The Edinburgh TV Festival, the annual shindig of the movers, shakers, and changemakers of the British television industry, took place last week and change was very much on the schedule, reports Michael Burns.
The headline issues facing the TV industry in the UK are significant – high inflation, market contraction, shrunken ad revenue for commercial broadcasters, freelancers being out of work for long periods, and firms ranging from indies to hire companies to VFX facilities going under. Content is still being made, but it’s now made at the extremes: a few big, expensive shows and lots of lower-cost, high-volume shows.
In his Mactaggart Lecture, playwright and dramatist James Graham talked about the boom and bust of TV, pointing out that two years ago post-Covid, a trend in the industry was over-production. “And now: a drought, a desert,” he said...
You are not signed in
Only registered users can read the rest of this article.
Software studios: How inevitable is fully software-defined production?
With the rise of free, high-quality media tools, physical broadcast production hardware is looking less and less essential. IBC365 investigates.
Is the race to 6G being driven by necessity, or FOMO?
6G is coming and promises massive improvements in efficiency across society. But beyond those with vested interests, 6G may not justify either hype or investment. Adrian Pennington reports.
IBC Content Everywhere: Personalisation and the role of AI
As the battle for views intensifies, streaming providers are increasingly turning to personalisation as a key strategy to attract and retain customers. In this piece, Content Everywhere companies explore this fundamental pillar of the attention economy, how it's changing, and what role AI is set to play.
Inside IBC’s Innovation and Insight Leadership Roundtable: Speed, sovereignty, and the value question
Top industry experts from the DTG, BBC, and more sat down with IBC365 to discuss how broadcasters plan to thrive in a time of heightened competition, viewer expectations, and constrained budgets.
Going mainstream: Private 5G’s rising popularity in live production
Private 5G is gaining momentum as a connectivity option for live production. As deployments expand across sport, news, and large-scale events, broadcasters are exploring how dedicated networks can support more flexible and reliable production workflows.
