Girls with money, men with power. A group of fun-loving young American girls explode into the stiff upper lipped London season of the 1870s, kicking off an Anglo-American culture clash in Apple TV series The Buccaneers, reports Adrian Pennington.
The ensuing drama is played out to a soundtrack featuring female musicians from Taylor Swift to Olivia Rodrigo. “There is the intent from ground zero to reinvent the genre and let it cut loose from the corset strings of period drama tropes,” said Oliver Curtis BSC (Netflix’s Stay Close) who helped design the show look and shot episodes 1 and 2 with director Susanna White (BBC’s Bleak House). “It’s about a collusion of attitudes and sensibility which, from a stylistic point of view, could take you in lots of different directions.”
Inspired by Edith Wharton’s unfinished final novel of the same name, from series creator Katherine Jakeways, the eight-part drama is produced by Forge Entertainment and stars Norwegian actresses Kristine Frøseth and Alisha Boe with Mia Threapleton and Christina Hendricks (Mad Men).
Curtis had not made a period drama since...
You are not signed in
Only registered users can read the rest of this article.
Behind the scenes: VisionQuest
Square lens flares, VFX, and LED volumes came together to create one of Marvel’s most thoughtful and philosophical shows – VisionQuest. Cinematographer Christopher Ross, BSC, sits down with IBC365 to reveal more.
Behind the scenes: Wild Horse Nine
Martin McDonagh writes specifically for places and characters that inspire him, and Easter Island could not simply be recreated elsewhere, DoP Ben Davis explains.
Behind the scenes: The Only Living Pickpocket in New York
Cinematographer Sam Levy crafts a modern noir rooted in the city’s streets and subway.
Behind the scenes: BBC’s Vigil
To embrace the stark, crystalline reality of the Arctic, Blazing Griffin’s Gareth Bishop leveraged colour compression techniques, LED volumes, and plates captured on an archipelago in the Arctic Ocean.
Behind the scenes: The United Stand
Greg Hartley, Producer of The United Stand, reveals how the fan channel built a studio workflow to provide live football coverage to 1.83 billion viewers.
