How can AI, big data and machine learning be used to help improve the user experience?
For designers, the priority should be giving an experience that meets users’ experience and needs ahead of ‘special attractions’, writes Ostmodern’s CEO and co-founder Tom Williams.
IBC365 speaks with three user experience designers working for the BBC, RTE and BluTV on the challenges and changes to creating and evolving user interfaces for modern audiences.
DTG chief executive Richard Lindsay-Davies speaks to IBC365 on the importance of good UX, opportunities and challenges.
What is the point in offering thousands of hours of content if you can’t find where it is?
Rival broadcasters are forming new alliances as they look to compete with streaming services.
A seamless user experience has surpassed the belief ‘content is king’ with audience retention, engagement and discoverability critical for success.
Red Bull is using biometric data to transform the viewer experience. Chief innovation officer Andreas Gall explains how, and explains why he thinks audio is so important.
International multi-channel TV network Ginx will take esports direct-to-consumers after investment from Sky and ITV and more than 410 active engaged fans globally, CEO Michiel Bakker confirmed.
Broadcast radio and television remain the most trusted media throughout Europe ahead of new media, according to the EBU’s latest report.
The Long Night, Game of Thrones’ biggest, most expensive, and longest episode to date, has been dogged by complaints of murky pictures and difficult to see action. What, if anything, went wrong?
Join IBC365 on demand at 4pm BST to explore the value of voice control for content.
NAB 2019: Virtual set solutions powered by games engines proved a big draw for the live broadcast as well as the scripted market.
NAB 2019: The rapid growth of esports is proving to be a godsend for live event kit vendors, and as a result was a major focus at this year’s show in Las Vegas
NAB 2019: Netflix has partnered with Intel to launch new video codec SVT-AV1.
The jury is out on the aesthetic qualities of high frame rates (HFR) for cinema but the technique seems an inevitable part of the future theatrical experience.
From interactive episodes of Black Mirror to Bear Grylls’ latest series, Netflix’s post-production operation and supply chain is responsible for servicing the insatiable appetite for original content that will see it deliver more than 1,000 branded shows this year.
Viacom is championing audiences and its flagship channels with traditional distribution and over-the-top models to enhance value beyond its core offerings, according to SVP Dan Fahy.
While UK VFX and animation houses operate in the almost certain knowledge that Brexit will dent their global competitiveness, facilities in Europe expect to benefit.
One of the world’s leading specialists in 3D production, Demetri Portelli’s credits include Oscar winner Hugo through to Ang Lee’s upcoming sci-fi film Gemini Man – and he thinks that 3D filmmaking remains vital to the future of cinema