All Audio Technologies articles – Page 7
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Industry TrendsDelivering the story: Newsroom technology
In the first of a two part series on newsroom technology, George Jarrett talks to the BBC and vendors about enabling journalists and delivering content to digital and broadcast platforms.
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Industry TrendsBlog: Building a worse mousetrap
“Good enough,” is not a phrase usually heard in the corridors of broadcasters unless it’s following the words “that’s not”, writes John Maxwell Hobbs.
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VideoThe New Canvas: How emerging tech is changing storytelling
Technicolor CTO Jon Walkenhorst and colleagues discuss how emerging technology is changing the way stories are told.
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VideoVideo: BBC R&D's work with object-based media
Andrew Mason, Senior Technologist at BBC R&D, speaks about the Orpheus research project and explains how the BBC is experimenting with object-based audio.
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Industry TrendsHearing the future: The immersive sound revolution
New techniques for capturing and delivering audio will be part of even more immersive experiences, writes Amelia Kallman.
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Industry TrendsIBC2017 technical papers: Audio
Technical papers on audio presented at IBC2017 included UK startup Salsa Sound, which went on to win the IABM Annual Conference Dragons’ Den competiton earlier this month for its live sports broadcast system.
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Technical PapersAutomatic generation of audio descriptions for sports programs
NHK has developed a means of automatically generating auxiliary audio descriptions from metadata for use in live TV sports programs.
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Technical PapersExperiments in immersion
Case study: The BBC has over forty VR, 360 video and immersive audio experiments, that teams across the corporation have developed, covering a broad range of topics.
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Technical PapersAutomatic sound source localisation for object-based audio recording
The ORPHEUS research project aims to invent new workflows for producing, broadcasting and playing back object-oriented audio content.
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Technical PapersEnhanced next generation audio for live sports broadcast
Sports broadcasters benefit from a more adaptive scenebased audio capture and rendering, commonly referred to as Next Generation Audio (NGA).
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Technical PapersORPHEUS audio project
Object-based media is a revolutionary approach for creating and deploying interactive, personalised, scalable and immersive content.
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Industry TrendsThe power of the podcast
IBC2017: The final instalment of the popular What Caught My Eye series of sessions concluded with producer and social media expert Muki Kulhan scouring the exhibition halls to come up with her best buys for web-broadcasters.
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Thought LeadershipThe potential of object-based audio for broadcasters
Object-based audio allows for greater personalisation of content but the underlying technology needs to be open to allow for interoperability, writes Roger Miles.
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Industry TrendsDolby honoured for 50 years of innovation
IBC2017: Dolby Laboratories recognised for its 50 years of audio innovation receiving the International Honour for Excellence at the IBC Awards Ceremony.
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Technical PapersObject-based audio for television
Since the beginning of TV production, channel based audio mixing has been the norm.
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Technical PapersAudio for television – how AES67 and uncompressed 2022/2110/TR03 video fit together
In today’s TV production environment, audio can take two forms: embedded audio and independent audio.
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Industry TrendsEBU loudness specification changes
In 2016, the European Broadcasting Union (EBU) updated all of its loudness specifications, except for the core, EBU R128 itself.
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Technical PapersThe wall of moments: An immersive event experience at home
Within the ICoSOLE project, different (cost-effective) ways of capturing spatially outspread events are being considered.
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Technical PapersA framework for a content-based hybrid content radio
This paper gives an overview of the recent experimental services proposed by a group of European Broadcasters exploring the potentialities of a hybrid approach for audio in radio.
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Technical PapersMaking audio sound better one square wave at a time
For the past three decades, FM broadcasters have been engaged in what have become known as the “loudness wars”,
