All Cloud Production articles
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VideoBuilding the studio of tomorrow, today!
IBC2023: Amazon Studios has defined the state of the art in cloud production from the cameras on North America’s largest Virtual Production Stage, through post in its brand new 8K capable facility for movies and series. Join us for a panel discussion with Amazon Studios, AWS Media & Entertainment, and ...
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Daily NewsRoss: Hyper-convergence lays the ground for savings
From its new IBC location in Hall 9, Ross is promising an immersive experience focusing on XR, AI, robotic cameras, cloud production and hyper-converged infrastructures.
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VideoPanel: New production trends delivering content everywhere
IBC2022: The trend to virtual, remote and distributed production is accelerating. Cloud production is a reality, SaaS tools are on the rise, and the metaverse is on the horizon. New approaches are creating new opportunities for how and where content is created and new possibilities for how it is consumed. ...
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VideoDemo: How to build your own live digital show in the cloud
IBC2022: Grabyo is a SaaS platform that is accessed using a web browser. Grabyo Producer is its cloud-based production control room, multiviewer and audio mixer. Using Producer, production teams can mix live video feeds, VOD assets and graphics, host remote guests and distribute live streams to all broadcast, social, digital ...
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Daily NewsCloud editing is now in CNA’s DNA
Like many broadcasters, the pandemic drove Singapore-based Mediacorp to the cloud for production of its Channel News Asia (CNA). It turned to an existing supplier, Qvest, to provide cloud editing.
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Daily NewsGrabyo debuts cloud-based instant replay
Major updates will be debuting at IBC for live production platform Grabyo Producer. The company is launching instant replay and a new VOD playout system to extend its production services, building on its cloud control room, multiviewer and audio mixer.
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Daily NewsMoving live to the cloud with LiveU
The cloud will take centre stage on the LiveU stand, including a first look at its end-to-end cloud production workflow with easylive.io. LiveU acquired the company in May 2022 and has integrated easylive.io to offer a full solution for live contribution, cloud production, orchestration, ingest and distribution.
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Daily NewsMovieLabs open to applications from M&E industry innovators
MovieLabs, the technology joint venture of the major Hollywood motion picture studios, has launched an initiative calling on progressive Media and Entertainment organisations to apply and showcase their innovations at IBC2022.
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Industry TrendsSustainability in Live Production: The Premier League shoots for net zero
As part of IBC’s Accelerator Media Innovation Programme in 2021, a team of sports broadcasters, rights-owners and technology vendors delivered an English Premier League production workflow trial to support the goal of a net zero carbon future for live productions. The IBC Sustainable Live Production Accelerator was an investigation into ...
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Daily NewsTelstra and Grass Valley team for Stan Sport
Long-standing Grass Valley customer and partner Telstra Broadcast Services (TBS) has selected GV AMPP (Agile Media Processing Platform) to enable cloud-based production and playout capability for Stan Sport.
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Industry TrendsNew Grass Valley CEO Andrew Cross on the content revolution, the cloud and IP adoption
With the pandemic providing a catalyst for change in many areas of production, newly appointed Grass Valley CEO Andrew Cross hails a “hugely exciting time” in the history of M&E.
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Thought LeadershipComment: Keeping content secure in the cloud
MovieLabs has published a recommended set of security practices for anyone that uses cloud services for production, writes Spencer Stephens.
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Thought LeadershipThe explosion of cloud-based production workflows and AI-enhanced content in live news and sports broadcasts
The popularity of cloud-based broadcast production and AI-enhanced content is at its highest point ever. Every aspect of live programming can be produced in the cloud or enriched with AI for faster, easier, and at a fraction of the cost broadcasters have become accustomed to.
