Films shot on film, fake AI controversy, a collection of CG apes, and a trio of nods to Robbie Williams make the list of nominees for Cinematography, Editing and VFX Academy Awards.
Robbie Williams has his paw prints all over the Oscars. In Netflix’s 13-times nominated genre-bending musical drama, Emilia Pérez, his 2013 song ‘Swing Supreme’ plays at a dinner party scene in London that marks a crucial turning point in the characters' lives.
The credits roll and the needle drops on Williams' former band Take That’s ‘Greatest Day’ while the camera tracks down a lineup of fishnet-clad dancers at the start of six-times nominated Anora.
And, of course, in Better Man, Williams thumbs his nose at the establishment in a biopic which receives a single Oscar nod for the VFX rendition of the pop minstrel as a chimp.
Three of the five nominations for Cinematography are shot on old-school celluloid keeping up the astonishing hit ratio of awards-nominated movies shot on film, which is around 5% of all films shot every year.
AI also features this year ...
You are not signed in
Only registered users can read the rest of this article.
.jpeg)
ProAV convergence: From control rooms to experience centres
Broadcast and proAV technologies are converging, creating flexible experience centres that can serve remote and on-demand audiences from shared production infrastructure.
Beyond the broadcast: Creating modern, multi-platform experiences
As audiences move between television, mobile, social, and immersive platforms, media organisations must create connected experiences that expand engagement without multiplying production costs.
.jpg)
Streaming’s discovery problem: Who will fix viewing fragmentation?
As the number of services and viewing options has grown, audiences have more choice than ever. Yet, for viewers, finding something to watch is often still an exercise in frustration.
.jpg)
Call my agent: Agentic AI begins buying media advertising
AI agents have the potential to automate media transactions at scale, but today’s focus is less about fully autonomous workflows and more on experimentation and efficiencies.
.jpg)
NAB Show New York: The stakes could not be higher
As media, technology, and politics become increasingly intertwined, the stakes extend far beyond the balance sheet.
