What is the point in offering thousands of hours of content if you can’t find where it is?
TV businesses must shake off short termism and think customer lifetime value
From Facebook to Twitch to YouTube, cleverly integrated production solutions and lower price-points are making high-quality live streaming accessible to those who want to share content across a vast array of platforms.
The in-car entertainment systems is one of France 24’s new distribution charter explains director of technical solutions for distribution David Couret.
From the creation of content in the cloud to the delivery of content to mobile devices, NAB 2019 was awash with innovation that suggests an even closer relationship between the media and telco industries.
Disney has confirmed its streaming service will launch in November with new originals and a host of favourites from Disney and Pixar, as well as The Simpsons and Star Wars.
NAB 2019: Online streaming services were targeted in major credential stuffing attacks 30 billion times last year according to a new report by Akamai.
UK broadcaster ITV is edging closer to rolling out a programmatic ad tech platform for its live and on-demand service ITV Hub as it plays “catch up” with its use of data and analytics.
Vendors including Amagi, Evertz and Haivision have joined forces to promote an interoperable standard for low-latency streaming.
Passionate about sports and storytelling, Vera Bichler speaks to IBC365 about being the first female football director at Austrian broadcaster ORF
Director of post-production at Fox Sports Brandon Potter explains how the broadcaster worked with some key vendors to deliver footage of the Russia World Cup and the lessons it learnt.
From the transition to digital broadcasting to the adoption of OTT, the IABM’s newly published report on Middle East and Africa outlines the prospects for growth in the region
Sky has undergone strategic changes and adapted its business model under the new Comcast ownership with management preparing for an increase in the pace of change.
The Berlin Philharmonic’s decision to stream its concerts in high-quality audio and video has seen it push both technical as well as creative boundaries, writes David Davies.
Today, the latency of online video stream delivery is typically too long to provide the viewing experience users expect, resulting in unhappy viewers and lost revenue. Fortunately, new live streaming technology makes it possible to deliver live streams in less than a second, enabling exciting new experiences that engage viewers ...
This year’s MWC event will be remembered for the arrival of 5G, the emergence of foldable devices. And beyond the usual calls for lighter regulation and greater cooperation, the realisation of one smarter converged network is coming to fruition.
MWC19: Telecom operators are nervous about the level of investment required for 5G, but video will be the “killer app” to support the consumer business case, according to Liberty Global chief executive Mike Fries.
The next generation of mobile technology holds enormous promise, particularly for media and entertainment, but managing consumer and industry expectations of 5G will be key, says Mark Smith.
As telcos gear up for 5G mobile networks and continue to roll-out broadband fibre connections, they are faced with the challenge of increasing revenue so they can support their investment in new infrastructure. George Malim examines the strategies of Verizon, BT and Globe to assess what makes a winning content ...
China and North America will lead the market for streaming video on-demand services with subscribers set to grow to 743 million in the next four years.
Esports could help shape the future of broadcast according to executive Tanya Laird, who spoke about the need for a “melting pot” of collaboration and interaction.
The esports business is on track to be a billion dollar industry, with millions of participants and viewers, but industry leaders have called for more partnerships and government investment.
Esports is pioneering workflows that could be picked up by mainstream sports coverage, and with rising interest and growing prize pots, the influence of esports looks set to increase.
Time to market is an increasingly critical challenge for telcos with a pay-TV strategy in today’s new world order of OTT players and large video streaming providers.
Just two years old, DAZN has spent hundreds of millions acquiring sports rights in a bid to win subscribers to its subscription streaming service. But will its big spending ways pay off? Ross Biddiscombe profiles the OTT platform that’s disrupting the sports broadcasting industry.
Join this IBC365 webinar on demand to discuss how the boundaries between broadcasters, pay TV platforms, OTT operators and telecoms providers are blurring.
IMG’s entry into the OTT marketplace with its new Serie A service has ramped up the battle for sports audiences on digital platforms after a couple of years of cautious rights buying by the likes of Amazon and Facebook.
Hall 14 continues to expand and mature into one of the most exciting and interesting spaces at IBC, writes IBC Daily reporter Anne Morris.
Read Dolby Laboratories, Sennheiser, EVS, UEFA and BT Technology technical papers and watch their presentation from IBC2018 on the exciting technology developments in sports production.
In the past few years, 5G has moved from being a vision, through an intense process of standards development, to extensive trials around the world.
As it stands, the US is one of the most expensive places in the world to get internet. One in four homes are unable to get broadband-level speeds necessary for effective streaming, while the Federal Communications Commission continues to do awaywith plans to make high-speed Internet more affordable, writes Phenix ...
The rise of the podcast now with wide scale implementation of server-side adverts and listeners buying up audio-focussed devices, the industry is a far more welcoming place.
The collaboration between IBC and the TM Forum will give media-telco convergence projects prominence at IBC and at the TM Forum’s Digital Transformation World, writes TM Forum Chief Executive Nik Willetts.
An in-depth look at how M2A Media worked with ITV and the BBC to offer a service to live stream the Royal Wedding to the US on Britbox.
People want to access all content on every screen and enjoy the best video and sound quality, explains Netgem CTO Jean-Francois Galtier.
This whitepaper introduces a choice of latency reduction options— including ongoing support for Flash and small chunk streaming for HLS/DASH. As organisations seek to adopt live video for time-critical use cases, latency has emerged as a significant challenge.
