IBC2018: The strongest case for the use of AI production tools is in lower cost genres of television, says BBC AI Research Engineer Craig White.
IBC2018: Awards presented to Eurosport, Medialaan, RTÉ, Econet Media, BBC R&D as well as Sesame Street co-creator Joan Ganz Cooney
IBC2018: High end cinema drones were put through their paces by programme makers in an HBO documentary which premiered at IBC.
IBC2018: Al Jazeera Digital and Brave Bison execs outline strategies for targeting Gen Z viewers.
IBC2018: New fund will back drama and comedy shorts, announces BBC Studios boss Tim Davie in keynote IBC address.
IBC2018: Broadcasters must partner with digital platforms like YouTube, WhatsApp, Twitter and Facebook to launch shows that attract young audiences, says Endemol Shine’s Peter Salmon.
IBC2018: Creative deal making, speed and solid financial backing are vital for broadcasters like the BBC to secure the best content, says BBC Studios CEO Tim Davie.
The launch of Sony’s Virtual Production solution has thrown a spotlight on the possibilities of remote production. But, as David Davies discovers, plenty of other vendors are gearing up to make the most of this particular revolution.
Wonderhood Studios Chief Executive and Founder on what the future will look like for broadcasters, their relationship with the technology giants and the “great opportunities” on the horizon.
As post-production technology has become more accessible and cheaper, a big question facing many production companies is: should post production be brought inhouse? Three leading indies explain the pros – and cons – of going inhouse.
SingularDTV Co-Founder and film producer Kim Jackson will deliver the convention keynote exploring the impact blockchain technology is having on the media and entertainment industry.
Broadcasting veteran Peter Salmon has a job that demands he be ubiquitous, crossing platforms, formats and countries alike as he spins ideas around the ‘internationally travelling community’ of one of the world’s biggest content factories.
For traditional broadcasters, the world of sport provides inspiration for stirring up fan engagement. Google’s Strategic Partner Lead for Broadcast & Sport Ben Napier explains how.
Sports federations are increasingly partnering with sports producers to broadcast their niche events, IBC365 talks to leading sports producers about the do’s and don’t of covering smaller tournaments.
Jonathan Bramley is a busy man. As Executive Producer of the BBC coverage of the inaugural European Championships he needs to win gold at logistics and be ace at juggling too.
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
The global drama hit is produced with environmental considerations firmly in mind, aiming to reduce its carbon footprint year on year.
IBC is the perfect meeting point for the converging worlds of media and telco, writes IBC Chief Executive Michael Crimp.
To meet the viewer expectations of instant news and coverage of anything that moves, broadcasters and brand owners are pressured to accelerate their output. At the same time, budgets are shrinking, says Mobile Viewpoint Managing Director Michel Bais.
BBC Studios Chief Executive Tim Davie on the need for talent, a ready supply of content and the importance of co-productions as scale becomes vital for broadcasters.
Ultra High Definition (UHD) and High Dynamic Range (HDR) are set to be two of the hottest topics at IBC2018.
As telcos look toward verticals for 5G, IBC Chief Executive Michael Crimp and TM Forum Chief Executive Nik Willetts explain how the TM Forum’s Catalyst programme can develop use cases within the media and entertainment industry.
The rise of unreliable information on the internet has raised issues of trust and distrust for the media throughout the developed world - and is a subject that will be examined in detail at IBC2018 in Amsterdam.
Does news that Vivendi is to close its Studio+ mobile focussed short content platform only two years after launch point to wider weaknesses in the short-form market?
Football star Eden Hazard’s augmented reality interview on Belgian TV went viral soon after it aired during the World Cup. Here’s how it was produced.
With the deadline to Brexit fast approaching, IBC365 asks leading media executives about the big issues they want government to resolve.
With more dramas and films now delivering in HDR, IBC365 asks leading colourists to reveal all about the pros and cons of grading in the format.
He doesn’t draw or paint nor animates in the traditional sense but give Joe Letteri a computer and he can figure out how to create any image in the world – or a world yet unknown. The four times visual effects Oscar and BAFTA winner has shaped three decades of ...
Jeremy Fox, along with former Sony boss Sir Howard Stringer, has a new scheme to provide ammunition to telcos wanting to rival Netflix and Amazon. And it’s working.
With more video being produced than ever before and an increasing array of platforms on which to consume content, the DPP set about examining how today’s production companies work.
Jean-Clément Soret on the mystery of being a colourist and the different requirements of grading commercials, film and TV.
Netflix leads the tally of 2018 Emmy nominations with 112 nods, surpassing HBO’s 108.
CCTV, RTÉ, ESPN and Discovery are among the broadcasters shortlisted for the IBC2018 Innovation Awards.
Programmers have taught AI platform IBM Watson to learn the meaning behind expressions, fan reaction and body language, allowing Wimbledon to get highlights from Centre Court online faster than ever before.
