Metadata is crucial as an enabler of automated production and targeted content. Would a standard help?
Work on the standard mastering format for B2B content distribution across the digital landscape has been a long process, but a gathering of the leading cheerleaders for IMF at NAB in Las Vegas may indicate that consensus is closer than ever
IP connectivity and the cloud means that both the intellectual property and the infrastructure of broadcast and media companies is now at risk of cyber attack.
Some of the leading exponents of AV1 speak with IBC365 about the origins of AV1, the industry’s reaction to the codec, and how it is likely to evolve.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
Deep learning, metadata and digital transmission were among the research areas explored across the IBC2017 technical papers.
In the era of multiplatform delivery the ability to create many formats at speed is vital, but where does the cloud fit in a broadcaster’s transcoding strategy?
A replacement for the JPEG 2000 (J2K) block coder that offers exceptionally high throughput, with a small reduction in coding efficiency.
Video production is characterised by large data volumes, to ease intensive workflows a novel image and video codec called JPEG XS is currently standardised.
Improving the quality of service and efficiencies with higher resolution, HDR and WCG in online delivery, there is a need for advanced video compression standards.
This ”State of the Web” whitepaper from Bitmovin explores Digital Rights Management systems and supported devices in 2017.
If you want the values and benefits that the cloud can actually bring, your approach to thinking about it has to change, argues Greg Hoskin, managing director, EMEA and APAC, Signiant.