The OTT market is showing tremendous growth, making it an extremely interesting time for new entrants and those already within the industry, says Magine Head of Commercial Operations Fredrick Engdahl.
Jukin Media Senior Director of Business Development Jean Coffey talks through the key elements of mobile optimised content.
There was a social media meltdown early in the World Cup as Australian fans damned an OTT service provider for failing to adequately stream matches. So how should OTT providers ensure that streaming of high-demand live events keeps the fans happy?
Disney launches its own OTT service next year into a market where Netflix has spent its way to the top. Will Disney’s offer be too little too late to catch up? Or is there room for another big OTT player?
The media industry is at an inflection point, one in which we have no clear view as to where we’ll end up, or who the winners will be.
Competition around the world is ramping up for the OTT leaders from other big tech firms, local specialists, traditional channels and pay-TV operators.
Galvanised into action the media industry can claim some success in reducing incidents of illegal streaming. But the threat remains high as pirates turn to more sophisticated methods of attack.
With the Fifa World Cup underway and constant announcements about vast amounts of money being spent on live rights fees, piracy is still too often making a mockery of the industry, writes Ross Biddiscombe.
UHD, HDR, AI, VR and social media expansion make debut for FIFA’s World Cup.
Discovery’s $2 billion purchase for all non-US television and digital rights of golf’s PGA Tour tournaments could create the largest single sport OTT offering, but why has the broadcaster decided to invest so much in the sport?
Amazon’s estimated £100 million purchase of an English Premier League football package puts beyond doubt any question that the future of live sports viewing is now in the hands of the tech giants.
In the first in a two-part series we showcase five startup companies from around the world that offer innovative solutions to disrupt the traditional technology ecosystem.
More video providers are embracing download-to-go applications. Here’s why.
Watch the on-demand webinar to hear leading OTT operators and their technology providers discuss how they have designed-in quality and user experience all the way through to consumers’ devices.
Coverage of the UEFA Champions League Final is set to be another UHD and VR 360 spectacular, while chances seem high that the BBC will commit to UHD HDR live streaming of FIFA World Cup in Russia.
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
Red looks likely to make a full-scale launch of its Hydrogen phone in the summer, but a picture of what the handset will be capable of is starting to emerge.
A new codec designed for delivering OTT content that is backed by the likes of Amazon, Netflix and Google, threatens to challenge the dominance of HEVC.
Fuelled by 5G, massive IoT adoption is expected to interconnect media across devices, connected cars and into smart cities, with a host of vendors and telecom operators showcasing their IoT offerings at Mobile World Congress.
Nokia, Ericsson, Huawei and Cisco are among the many manufacturers to announce major deployments and advances for 5G at Mobile World Congress.
The way we shoot and deliver TV and film may have changed, but despite the constant cycle of change, cinema and TV is still in good health, says John Maxwell Hobbs.
5G and its associated use cases are expected to take centre stage in Barcelona, while discussions will also turn to the potential of artificial intelligence (AI) to overhaul network management and customer service.
In 2018 in western economies there is an estimated $1 trillion of private funds looking for a home, and much of that money is looking for a berth in media technology companies.
The first-stage announcement about the 2018 English Premier League auction for TV rights this week underlined the end of an era: the days of hyperinflation for EPL rights are over, at least for now.
This annual report explores inside notes on digital viewing, consumer shifts and more.
IBC365 and a panel of Mobile World Congress attendees comment on the trends and talking points from this year’s Mobile World Congress, examining what the latest trends in mobile handsets, 5G, IoT and the role of telcos use of content mean for the media and entertainment industry.
The concept of “net neutrality” has captivated the attention of the general public thanks in part to a decision in the US to scrap rules that prevent broadband providers charging to deliver certain content.
Sky have tackled some of the most challenging scalability problems in the OTT space head-on.
Your digest of the week’s top media, entertainment and technology news.
IBC Innovation Awards winner VOOT on the successful delivery of multi-channeled OTT content to 300 million smartphones across India.
In entertainment at least, broadcasters and social media networks are more friends than foes as they harness social media to innovate new content and increase ratings.
The world’s most pirated TV series, Game of Thrones, is back. As viewers prepare to watch season 7 of the fantasy series, we ask what can be done to stop the wider illegal distribution of content?
Commercial TV across Europe is having a hard time holding onto its key clients, who are not viewers but advertisers.
Facebook looks set for a move into original content, with reports suggesting that the social media giant has already begun commissioning longform and shortform content.
In the search for the next big thing after HD, first came 4K. It was a simple concept to grasp: four times as many pixels must give a much better picture, surely?
The top 10 television service providers in the United States lost 937,000 television customers in 2016.
Live content gathers the highest audience share on TV today – since pre-produced content can already be viewed on demand.
Profound change to the way media is produced, distributed and consumed is upon us.
Over the last 30 years the volumes of ‘SDH’ captioning (Subtitles for the Deaf and Hard of Hearing), both live and pre-recorded, have increased considerably across the globe.
While HTTP adaptive streaming (HAS) technology has been very successful in delivering stable over-the-top video experiences at large scale, the technology has a number of important limitations as well.
With the growing popularity of social media sites, online video services, and smartphones, content consumers are recording, editing, and broadcasting their own stories.
ACTION-TV  proposes an innovative mode of user interaction for broadcasting to relax the rigid and passive nature of present broadcasting ecosystems.
CDNs and OTT video distribution platforms today use technologies such as HTTP Live Streaming (HLS) and MPEG-DASH, which use segmentation of the video streams and HTTP for delivery.