Post-Production | IBC365

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Drones, ref cams, emotion: How to reach live sports audiences at scale

Audience at IBC meets Tilly, Hollywood’s new 'AI superstar’

AI-driven anonymisation that preserves human performance

AI-driven anonymisation that preserves human performance

Sovereign AI-assisted editing: MCP versus agent-to-agent orchestration for confidential audiovisual content

Meagan Keane: “streamline the creative process And help creators work more efficiently.”

Adobe Premieres Generative Media Tool for Creators

Westland (with URSA Cine 12K LF 100G): ‘The choice now is pretty much to go ST 2110 straight away’

AI boost for Resolve and ST 2110 product push

Ryan Stoutenborough: “real value of AI Suite is the time it gives back”

Agentic capabilities come to SNS’s AI Suite

Collection Maykova

SVT’s Dennis Buhr: “‘Software-defined’ isn’t just about replacing hardware”

The causal edit: A Pearlian framework for narrative logic in AI editing systems

Exploration of AI-assisted asset tools in VFX production pipelines 1

Exploration of AI-assisted asset tools in VFX production pipelines

Phillips: ‘We’re very excited about what live language translation can do’

Live translation hits prime time

Phil Petitpont: “Our goal is to drive adoption through the new generation”

Moments Lab’s AI turns back catalogues into TikToks

The EVO shared storage SAN + NAS video editing server just got faster

EVO answers the need for speed

Black Goblin to debut Thol AI-assisted audio spotting tool at IBC2026

Lapis launches AI-assisted search across all data types

Profuz Digital launches new media management and subtitle tools

Workflow transformation: “AI should be for reliability, not creativity”

From AI production to immersive media: European innovators to watch at IBC2026

KAI to launch AI storytelling trials at IBC2026