnell: “AI definitely has its uses, but it is presently way too bland”

AI to disrupt sports and media landscape in 2026, warns IMG report

TNT Sports and The Ashes: “We need to be at the heart of the story”

Disney and YouTube TV agree carriage deal

Older audiences lead adoption of film and TV viewing on YouTube

Denmark to ban social media access for under-15-year-olds

UK MPs call on Chancellor to introduce tax relief for film promotion

UK government to ‘demystify’ creative jobs for young people

Disney pulls channels from YouTube TV

One in 10 internet users watch 10-minute dramas, finds Ampere Analysis

MTV to cut five channels in UK

Particle6 launches talent studio to create AI stars

Rise Awards unveils 2025 shortlist

How Fremantle worked with YouTube to demonetise fake videos

Evan Shapiro: “Netflix knows who its competition is”

ProSiebenSat’s Thomas Gruber: “The answer isn’t more polish, it’s more human”

TikTok: People 42% more likely to switch to live match after seeing clips on platform

YouTube and Channel 4 show they’re “better together”

YouTube’s Justine Ryst: “Come in the spaceship and reinvent the way we think about content”

The affinity ecosystem: Evan Shapiro on streaming, studios, and the creator economy

Future Tech: TCS to display AI-powered broadcast as a service solution

IBC Keynote – C4's Grace Boswood: ‘Focus on the soul of your products’

Future Tech: Frammer AI to automatically create FAST channels

YouTube’s Alison Lomax and England manager Sarina Wiegman join RTS Cambridge line-up

Esports World Cup: “Everybody born on this planet is going to be a gamer”

WSC Sports leverages Wowza to deliver instant AI-powered highlights

Bundesliga unveils multi-layered football rights strategy in UK & Ireland

Sky Sports unveils Premier League tech innovation plans

IBC Conference: Yahoo Mail’s Harish Sarma on the “untouched territory” of broadcaster emails

Esports audience and broadcast platforms

Women’s Euro final is most watched TV moment of 2025

From crowd to cloud: Esports broadcasting in 2025

Esports – Tutorial, Ep 3: Developing an esports broadcast strategy

IBC Accelerators: Stamping Your Content (C2PA Provenance)

Hollywood is over: Time for creators to take charge

Media's known unknowns: Why five key things we know make the future so uncertain

FlightStory: Forget the creator economy, this is the era of the creator founder

Channel 4 strikes video distribution deal with Spotify

Nearly 40% of YouTube users watch TV and film content

BBC’s Tim Davie backs IP switchover plan for 2030s

DTG Summit: “We are living in the age of distraction”

Creative Cities Convention: Concern and caution expressed by UK TV over tariff threat

Effects of AI on broadcast newsrooms ‘astounding’ says EBU

How sport is embracing DTC at both ends of the playing field

BBC flags AI and technology priorities in annual plan

Sky News expands deal with IRN to include video content

Kickstart Day 2025: BBC’s Marianna Spring on the fight against disinformation

Game changer: Sony rolls out multi-title approach to esports production

CNN opens new operation in Qatar’s Media City

Rise of the creator economy – the democratisation of content creation

Trump signs executive order to delay US TikTok ban

Paris 2024 audience hit five billion – IOC report

Netflix launches ‘Moments’ mobile feature to save and share scenes

Meta Movie Gen capable of producing 16-second clips

In Conversation with Mstyslav Chernov

WatchParty: Turning TV time into a social event

ProAV: How corporates are leveraging streaming and socials to deliver high-impact content

Channel 4’s Marcia Williams Talks Programming with ‘Societal Impact’

If TikTok is killed off, how long will short form video live?

Helios: Foundations for Peer-to-Peer Social Media Platform for Privacy-Aware People and Prosumers

AI-Driven Smart Production