Rocketman editor Chris Dickens explains how he helped create the true fantasy of shy piano prodigy turned international superstar and the challenge of creating the perfect ending.
Join IBC365 on Thursday 30 May to explore how pixels, higher frame rates, wide colour gamut and high dynamic range are transforming the production process.
Facebook will ban Live users who breach its guidelines under new “one strike” policy
Killing Eve and Patrick Melrose were among the programmes celebrated at last night’s Baftas with special mention to BBC’s Bodyguard and Britain’s Got Talent.
From Facebook to Twitch to YouTube, cleverly integrated production solutions and lower price-points are making high-quality live streaming accessible to those who want to share content across a vast array of platforms.
From asset management to content analysis, artificial intelligence is being built into a host of media tools.
The BBC has launched a new line up of women’s sport this summer with live coverage, new commissions and leading talent across its TV, radio and podcast channels.
As the industry moves to embrace IP production, Swiss broadcast service provider TPC has made history by offering the first uncompressed, UHD OB vehicle entirely based around SMPTE ST2110.
Red Bee Media has partnered with V-Nova to overcome bandwidth and encoding issues for its remote production offering.
SVT CTO Adde Granberg speaks about how the Swedish public service broadcaster is using the cloud and the barriers to adopting remote production.
Former Apple and Warner Bros executives have partnered to launch a European production company focused on high-end TV and feature films.
NAB 2019: 4K HDR emerges as the live production benchmark and 8K becomes an option for 4K workflows.
The latest drama from This is England writer-director Shane Meadows was created in a semi-improvised fashion which required highly flexible production planning from indie producer Warp Films
The filmmaker’s principal job is tell a story but the conventions of narrative can be a straitjacket for those like cinematographer Natasha Braier who believes in experimenting.
Join IBC365 on demand to explore why creators are turning to cloud to transform the way they make great content.
Chris Lebenzon, Tim Burton’s regular collaborator in the edit room, explains how they brought their CG lead character to life
Passionate about sports and storytelling, Vera Bichler speaks to IBC365 about being the first female football director at Austrian broadcaster ORF
Join IBC365 on-demand to explore how remote production is changing the way sports broadcasters think and act.
The National Theatre is home to world-class productions and performances, but how are the plays broadcast to cinemas around the world?
The European Broadcasting Union has called for immediate action to protect journalists and the freedom of expression.
With World Radio Day taking place on Wednesday 13 February, Paul Robinson assesses the health of radio and its role in society.
Join IBC365 on demand to learn how 5G will transform the way content is created.
The final whistle of Super Bowl LIII sounded on Sunday ending its lowest scoring head-to-head in history and the build up to its perennially anticipated half-time show saw numerous high profile drop outs in support of Colin Kaepernick. Ross Biddiscombe explores how the event’s viewership fared.
Global consumer spend on digital content is set to increase by $23 billion this year, with sports video identified as the key driver of growth.
The 4K/UHD expectations of some leading streaming services mean that the home viewing experience could soon rival that encountered in commercial cinemas, writes David Davies.
With many camera and lens manufacturers making announcements and revealing upgrades at the BSC Expo in London, Andy Stout looks at the latest developments in the world of high end cameras and lenses.
For vendors, arguably the greatest challenge at this point resides in satisfying the continually evolving ways in which broadcasters and content creators wish to apply immersive audio techniques, writes David Davies.
With women remaining notably absent from this year’s Academy Awards nominations, it is of vital importance that the industry does more to attract and retain women, says Digital Orchard managing director Sam Margaritis.
From shooting in black and white to creating in-camera effects, we take a look at the technology and technique behind Oscar nominated films.
Diversity and inclusion are the key to delivering engaging content, says Mill Film’s Lauren McCallum.
From the restoration of Peter Jackson’s WWI epic They Shall Not Grow Old to behind the scenes of Love Island and the impact of AI, holograms and Brexit on the media industry, we look at the most popular Production articles of 2018.
