The director of 12 Years A Slave and Small Axe has created a historical aesthetic of a tragic and turbulent London, depicting lives subjected to a permanent black out, in Blitz, Steve McQueen’s new film based on authentic anecdotes and inspired by filmmaker archives of the era.
Your perception of war depends not just on when or where you were born but which level of social strata you inhabit. John Boorman’s recollection of the Luftwaffe’s lightening war on London in Hope and Glory (1987), was as an adventure. Untouched by war, Steven Spielberg drew on JG Ballard’s experiences in post-Pearl Harbour Shanghai for an equally exhilarating rites of passage in Empire of the Sun. British director Steve McQueen, was born in 1969 and grew up in Ealing’s West Indian community, but his archaeology of World War II on the home front is coloured by a British Imperial destruction.
Blitz is a Brothers Grimm style fairy tale which follows the harrowing journey of nine year old George (Elliott Heffernan), whose mother Rita (Saoirse Ronan) evacuates him to safety........
You are not signed in
Only registered users can read the rest of this article.
Building Bedlam: “Can I shoot an entire feature film on 65mm?”
Given the chance to shoot the 18th century action-drama Bedlam, Cinematographer James Butler crafted a daring project that merged medium-format photography with cutting-edge digital cinema on a customised Blackmagic URSA Cine 17K 65.
Behind the scenes: Undertone
While looking after his dying parents, VR Filmmaker Ian Tuason became obsessed with demonic possession stories, which planted the seed for the uniquely creepy sound design of his first feature.
Crafting suspense: “We wanted to raise the bar again”
Nella Mente di Narciso’s Director of Photography, Gianluca Braccieri, reveals the digital film cameras, custom lighting setup, and end-to-end post-production software the team leveraged to achieve the tension and mystery of the Italian crime documentary series’ highly anticipated third season.
Behind the Scenes: Marty Supreme
The creative team behind Uncut Gems brings its characteristic brash beauty and adrenaline to 1950’s New York City in a screwball drama.
Behind the scenes: Hamnet
Look, lighting and camera movement were stripped back to basics by cinematographer Lukasz Żal to create the stage for Shakespeare’s personal tragedy.
