Cyber security expert Scott Borg tells IBC365 that the media industry is in “dire straits” if cyber policies and defences aren’t given the highest level of priority.
In consciously opting against a hybrid solution for its new broadcast centre, German sports producer Plazamedia has created a modern, future-proof system as SMPTE 2110 approaches.
From the challenge of monetising online video, to the implications of artificial intelligence and the adoption of IMF, DPP managing director Mark Harrison spells out the key focuses for the organisation.
The SMPTE 2018 Annual Technical Conference & Exhibition provides an opportunity to take a deep dive into the latest techniques and technologies shaping the media and entertainment industry, writes Aimée Ricca
Digital movie archives can be short-lived, and without concerted effort we risk losing part of our cultural history.
Alliance for Open Media spokesman Matt Frost on the rollout of AV1 and the creation of another delivery codec.
Influential and visionary executives from across the industry united at the IBC2018 Executive Forums to discuss key trends, opportunities and disruptors to shape future strategy.
Read technical papers from Ateme, BBC R&D and Divideon lifting the lid on serious disquiet in the world of video compression and watch experts recent progress and predict future performance gains.
The serverless cloud model is particularly attractive for TV services, it can reduce operational overheads and lower barriers to entry.
This paper presents background information on the state of video codec licensing and lays out a description of the XVC licensing framework, constructed to significantly improve the current video codec licensing situation.
Capitalising on the efficiency and scalability that the cloud offers, Avid undertook a number of cloud test drives with select media organisations in Europe and the US to develop a deeper understanding of cloud workflows.
This paper analyses the overall compression capabilities of these two emerging technologies with respect to HEVC, including objective and subjective performance evaluation and the associated encoding and decoding complexities.
Now that the specification is finalised, the Alliance for Open Media has set high expectations for AV1. The prospect of a royalty free alternative to HEVC has many industry supporters, particularly those addressing streaming applications for a standard that is optimised for OTT delivery.
IBC2018: The video industry will have to learn to juggle between AV1, H.264, HEVC and VP9 and future codecs like VVC. That’s the lesson from IBC where warring factions in the codec wars came to trade blows without landing a palpable hit.
Marco Tinnirello, the new Chief Executive of Eurovision Media Services, the business arm of the European Broadcasting Union (EBU), speaks about his vision for the organisation and his thoughts on the media industry today.
IBC2018: “Brutally frank conversations” are needed inside broadcasting organisations about the scale of the cyber security threat they all face, lBC’s Cyber Security Forum hears.
Three major threats - ad blockers, ad bots and hackers - are compromising ad-based revenue models, says Inside Secure Chairman and Chief Executive Amedeo D’Angelo.
A broadcaster’s cyber strategy needs to be robust when faced with challenges but Channel 4’s Brian Brackenborough appears to have most of the bases covered.
The world of codecs will be one of the big talking points at IBC this month, as the industry weighs up a raft of new, more efficient video compression techniques like AV1, VVC and XVC.
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
The media market is once again teeming with innovation. This time though, the innovation is not about better picture quality or improved signal processing, but it really lies within metadata, says Hexaglobe Chief Executive Franck Coppola.
This whitepaper explores the idea that, as new technologies emerge, everything from virtual and mixed reality to artificial intelligence, will need IP.
From board games to board rooms, the rise of Melody Hildebrandt to Global Chief Information Security Officer at 21st Century Fox has come at a time of great change and heightened risk in the media landscape.
With more video being produced than ever before and an increasing array of platforms on which to consume content, the DPP set about examining how today’s production companies work.
Technology is the driving force behind creative content production and new business efficiencies but remaining at the cutting edge while guarding against a security breach remains a top priority for technology heads.
As the world gets ever more connected and still more vulnerabilities open up, how can broadcasters and suppliers work together to prepare for and combat threats?
In this second part of an IBC365 focus on becoming cloud - and micro services - native, we follow on from what vendors Grass Valley and Avid said in part one, and look to the umbrella under which all broadcasters gather to resolve the great technology issues – the European ...
This whitepaper examines what file-based industries such as M&E require from their storage systems when data grows at an explosive rate and must always be available.
Competing cloud computing platforms are seeking to exploit what each sees as its key differentiator for the broadcast space.
Join IBC365 as leading industry minds discuss the latest thinking on decentralised infrastructure technology and real life business and workload requirements for media at the edge.
Disconnected, disillusioned or indifferent to cyber warfare? IBC365 speaks to Tony Gee about ethical hacking and how broadcasters can defend against cyber security attacks.
Experts from 21st Century Fox, Perform Group, the DPP and Ascot Barclay discuss cyber threats to the media industry and how to handle a security breach.
This whitepaper explores how object storage stacks up against LTO tape for media archives and backup and looks at the opportunity costs of not leveraging the real-time data access of object storage to monetise existing data.