Most stories about new broadcast facilities are all about beautiful buildings designed by ‘starchitects’ featuring soaring atriums and state-of-the-art studios and production systems. This is not one of them. This is the story of tin-roofed, mudbrick buildings with no air-conditioning, and brand new, old-fashioned analogue production kit.
Oscar winning director Kevin Macdonald and his production team tell IBC365 how they overcame poor quality 1980s home video archive to bring his latest feature doc, Whitney – about the iconic but troubled star - to the big screen.
The business of being funny is no laughing matter. Compared to genres like factual, reality and drama, comedy can be too expensive, too regionally specific and just too much of a risk.
Norway’s new technology and broadcasting hub Media City Bergen is a shining example of collaboration and innovation.
Disconnected, disillusioned or indifferent to cyber warfare? IBC365 speaks to Tony Gee about ethical hacking and how broadcasters can defend against cyber security attacks.
Galvanised into action the media industry can claim some success in reducing incidents of illegal streaming. But the threat remains high as pirates turn to more sophisticated methods of attack.
Andy Serkis speaks about the “liberating tool” of performance capture and reveals all about his latest project Mowgli.
The proliferation of devices and platforms has meant that younger audiences are changing their viewing patterns, which in turn is shaping broadcaster and IP owners’ content strategies for a new generation of children.
A broadcast news organisation needs flexible reactions and infrastructure to deliver current affairs on time, but also forward planning and skills investment to guarantee continued success, according to ITN’s Bevan Gibson
Cutting films for an auteur is a tough challenge, one that demands a deep immersion in the script and the personality of the filmmaker. Imagine then what a balancing act must have to be performed when you are the go to editor for two of the world’s leading directors.
Your guide to what’s happening this week in the media, entertainment and technology industry.
The Digital Production Partnership (DPP) has announced the release of a new guide designed to aid news organisations and suppliers of news systems in easily exchanging metadata.
Attitudes might be moving in the right direction but there’s still an imbalance facing black, Asian and minority ethnic (BAME) talent in the broadcast industry
A second IBC365 roundtable discussion, hosted by Claire Tavernier, explores the relationship between traditional sports and the emerging eSports community.
Looking back on almost 50 years of iconic films, ranging from The Shawshank Redemption and The Big Lebowski to Skyfall and Blade Runner 2049, the British cinematographer discusses his creative approach and his life in pictures.
Love Island, This Country and Detectorists were among the programmes honoured at last night’s Baftas, with Peaky Blinders and The Handmaid’s Tale also triumphing in their categories.
Women are under-represented in all areas of broadcast, from leadership roles at hardware and software firms, to directors and script writers, camera operators and engineers.
Oscar-nominated sound designer Julian Slater speaks about new ways of editing sound and why the term ‘immersive’ can be a red herring.
The phenomenon of eSports is a transformational concept, a genuine disrupter. While acknowledging the use of the obvious cliché, it is a game changer.
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
The key challenges facing the broadcast industry are not just to do with technology, according to Al Jazeera’s Mohamed Abuagla.
In the first in a series of interviews with industry-leading craft talent, Goldcrest’s Jet Omoshebi speaks about breaking into the world of grading and the essential attributes of a colourist.
Game of Thrones wins three awards including a special award for “pushing boundaries”.
With ever-increasing competition among broadcasters for viewers and revenue, John Maxwell Hobbs asserts there is no ‘magic bullet’.
Watch now to hear key players discuss real world experience of the role AI is taking in live sports.
NAB 2018: The range of cameras with larger sensors from the likes of Arri, Panavision, Red and Sony offer more choice than ever when it comes to acquisition formats and lens options.
NAB 2018: A glut of statistics on consumer interest in UHD, as well as the unveiling of kit from the likes of Sony, Blackmagic, Canon and Panasonic point to the steady uptake of UHD.
The power of archive is dramatically on show in Lionsgate’s Michael Caine-fronted feature documentary My Generation, which traces the cultural revolution that occurred in the 1960s.
Black Mirror, Line of Duty, The Crown and Three Girls have all been nominated in three categories for the 2018 Bafta television awards.
In the second instalment in a series of articles that look at job roles and their relationship with technology, Alana Foster speaks with three unmanned aerial vehicle (UAV) operators.
From building new playout centres to strengthening MTG’s triple play offering, Bartek Gudowski explains the priorities of a modern CTO and why cyber security is a global issue.
With the quality of audio capture integral to the success of a production, IBC365 speaks with industry experts to examine the changing requirements production sound mixers and the response of manufacturers.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
In the second instalment of our CTO Series, 21st Century Fox’s Paul Cheesbrough speaks about the challenges of delivering content to more platforms than ever before and explains why cyber security is his number one priority.
The Royal Television Society recognised BBC’s Planet Earth II, ITV’s Love Island and C4’s The End of the F***ing World for excellence in British television.