Join IBC365 on-demand to hear industry experts explain how esports is transforming live content and reaching new audiences as it crosses into the mainstream and catches the attention of the biggest media businesses.
In the second part of our 2018 review we look back at the milestones, mergers, deals and innovations that dominated the second half of the year.
From the auction of Sky, to the rising interest in 5G and growing adoption of AI, IBC’s owners share their highlights and reflections of the last 12 months.
The first instalment of a two-part round-up of the main talking points of 2018 includes the battle for net neutrality, 5G advances at the Winter Olympics, the Premier League rights battle and a Facebook scandal that still haunts the social media giant.
Dutch football club Ajax has showcased an artificial intelligence supported production of one of its matches, which the club’s technology partners say could remove the need for production facilities, camera crews and directors.
Esports could help shape the future of broadcast according to executive Tanya Laird, who spoke about the need for a “melting pot” of collaboration and interaction.
The esports business is on track to be a billion dollar industry, with millions of participants and viewers, but industry leaders have called for more partnerships and government investment.
Experts at the cutting edge of esports explore opportunity within the market, including content evolution and brand partnerships, whilst keeping a close eye on governance and regulation.
Esports is pioneering workflows that could be picked up by mainstream sports coverage, and with rising interest and growing prize pots, the influence of esports looks set to increase.
The Tour De France is the world’s most well-known cycling race and a monumental challenge for broadcasters. The TM Forum, through its Catalyst programme, set out to examine how 5G technology could be used to cover the event.
The rapid development of LEDs is now leading to a greater quest for consistency and improved colour rendition during production. David Fox reports for IBC365.
It’s rare when something can be truly said to represent a revolutionary approach to filmmaking. Attendees of a jaw-dropping Big Screen session at IBC2018 got to see for themselves how game technology is fundamentally changing the way films are made.
Drones are not only smaller than Formula 1 cars, they’re quicker too. Aurora Media Worldwide’s coverage of the DR1 drone-racing league has given the production team the chance to help shape the sport from the ground up.
Despite the light-hearted company name of Space Beers, co-founder Maurice Schutte is very serious about filmmaking and utilising blockchain to help him do so. IBC365 spoke to Schutte to discover more…
The Swiss company SingularDTV is one of the world’s leaders in developing blockchain applications for creative industries. IBC365 spoke to its co-founder Kim Jackson to go ‘under the hood’ of what blockchain is all about.
Sky is one of a handful of global broadcasters taking a prominent role in evolving the use of Dolby Atmos in live events, Andy Stout reports.
In consciously opting against a hybrid solution for its new broadcast centre, German sports producer Plazamedia has created a modern, future-proof system as SMPTE 2110 approaches.
There’s a huge amount of change taking place in the audio business, driven by the move towards immersive sound. Nowhere was this clearer than at this year’s IBC.
This IBC365 webinar outlines and explains the collaborative Media-Telecom Catalyst innovation programme and how you can get involved in designing solutions to current media & entertainment challenges.
Growing your audience means understanding not only what they want, but how and why they want it, says BBC World Service’s Catherine Blizzard.
Reed Kaufman is responsible for overseeing the entire post production ecosystem for all FBC Network remote events, specifically with jewel events like Super Bowl LI and the 2018 World Cup. The IBC conference was keen to find out the lessons Kaufman has learned from the experience.
NEP’s latest acquisition, a deal for connectivity services firm SIS Live, was announced yesterday. And it’s unlikely to be the OB giant’s last, writes Adrian Pennington.
Cloud-based platforms haven’t lost their steam, artificial intelligence continues to smarten workflows and manufacturers making mighty machines in smaller sizes were recurring themes in Halls 2 and 3 this year, writes IBC Daily reporter Erica Basnicki.
Two whitepapers in one: Insights into the challenges Online Video Providers (OVPs) face and the solutions for consideration as they seek to keep current customers and attract new viewers.
