A new report analysing subtitle data found environmental sustainability themes were significantly underrepresented across British TV.
The shift to 4K and 8K production has required improvements downstream, with those involved in managing and manipulating images in need of greater processing power and increased storage.
NAB 2019: Automated production, cloud, 5G, at-home production and streaming codecs are among the likely hot topics in Las Vegas.
Metadata has evolved dramatically in recent years, from straightforward descriptions to supporting complex usage in today’s asset management systems. Now AI promises a great leap forwards.
The fast-paced developments of cloud computing are evolving new kinds of machine that will be applied to professional media production.
Read TiVo, BBC and Rai technical papers and watch their presentations on ‘true’ personalisation and the art of matching diverse content types to users expression of interest.
Effective entertainment discovery solutions require a deeper understanding of content, and one approach to harnessing this knowledge is extracting semantically-relevant metadata.
Bridging broadcast and internet services can be difficult because the system architectures are typically different.
The media market is once again teeming with innovation. This time though, the innovation is not about better picture quality or improved signal processing, but it really lies within metadata, says Hexaglobe Chief Executive Franck Coppola.
In this second part of an IBC365 focus on becoming cloud - and micro services - native, we follow on from what vendors Grass Valley and Avid said in part one, and look to the umbrella under which all broadcasters gather to resolve the great technology issues – the European ...
Migrating broadcast operations to private cloud environments is increasingly popular, but for reasons of agility, efficiency and even creativity, but the future model may lie more in the direction of micro-services and the public cloud, according to the big broadcasting vendors
The Digital Production Partnership (DPP) has announced the release of a new guide designed to aid news organisations and suppliers of news systems in easily exchanging metadata.
Metadata is crucial as an enabler of automated production and targeted content. Would a standard help?
Work on the standard mastering format for B2B content distribution across the digital landscape has been a long process, but a gathering of the leading cheerleaders for IMF at NAB in Las Vegas may indicate that consensus is closer than ever
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
NAB 2018: The Digital Production Partnership has released its new guide on the advantages of adopting the Interoperable Master Format (IMF).
SMPTE and DPP explain why they are working together on the creation of an Interoperable Master Format (IMF) specification for broadcast and online and what progress has been made so far.
No one can really see into the future, of course, but there are experts out there who might just be able to offer us a glimpse of what is to come. End users, analysts and consultants consider what 2018 might bring across TV, cinema and online.
Articles featuring the adoption of cloud, transition to IP, converting assets to HDR and SMPTE ST 2110 approval were among the most-read Content Management articles of 2017.
Deep learning, metadata and digital transmission were among the research areas explored across the IBC2017 technical papers.
With the sheer scale of digital information now available, many journalists have recently started using data in order to tell compelling stories.
The consumption of video contents rises and consumers’ behaviour changes, video broadcasters must find new strategies to engage with their viewers.
Fewer than one in five respondents to an Avid Customer Association (ACA) survey consider virtual and augmented reality to be important to their strategic growth plans, with more than 80% still pondering business models for adopting the nascent technology.
The broadcast and media technology market global revenue grew in 2016, with products and services reaching $50.97 billion.
In the last couple of years, there has been a rapid growth of second screen devices such as mobiles and tablets to drive digital entertainment systems.
In a broadcast organization content is created generally with an intent to publish and/or archive it in one way or another.
The transition to IP, the value of metadata and the ageing media industry are just some of the issues facing the broadcast sector today.
Speed reading can often lead to misinterpretation. The title of this paper, “USING IMF FOR INTERNATIONAL DISTRIBUTION”, is intentionally ambiguous, hence the subtitle WHAT DOES THAT MEAN? Assuming that you interpret IMF as SMPTE’s Interoperable Mastering Format (1), the ambiguity comes from the word using.
In the UK the BBC provides subtitles for 100% of its television programmes on all of its main television channels.
The value of metadata is now completely accepted for archiving and in many areas of production, particularly news, where it is crucial to enabling people to search, find and manage content quickly and easily.
In the space of the content (video) consumption on an OTT platform (using IPTV, mobile, tablet), showing contextual ads is a currently a function of global attributes only.
The economy and its way to market its goods and services have been changing over the last decades. With the social transformation and the trend towards a pleasure and leisure oriented society, economic variations and new orientations have been established.