Migrating broadcast operations to private cloud environments is increasingly popular, but for reasons of agility, efficiency and even creativity, but the future model may lie more in the direction of micro-services and the public cloud, according to the big broadcasting vendors
The Digital Production Partnership (DPP) has announced the release of a new guide designed to aid news organisations and suppliers of news systems in easily exchanging metadata.
Metadata is crucial as an enabler of automated production and targeted content. Would a standard help?
Work on the standard mastering format for B2B content distribution across the digital landscape has been a long process, but a gathering of the leading cheerleaders for IMF at NAB in Las Vegas may indicate that consensus is closer than ever
NAB 2018: NEP’s Keith Lane on the ways the industry is making remote production a reality and the cost and quality benefits of adoption.
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
The key challenges facing the broadcast industry are not just to do with technology, according to Al Jazeera’s Mohamed Abuagla.
IP connectivity and the cloud means that both the intellectual property and the infrastructure of broadcast and media companies is now at risk of cyber attack.
Some of the leading exponents of AV1 speak with IBC365 about the origins of AV1, the industry’s reaction to the codec, and how it is likely to evolve.
NAB 2018: DPP Managing Director Mark Harrison on how interoperable master format (IMF) is the solution to expensive, complex and time-consuming versioning for content creation.
NAB 2018: The IABM has introduced the BaM Content Chain: from Creator to Consumer industry model offering technology buyers, end users and vendors a 360-degree view of the industry.
NAB 2018: If there was a single phrase that swept the show floor in Las Vegas, it surely has to be artificial intelligence.
NAB 2018: Cyber security, audio technology and content creation solutions were showcased by Cisco, Fortium, Deluxe and Dolby during NAB.
NAB 2018: The Digital Production Partnership has released its new guide on the advantages of adopting the Interoperable Master Format (IMF).
The IABM has announced the shortlist for its new Broadcast and Media Awards (BaMs) which will be presented during NAB 2018.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
From AI to M&A, Dick Hobbs picks his way through the marketing buzz to predict what visitors might be talking about at NAB 2018.
Without any doubt, the future of the broadcast industry will be increasingly influenced by the Cloud-based technologies, but today is there still a place for on-premise video servers? And if so, what will these servers look like and how will they operate? Will everything be remote production over IP networks?
SMPTE and DPP explain why they are working together on the creation of an Interoperable Master Format (IMF) specification for broadcast and online and what progress has been made so far.
With viewers consuming content on an increasing array of devices and platforms, and the media industry a high-profile target for hackers, the task of protecting assets can be complicated and costly.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
A changing industry, with increased demand for video from a wider array of organisations, has fueled the need for a different breed of broadcast solutions provider, writes Håvard Myklebust.
Pirating and the illicit redistribution of premium content is a growing concern for content owners and platforms. What are the tools for dealing with the threat?
Articles featuring the adoption of cloud, transition to IP, converting assets to HDR and SMPTE ST 2110 approval were among the most-read Content Management articles of 2017.
The maturation of the broadcast industry and advances in technology have allowed media firms to concentrate on the essentials, writes John Maxwell Hobbs.
The Alliance for IP Media Solutions (AIMS) has entered into a formal agreement with the North American Broadcasters Association (NABA) on the technology roadmap for IP.
Media technology buyers look poised to increase their spending over the next 12 months as part of wider efforts to boost efficiency and agility.
The use of the internet to deliver live content and VOD is growing as fast as new platforms arise to view it on, but there are challenges facing broadcasters and content owners wishing to get onboard.
The upcoming MPEG Media Orchestration standard enables the temporal and spatial orchestration of multiple media and metadata streams.
Though High Efficiency Video Coding (HEVC) is still in its take-up phase, it is foreseeable that even better compression will be needed in the future.
The EBU Recommendation R-137 (TLCI-2012) is based upon the behaviour of modern broadcast HDTV cameras with 3-sensor technology.
The rapid technical, social, and financial changes in the media industry are forcing all of us to re-examine our content supply chains.
The broadcast and media industry’s trade bodies were out in force at this year’s IBC, demonstrating technology advances, forging alliances and showcasing their standards work.
The M&E industry is going through fundamental changes as consumers demand immediate access to content. By utilising the right technology, this demand can be met – and monetised.
The cloud promises flexibility but are concerns about price a barrier to adoption?
The broadcast and media technology market global revenue grew in 2016, with products and services reaching $50.97 billion.
When Hollywood finally had its Interoperable Master Format (IMF) standardised by SMPTE back in 2013, there were already murmurings about a possible broadcast version of the format.
Storage for video production used to be simple: you picked the video camera you could afford, and the camera choice often dictated the videotape format you would use, said Stan Moote, CTO, IABM.