Eight projects have been announced which will unite game-changing media companies and cutting-edge technology partners for this year’s IBC Media Innovation Programme, writes Sheryl Hickey.

The IBC2023 Accelerators Projects are set to explore the challenges and solutions around a range of current trends including 5G immersive sport experiences and live performances, anywhere cloud and edge production, digital synthetic humans and sign language accessibility, and metadata-powered content targeting.

Michael Davey from Robotica Learning LTD and the project Synthetic Humans for the Metaverse

Michael Davey from Robotica Learning LTD and the project Synthetic Humans for the Metaverse 

The IBC Accelerator Media Innovation Programme provides a framework for agile, fast-track and collaborative innovation in the media sector, taking on ‘bitesize’ but complex industry challenges to develop and explore innovative, hands-on and potentially transformative solutions that address common pain points through technology experiments.

The selected eight projects are supported by world-leading media and entertainment companies who will act as the project Champions, engage with participants to develop and experiment with the ideas, and utilise the breakthrough results. Participants are tech innovation vendors and suppliers who will collaborate with the Champions on creating and executing the POC at IBC2023.

Champion organisations that took part in 2022 included: BBC, BT Media & Broadcast, BT Sport, CNN, DAZN, ESL/ Weavr, Hado, ITV, Olympic Broadcast Services, Paramount, Pokémon, Production Park, Reuters, Scotland 5G Centre, TV2, Vodafone, and Warner Bros. Discovery among others.

The IBC Accelerator Media Innovation Programme, launched in 2019, gives a platform for media innovation solutions and their proof of concepts, the final results and demonstrations of all the Accelerator projects this year will be showcased on the Innovations Stage each day at IBC2023. Each ‘show & tell’ will provide a full overview of a project’s challenges, demonstrate its findings, and answer visitor questions.

“This year’s Accelerator Programme introduces some exciting new initiatives while also featuring projects building on the tremendous innovations made in previous years,” says IBC Innovation Lead Mark Smith.

“It is great to see the array of dynamic industry pioneers coming together this year to explore the potential for transformative innovation in areas such as connectivity anywhere for remote productions with cloud and edge workflows, synthetic human avatars, immersive sport, metadata-driven content targeting, and live, 5G-enabled motion capture performance art and animation.”

“Each year the programme brings new challenges, and we are seeing a host of household media and entertainment players and technology leaders, as well as younger start-ups stepping up to collaborate and drive forward an array of media R&D solutions.”

The selection of the final eight projects took place at the IBC2023 Kickstarter Day in February where Participants had the opportunity to pitch to Champions about the important challenges they proposed to tackle this year.

The 2022 Champions

The IBC2022 Accelerator Champions (L-R): Marco dias Silva, Vodafone Group 5G & Edge Computing Ecosystem Development; Caroline Ewerton, DAZN; Krystel Richards, CNN/Warner Bros Discovery; Clive Santamaria, ITV

The full detail of the IBC2023 Accelerator Programme includes an overview deck and the sponsorship pack, as well as all the background on last year’s projects with video showcase demonstrations and discussions at the IBC2022 show.

The IBC2023 Accelerator Projects are:

  • The Authenticated Data Standard aims to define a standardised data distribution package to ensure that, as programming is distributed and works its way through the entertainment landscape, content owners can maintain the original quality, messaging and intent. The project will allow them to verify and authenticate their content data and imagery and publish it to third-party sources. It will also build event-driven integrations that allow metadata to pass between systems.
  • Synthetic Humans for the Metaverse employs a range of leading-edge technologies and archived materials intending to generate photorealistic avatars that can be integrated in a virtual production with real guests. To animate the avatars in real time, the project team will employ body motion, cloned voice or original audio while drawing on artificial intelligence, machine learning, and augmented and virtual reality. The project will also align with a second aim: to build a foundation for broadcasters to create ‘virtual translators’, using avatars and sign language for accessibility services and other functions.
  • Real-Time XR Sport Edge takes 5G XR to the edge to build on innovations in live motion capture and high-speed content delivery. The project aims to broadcast extended reality (XR) sports, including Mixed Martial Arts (MMA) and augmented reality (AR) techno-sports in an immersive environment with high-end photorealistic graphics, virtual advertising, spatial audio and social interactive audio – delivering the experience to 3D worlds and metaverse audiences in real time, at the lowest possible latency via virtual reality (VR) headsets, computers, mobile devices and over-the-top (OTT) platforms.
  • Connect & Produce Anywhere intends to build a distributed edge & cloud computing system to remotely produce a live sports event. By deploying 5G for connectivity and utilising software, the project aims to make the most efficient use of resources in bandwidth-constrained locations. The aim is to detach software from hardware and deploy a distributed computing architecture between ground and cloud, exploring the benefits, challenges and the sustainable potential of such an approach.


The IBC2023 Accelerator Programme Kickstart Day saw the selection of the final eight projects being chosen

  • Responsive Narrative Factory plans to deliver the right narrative for any consumer in real time via a metadata-powered content fast-track. It will demonstrate a new component-based approach to quickly and cost-effectively creating multiple versions of content from a single master to enable precision targeting of programs to different demographics or regions or groups that can be monetised for premium Free Ad-Supported Streaming TV (FAST) advertisers.
  • 5G Motion Capture for Live Performance & Animation explores using 5G to build ultra-low latency networks to support the creation of new immersive audience experiences for those present at a live performance or engaging remotely at another venue. Video ‘illusions’ will be piped from ‘anywhere’ to ‘everywhere’ over appropriate backhaul, using terrestrial or celestial Public Internet. The project also seeks to leverage 5G technology to bring joyful, interactive animated characters to children in hospital wards regardless of location.
  • Gallery Agnostic Live Media Production aims to bring all media productions into the modern day via device-agnostic, gallery-agnostic and hybrid ways of working to prove control of both existing on-prem and cloud devices. Making shows should be gallery and device agnostic, so that the industry can adapt to current budgets, technical possibilities and a variety of circumstances like our venue or location.
  • Real-Time Interactive Streaming Personalises Live Experiences project proposes to demonstrate that additional revenues and return on content and rights investments can be achieved through personalising viewer engagement from live interactive sports streaming, big or small. It will explore and create a next-generation sports viewing experience with real time interactivity, as well as new revenue streams for content providers that have acquired expensive premiere rights for entertainment events and sports and other live events, among other objectives for a POC.

Read more IBC2023 Accelerators preview: Where sporting innovation has no limits