AI is here to stay, and in the area of production it is set to revolutionise working practice. Explore how in technical papers from BBC R&D, Media Distillery & NHK and watch their IBC2018 Tech Talks.
The benefits to using audio as a primary method of delivering new experiences, particularly during a sports event, it is the audio that best engages consumers with the atmosphere of the stadium.
The National Hot Rod Association (NHRA) approached Dolby Laboratories in early 2017 to explore what value immersive audio might bring to the NHRA’s television broadcasts.
AI represents almost limitless possibilities for the future and is already having a transformational impact in many areas, including live football production.
This paper describes recent BBC research into potential production benefits of AI algorithms, using visual analysis and other techniques.
NHK has developed a new AI-driven broadcasting technology called “Smart Production” to quickly and accurately gather and analyse diverse types of information from society and deliver information to a wide range of viewers.
Providing narrative perspective in a US news environment that’s in total overdrive is a daily challenge along with the changing audio consumption habits Lisa Tobin confronts, executive producer of audio and editor of The Daily podcast at the New York Times.
IBC2018: Positioned at the centre of the changing media, entertainment and technology industry, IBC has confirmed visitor attendance of 55,884, across the six day event.
IBC2018: Advertisers as well as TV and the sports production industry should wake up to the huge potential of eSports says MTGx CEO Arnd Benninghoff.
IBC2018: Broadcaster plans to develop a global lifestyle platform around golf, followings its acquisition of rights to the PGA Tour.
IBC2018: Machine learning tool trialled during coverage of this year’s Royal Wedding can be used in live sports, awards and political events.
IBC2018: The strongest case for the use of AI production tools is in lower cost genres of television, says BBC AI Research Engineer Craig White.
IBC2018: Awards presented to Eurosport, Medialaan, RTÉ, Econet Media, BBC R&D as well as Sesame Street co-creator Joan Ganz Cooney
Tedial’s Jérôme Wauthoz is joined by Daniel McDonnell of Timeline TV to present a case study exploring the huge impact of AI on the production of live sports.
IBC2018: High end cinema drones were put through their paces by programme makers in an HBO documentary which premiered at IBC.
A multi-disciplinary media executive with over 12 years of experience in cross media production and business development. Matt Tabaccos leads the commercial strategy at Ruptly Video News Agency, helping the company become the go-to brand in news media.
The launch of Sony’s Virtual Production solution has thrown a spotlight on the possibilities of remote production. But, as David Davies discovers, plenty of other vendors are gearing up to make the most of this particular revolution.
In the second instalment of a two-part feature we hear from three startups that have employed new technologies to optimise video, enhancing media workflows and an app to maximise TV subscriptions.
Transmitting via IP offers broadcasters the possibility of interconnecting radio, video and internet perfectly, writes 2wcom Chief Executive Werner Drews.
An in-depth look at how M2A Media worked with ITV and the BBC to offer a service to live stream the Royal Wedding to the US on Britbox.
The broadcast industry has been experiencing a tremendous transformation since the arrival of the Internet, and digital convergence has become a reality, writes Genelec R&D Director Aki Makivirta.
Artificial intelligence technology is swiftly moving from experiment to practical use across production workflows and into the heart of content creation.
Broadcasting veteran Peter Salmon has a job that demands he be ubiquitous, crossing platforms, formats and countries alike as he spins ideas around the ‘internationally travelling community’ of one of the world’s biggest content factories.
For traditional broadcasters, the world of sport provides inspiration for stirring up fan engagement. Google’s Strategic Partner Lead for Broadcast & Sport Ben Napier explains how.
Sports federations are increasingly partnering with sports producers to broadcast their niche events, IBC365 talks to leading sports producers about the do’s and don’t of covering smaller tournaments.
Jonathan Bramley is a busy man. As Executive Producer of the BBC coverage of the inaugural European Championships he needs to win gold at logistics and be ace at juggling too.
