As part of its celebrations for the 60th anniversary of Doctor Who, the BBC commissioned a feature-length version of one of the most important stories in the show’s history, in full colour with a Dolby Atmos soundtrack. Kevin Hilton talks to the sound designer and colourisation artists who worked on The Daleks in Colour.
Doctor Who is all about the past, the present and the future. For the past 60 years, the BBC science fiction series has followed the Doctor’s adventures through time and space, celebrating that milestone at the end of last year with three specials featuring one of the most popular recent Doctor and companion combinations - David Tennant and Catherine Tate - and also introducing the latest actor to take on the role, Ncuti Gatwa, ahead of his first full episode on Christmas Day.
The 60th-anniversary celebrations looked back to Doctor Who’s beginnings in 1963 with a feature-length, colourised version of the second serial to be broadcast, which is now available on Blu-ray Disc (BD) in Dolby Atmos immersive audio. The Daleks is famous for both introducing the fascistic mutants-in-a-can as enemies of the Doctor and cementing the popularity of the show with its young - and later cultish - audience...
You are not signed in.
Only registered users can view this article.
.jpg)
AI and live production: Experimentation giving way to well-defined applications
Connectivity optimisation, transcription services, and real-time customer support are among the areas of live production where the value of AI-based technologies is increasingly evident, writes David Davies.

ISE2025: Putting the art into artificial intelligence
AI permeated almost every aspect of ISE 2025 but experts and executives were keen to stress AV’s indivisible role in meshing tech with the art of communication.

Coming of age: How virtual production is becoming more accessible as it matures
Whilst the application of virtual production to big-budget tentpole productions will continue, the maturity of workflows and the development of more technical standards will enable the technology to be applied more widely, writes David Davies.

Data-driven audio: Why AI is sounding great for everyone
The application of artificial intelligence in audio is not a recent development, and it’s not coming for our jobs, but it is coming for our audiences. The past year has seen several advances in how AI is impacting audio, and it’s happening on both sides of the production chain, writes Kevin Emmott.

New tricks: Scriptwriters embrace AI to turn the tables
The studio model is being upended by seismic business pressures and the disruptive potency of AI. For two seasoned scriptwriters and producers partnered as Talk Boys Studio, the answer was to create a short film that could be the bellwether for a new wave of narrative generative AI content.