This year’s ISE is expected to feature a significant presence of vendors and executives with at least one foot in media and entertainment – a sector which is now fuelling ProAV growth, according to trade body and ISE show co-organiser AVIXA. Adrian Pennington reports.
AVIXA’s latest figures (Industry Outlook and Trends Analysis) indicate ProAV revenues totalled $325bn in 2024 and will add $98bn over the next five years to reach $422bn. While office upgrades and evolution continue, what AVIXA calls the ‘experience economy’ is dominating growth...
You are not signed in
Only registered users can read the rest of this article.
.jpg)
AI and copyright: How precarious is the legal landscape for creatives?
With parts of the EU AI Act coming into force earlier this year, it’s a timely moment to assess the legal outlook for AI and the media. But is there a danger that, in some regards, it could already be a case of too little, too late?
Neglect of working class comes home to roost in British TV
A cross-industry initiative aims to reset the TV industry’s class imbalance by 2030, but is there any chance it will succeed?
MPTS 2025 reveals a media industry struggling to keep pace
MPTS 2025 is the latest event to lay bare the faultlines running throughout the TV business which is being eviscerated by AI and the creator economy.
Modern MAM: Manual archives to AI-driven systems
What was once a process of physically storing film reels and manually logging footage has become an intricate dance of digital ingestion, advanced metadata tagging, and cloud-based workflows. With productions now generating thousands of hours of video per show, managing media efficiently is no longer optional; it’s a necessity.
DTG Summit: “We are living in the age of distraction”
DTG’s annual summit explored personalisation, AI, and the canny ways broadcasters have leveraged Roblox, YouTube and TikTok on their transition from transmission to streaming.
