The cinematographers behind Netflix sci-fi series explain why the sun was such an important element in the show’s VR game world and how they played the story’s fictional science straight down the line.
ttempting to do for science fiction what Game of Thrones did for fantasy, Netflix series 3 Body Problem mixes a large cast and a constellation of locations with shifting timelines, astrophysics and alien invaders.
Game of Thrones’ showrunners David Benioff and D.B. Weiss were reportedly handed $20m an episode – bigger than GoT’s budget - to adapt the sci-fi novels of Chinese writer Liu Cixin into eight parts of what is hoped will be the first of several seasons.
Like events in Westeros, the arc of the story is one of impending threat centred around...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
Behind the scenes: La Vida y Tal
Jaleo Producciones developed a compact broadcast-style workflow to capture Ana Milán’s improvised performances across theatres in Madrid, Bilbao, Valencia, and Seville, while moving each episode quickly from stage to post-production.
Behind the Scenes: Cape Fear
It’s a jungle out there. Celiana Cárdenas, Director of Photography, explains how the series evoked the oppressive and unsettling atmosphere of a stalker hunting its prey in Apple TV’s pulp fiction.
.jpg)