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
IBC is the perfect meeting point for the converging worlds of media and telco, writes IBC Chief Executive Michael Crimp.
To meet the viewer expectations of instant news and coverage of anything that moves, broadcasters and brand owners are pressured to accelerate their output. At the same time, budgets are shrinking, says Mobile Viewpoint Managing Director Michel Bais.
BBC Studios Chief Executive Tim Davie on the need for talent, a ready supply of content and the importance of co-productions as scale becomes vital for broadcasters.
Ultra High Definition (UHD) and High Dynamic Range (HDR) are set to be two of the hottest topics at IBC2018.
As telcos look toward verticals for 5G, IBC Chief Executive Michael Crimp and TM Forum Chief Executive Nik Willetts explain how the TM Forum’s Catalyst programme can develop use cases within the media and entertainment industry.
The rise of unreliable information on the internet has raised issues of trust and distrust for the media throughout the developed world - and is a subject that will be examined in detail at IBC2018 in Amsterdam.
Football star Eden Hazard’s augmented reality interview on Belgian TV went viral soon after it aired during the World Cup. Here’s how it was produced.
With the deadline to Brexit fast approaching, IBC365 asks leading media executives about the big issues they want government to resolve.
BBC R&D has scooped the Best Conference Paper Award for its research into practical uses of AI for production.
Behind the scenes of ITV’s summer hit that has sold all over the world to countries including Germany, Australia and Finland.
There was a social media meltdown early in the World Cup as Australian fans damned an OTT service provider for failing to adequately stream matches. So how should OTT providers ensure that streaming of high-demand live events keeps the fans happy?
CCTV, RTÉ, ESPN and Discovery are among the broadcasters shortlisted for the IBC2018 Innovation Awards.
Programmers have taught AI platform IBM Watson to learn the meaning behind expressions, fan reaction and body language, allowing Wimbledon to get highlights from Centre Court online faster than ever before.
Most stories about new broadcast facilities are all about beautiful buildings designed by ‘starchitects’ featuring soaring atriums and state-of-the-art studios and production systems. This is not one of them. This is the story of tin-roofed, mudbrick buildings with no air-conditioning, and brand new, old-fashioned analogue production kit.
UHD, HDR, AI, VR and social media expansion make debut for FIFA’s World Cup.
Discovery’s $2 billion purchase for all non-US television and digital rights of golf’s PGA Tour tournaments could create the largest single sport OTT offering, but why has the broadcaster decided to invest so much in the sport?
Amazon’s estimated £100 million purchase of an English Premier League football package puts beyond doubt any question that the future of live sports viewing is now in the hands of the tech giants.
Increasing audience demands for more content and more engagement are driving a new wave of remote production, but the big players stress that, as ever, connectivity is a key factor.
The new age battle for eSports audiences and revenues between the world’s top professional leagues took a giant step forward this month with the launch of the NBA’s own eSports league.
A broadcast news organisation needs flexible reactions and infrastructure to deliver current affairs on time, but also forward planning and skills investment to guarantee continued success, according to ITN’s Bevan Gibson
With many broadcasters still grappling with how to collaborate with freewheeling creators, has BBC Wales hit on the ideal model for community interaction?
Coverage of the UEFA Champions League Final is set to be another UHD and VR 360 spectacular, while chances seem high that the BBC will commit to UHD HDR live streaming of FIFA World Cup in Russia.
Attitudes might be moving in the right direction but there’s still an imbalance facing black, Asian and minority ethnic (BAME) talent in the broadcast industry
From Tie Break Tens tennis to Power8 Sprints rowing, bite-sized sports are shooting for digital audiences with short attention spans.
A second IBC365 roundtable discussion, hosted by Claire Tavernier, explores the relationship between traditional sports and the emerging eSports community.
Looking back on almost 50 years of iconic films, ranging from The Shawshank Redemption and The Big Lebowski to Skyfall and Blade Runner 2049, the British cinematographer discusses his creative approach and his life in pictures.
