All HDR articles
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VideoEnabling Next-Generation Broadcast Delivery of the FIFA World Cup with MPEG-5 LCEVC
During FIFA world cup 22, V-Nova partnered with Brazilian national broadcaster Globo for the successful trial of MPEG-5 LCEVC enabling two new enhanced live delivery broadcast experiences. The first showcase featured a live broadcast channel leveraging the LCEVC enhancement layer to convert an existing TV 2.0 signal into a High-Dynamic ...
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Daily NewsSony’s HXC-FZ90 paves pathway to 4K production
Sony’s new HXC-FZ90 system camera is designed to enable an easier 4K migration pathway for studio and event production companies.
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Industry TrendsBehind the Scenes: Wimbledon 2023
The Championships, Wimbledon 2023 may feature more UHD and High Dynamic Range coverage than ever this year but it’s the volley of editorial firepower being served up that is the real story of the Championship’s technical production, writes Adrian Pennington.
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Daily NewsHitachi DK-H700 camera puts 4K HDR in its box
Hitachi’s latest box camera is the 4K DK-H700, which uses the same optical block as its SK-UHD7000 (launched last year), but in a much smaller package.
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Industry TrendsEnergy Efficiency: Reducing the Environmental Impact of Entertainment
Sustainability and environmental impact have become essential parts of business strategy across the media industry, but the devil is in the detail, reports Andrew Williams.
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Daily NewsMimik offers light stuff for VR
In VR production the videowall is often used to partly light the scene, to reflect the background on the subject. However, videowalls are RGB, so the light is not full spectrum. To counteract this, Kino Flo has devised the Mimik VR, “a lighting panel fed by a video signal,” that ...
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Daily NewsNucleus will cell you on high-speed cameras
At the heart of the Nucleus - Antelope’s latest slo-mo system - is a server capable of handling input from two high-speed cameras in UHD and offering at least 40 minutes storage per camera. It also delivers permanent live feeds, as well as instant slow motion.
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Daily NewsSony’s HDC-F5500 jazzes up live production
Sony’s recently introduced HDC-F5500 system camera boasts a Super 35mm frame and a 4K CMOS global shutter image sensor, to give a cinematic look with easy integration into live production systems.
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Industry TrendsRemote Post Production: “Some things can’t be replicated in the cloud”
Remote post production is not only alive and well, but positively booming, according to the panel on the latest IBC Webinar: Remote Post Production.
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Daily NewsPhotosensitive epilepsy detection for HDR from Venera
The first QC product to provide the Harding Test for photosensitive epilepsy (PSE) within HDR content is now available.
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Daily NewsLeader IP analyser gets signal generation and SDR/HDR tools
Leader has released a major update to its LVB440 IP analyser. The instrument’s IP traffic and signal monitoring resources are now supplemented by signal generation tools plus the ability to monitor and analyse SR Live Metadata required for mutual conversion of HDR and SDR.
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Daily NewsFlagship UHD HDR studio camera launched by Ikegami
Ikegami’s new UHK-X750 is a full studio/OB camera integrated into a rugged metal housing and includes high frame rate capture for slow-motion applications, global shutter sensors and versatile connectivity.
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NewsArri Alexa 35 4K camera launched – the smallest fully-featured Arri
Arri has launched the Arri Alexa 35, a 4K Super 35 camera which incorporates the first new sensor in 12 years from Arri.
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NewsBBC to broadcast Glastonbury in UHD
The BBC is to broadcast in Ultra High Definition (UHD) from the Glastonbury Festival this summer, marking the first time it has broadcast any music event in UHD.
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VideoDolby Vision: workflows
Do you want to know how to make the most of the Dolby Vision workflow?
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VideoDolby Vision: A simple history of imaging and the solution for today
Learn why it is time to switch from SDR to Dolby Vision HDR.
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VideoGroundbreaking new Native IP Camera from Grass Valley
The Native IP LDX 100 camera captures superb UHD HDR images at 3X high speed, no base station is required as audio, video control connections are all at the camera head.
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NewsSMPTE calls for manuscripts for Motion Imaging Journal
SMPTE is seeking technical manuscripts for peer review and possible publication in upcoming issues of the SMPTE Motion Imaging Journal .
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Industry TrendsAI to HDR: What to expect from media technology in 2018
No one can really see into the future, of course, but there are experts out there who might just be able to offer us a glimpse of what is to come. End users, analysts and consultants consider what 2018 might bring across TV, cinema and online.
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VideoUHD from lens to screen: Who is calling the shots?
A panel of experts that span the supply chain discuss where the drive for higher resolution images is coming from and consider the challenges in creating and delivering UHD content.