The ongoing fight for TV audiences in one of the world’s fastest growing sports, mixed martial arts, has found a new and unusual battleground.
In the first of a series of articles that look at job roles and their relationship with technology, Alana Foster speaks with three digital imaging technicians whose credits include Black Mirror, Skyfall and McMafia.
The Royal Television Society (RTS) has announced its 2018 programme awards nominations.
Fitting out a new ‘pay as you go’ news studio required a focus on future proofing and building an infrastructure with the resilience and contingency to handle 4K from cameras to cables, writes Wesley Dodd.
The Shape of Water scooped the Best Picture gong during the 90th Academy Awards with I, Tonya, Three Billboards and Darkest Hour also awarded across the categories.
The power of Facebook, Amazon, Apple, Netflix and Google was a recurring subject on the opening day of the conference at Mobile World Congress.
The way we shoot and deliver TV and film may have changed, but despite the constant cycle of change, cinema and TV is still in good health, says John Maxwell Hobbs.
Murdoch extends Sky News promise and Disney and Marvel break box office records.
Making sure that metadata remains with material, the use of AI to search archives and workflows that allow journalists to publish one story to multiple platforms simultaneously - George Jarrett completes a two-part look at the newsroom technology market.
This Future Reality Theatre Fireside Chat covers networks, studios and creators’ efforts to distribute and monetise immersive content.
Sir Ridley Scott awarded the highest honour at the Baftas as Three Billboards, Darkest Hour and The Shape of Water scoop top awards.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
The creative talent responsible for VFX and editing of big screen blockbusters Maze Runner: The Death Cure, Downsizing and Paddington 2 discuss their craft.
It’s not just the athletes that have broken records at the XXIII Winter Olympics in PyeongChang - the technology has set new standards too.
The Broadcasting Press Guild (BPG) has shortlisted traditional and online-first television programmes for its 44th annual awards.
In the first of a two part series on newsroom technology, George Jarrett talks to the BBC and vendors about enabling journalists and delivering content to digital and broadcast platforms.
The Royal Television Society has announced the nominations for its 2018 Television Journalism Awards.
With increasing demand for UHD and HDR content, colour management and workflow optimisation are at the heart of product development.
“Good enough,” is not a phrase usually heard in the corridors of broadcasters unless it’s following the words “that’s not”, writes John Maxwell Hobbs.
The Royal Television Society (RTS) has launched its fourth career event to help those keen to forge a career in the television industry.
IBC365 previews the technical categories for the 90th Academy Awards in which digital acquisition dominates.
IBC2017: Panellists offer insights and ideas on fusing the creative and technical sides of VR and 360-degree video production.
The making of the BBC’s Blue Planet 2 and the rise of virtual reality content were among IBC365’s most-read Production articles of 2017.
All the numbers surrounding eSports tournaments seem increasingly stratospheric. Is now the time to be investing?
From SDI to IP, HEVC and the cloud, and the adoption of VR, conversations were diverse but focused on one goal: moving the industry forward with practical product releases.
Cinematographer and visual effects pro David Stump, ASC, sees light-field technology as a huge opportunity for film, TV, virtual reality and other areas of content creation.
IBC2017: Despite declining viewing figures, there remains plenty of demand for childrens’ TV.
The use of mixed reality technology has enabled the creation of formats with levels of interactivity that have not been seen before, says FremantleMedia’s Petter Testmann Koch.
The iconic Television Centre in West London has reopened, with The Jonathan Ross Show the first production to use the overhauled studios that were dubbed ’the home of British television’.
Advances in technology mean that operational staff need to know more – not less – about the tools used to create TV.
Dunkirk is the latest release in the new and rather specialised sub-genre of war films pushing film technology in new directions.
The IT industry’s ‘one best way’ approach isn’t always compatible with the media industry, writes John Maxwell Hobbs.
Advances in technology mean that broadcast engineers have an increasingly important role to play in aiding the creative process, says John Maxwell Hobbs.
Broadcaster and journalist Andrew Neil spoke to delegates at the Digital TV Group (DTG) Summit in London where he delivered a stark warning to British broadcasters.
Light field technology could help to cut the cost of creating visual effects (VFX) for film and TV productions by doing away with the need for green screens.
As VP of Technology, Warner Bros. Michael Zink is responsible for exploring the emerging technologies that could enhance Warner Bros.’ capabilities in production, post production and distribution.
For the past three decades, FM broadcasters have been engaged in what have become known as the “loudness wars”,
The move to all-IP production has generated a lot of interest from broadcasters as a means of both saving costs and enabling innovation in production methods.
With the advent of distributed systems where every node has a sufficient amount of local resources to perform given tasks partly independently from all other units, reliable and timely data communication became a mandatory requirement together with the need for a common notion of time or at least a method ...