The launch of F1 TV this weekend marks the motorsport’s biggest investment in its digital transformation to date. Few see it as a risk.
Women are under-represented in all areas of broadcast, from leadership roles at hardware and software firms, to directors and script writers, camera operators and engineers.
Mobile video journalists (MoJo) from CBC, RTE and BBC offer insight into how technology has revolutionised reporting, the impact of mobile apps and the threat to traditional reporting.
NAB 2018: NEP’s Keith Lane on the ways the industry is making remote production a reality and the cost and quality benefits of adoption.
The phenomenon of eSports is a transformational concept, a genuine disrupter. While acknowledging the use of the obvious cliché, it is a game changer.
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
The key challenges facing the broadcast industry are not just to do with technology, according to Al Jazeera’s Mohamed Abuagla.
With ever-increasing competition among broadcasters for viewers and revenue, John Maxwell Hobbs asserts there is no ‘magic bullet’.
Ross Biddiscombe explores the fierce impact Tiger Woods has on clawing in live television audiences.
Watch now to hear key players discuss real world experience of the role AI is taking in live sports.
NAB 2018: The range of cameras with larger sensors from the likes of Arri, Panavision, Red and Sony offer more choice than ever when it comes to acquisition formats and lens options.
NAB 2018: A glut of statistics on consumer interest in UHD, as well as the unveiling of kit from the likes of Sony, Blackmagic, Canon and Panasonic point to the steady uptake of UHD.
In the second instalment in a series of articles that look at job roles and their relationship with technology, Alana Foster speaks with three unmanned aerial vehicle (UAV) operators.
From building new playout centres to strengthening MTG’s triple play offering, Bartek Gudowski explains the priorities of a modern CTO and why cyber security is a global issue.
With the quality of audio capture integral to the success of a production, IBC365 speaks with industry experts to examine the changing requirements production sound mixers and the response of manufacturers.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
In the second instalment of our CTO Series, 21st Century Fox’s Paul Cheesbrough speaks about the challenges of delivering content to more platforms than ever before and explains why cyber security is his number one priority.
The ongoing fight for TV audiences in one of the world’s fastest growing sports, mixed martial arts, has found a new and unusual battleground.
In the first of a series of articles that look at job roles and their relationship with technology, Alana Foster speaks with three digital imaging technicians whose credits include Black Mirror, Skyfall and McMafia.
The Royal Television Society (RTS) has announced its 2018 programme awards nominations.
Fitting out a new ‘pay as you go’ news studio required a focus on future proofing and building an infrastructure with the resilience and contingency to handle 4K from cameras to cables, writes Wesley Dodd.
The power of Facebook, Amazon, Apple, Netflix and Google was a recurring subject on the opening day of the conference at Mobile World Congress.
The way we shoot and deliver TV and film may have changed, but despite the constant cycle of change, cinema and TV is still in good health, says John Maxwell Hobbs.
Murdoch extends Sky News promise and Disney and Marvel break box office records.
Making sure that metadata remains with material, the use of AI to search archives and workflows that allow journalists to publish one story to multiple platforms simultaneously - George Jarrett completes a two-part look at the newsroom technology market.
Sir Ridley Scott awarded the highest honour at the Baftas as Three Billboards, Darkest Hour and The Shape of Water scoop top awards.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
It’s not just the athletes that have broken records at the XXIII Winter Olympics in PyeongChang - the technology has set new standards too.
The Broadcasting Press Guild (BPG) has shortlisted traditional and online-first television programmes for its 44th annual awards.
In the first of a two part series on newsroom technology, George Jarrett talks to the BBC and vendors about enabling journalists and delivering content to digital and broadcast platforms.
Manufacturers have been showcasing their latest 8K displays and the upcoming Winter Games looks set to be a watershed for 8K production, but what does the long term future hold for high resolution content?
The Royal Television Society has announced the nominations for its 2018 Television Journalism Awards.
“Good enough,” is not a phrase usually heard in the corridors of broadcasters unless it’s following the words “that’s not”, writes John Maxwell Hobbs.
Technicolor CTO Jon Walkenhorst and colleagues discuss how emerging technology is changing the way stories are told.
IBC365 previews the technical categories for the 90th Academy Awards in which digital acquisition dominates.
The making of the BBC’s Blue Planet 2 and the rise of virtual reality content were among IBC365’s most-read Production articles of 2017.
Virtual reality (VR) for immersive live-action and 360-degree video, optimising audience experiences and deploying VR were among the topics covered in this year’s technical papers.
Remote production makes sense for some types of TV and it could usher in a new wave of innovative formats, writes Tony Gregory.
How can event organisers make best use of new technologies and how can they distinguish valuable applications from temporary fads and how can technology experts help them with that, ask Pim Schoonderwoerd and Paul Hassink.
Technical papers on audio presented at IBC2017 included UK startup Salsa Sound, which went on to win the IABM Annual Conference Dragons’ Den competiton earlier this month for its live sports broadcast system.
Case study: The BBC has over forty VR, 360 video and immersive audio experiments, that teams across the corporation have developed, covering a broad range of topics.
The advent of high-resolution head-mounted displays (HMDs) enables new applications for virtual and augmented reality.
A new emerging 5G technology with phased array antennas was used for the contribution of live TV documentary broadcast in Norway.
Your digest of the week’s top media, entertainment and technology news.
Hall 12 proved to be a fertile hunting ground for those in search of gadgets and gizmos for acquisition and camera support, writes David Fox.
IBC2017: Ignoring the opportunities and flexibility of mobile could mean that broadcasters risk signing their own death warrant. This was the message from IBC’s ‘Live is Dead: Long live Live’ session, where the panellists were unanimous in urging broadcasters, not just in news, but right across the entertainment spectrum, to ...
The iconic Television Centre in West London has reopened, with The Jonathan Ross Show the first production to use the overhauled studios that were dubbed ’the home of British television’.
Sky Sports is pulling no punches when it comes to the Floyd Mayweather and Conor McGregor fight, broadcasting boxing’s biggest event of the year.
One Championship CEO Chatri Sityodtong on creating a new generation of Asian martial arts heroes, and delivering new audiences to broadcasters.
Producers continue the search for innovation and social engagement to enhance the viewers’ experience across their live sports premium content offering.
With many broadcast vendors supporting 5G tests and trials, the nascent technology could lead to much more than faster mobile internet browsing.
Several years ago shooting video on DSLRs was a big new trend, then video manufacturers responded with their own large-sensor camcorders. So, what place do the latest DSLRs have in broadcasting?
Advances in technology mean that broadcast engineers have an increasingly important role to play in aiding the creative process, says John Maxwell Hobbs.
BT Sport and MTG are among the broadcasters that will show the first-ever live 360-degree coverage of the Champions League final.
The Royal Television Society (RTS) revealed its annual Programme Award winners at a gala ceremony in London.
Sports as a content genre can be characterized using certain keywords – live, unscripted drama, conversational, loyal audiences
Within the ICoSOLE project, different (cost-effective) ways of capturing spatially outspread events are being considered.
Profound change to the way media is produced, distributed and consumed is upon us.
Sport coverage on radio is popular, but has specific requirements: people do other things while listening to radio, so any enhancements to the audio experience must respect this.
The LiveIP project is a practical exploration of the possibilities and opportunities achievable with today’s IP enabled broadcast technology in a live production environment.
BT launched its IPTV service in 2006 offering a combination of On-Demand video and Digital Terrestrial Television. In 2012 BT TV added multicast delivered channels to the service providing High Definition (HD) Linear TV, over a Fibre-To-The-Cabinet (FTTC) access network, to BT Broadband customers.