All Storytelling articles
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Video
5 minutes with… LiveU
NAB 2022: IBC365 speaks with LiveU VP Marketing Ronen Artman on the challenges and benefits of cloud production and the 5G opportunity for content creators.
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Video
5 minutes with… Blackmagic Design
NAB 2022: IBC365 speaks with Blackmagic Design managing director EMEA Stuart Ashton on the importance of smooth remote collaboration.
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Industry Trends
Behind the Scenes: In The Heights
Cinematographer Alice Brooks and production designer Nelson Coates capture a colourful Latino vibe for Lin-Manuel Miranda’s upper west side story.
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Industry Trends
Transforming production at Vice Media Group
With offices in 35 cities, Vice creates 1700 pieces of content daily across its multiple lines of business - and is now is putting in place production systems to help foster collaboration and unified workflows across the global group. The team in charge of production transformation tell IBC365 what is ...
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News
Themed week: Crafting Content
IBC365’s content creation-focused themed week will explore the many aspects of making great film and TV, from the acquisition of images and audio to the post-production of content.
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Industry Trends
Behind the Scenes: Small Axe
Steve McQueen’s acclaimed series about the West Indian experience in 1970s London doesn’t so much rewrite history as write the community into British history.
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Industry Trends
Heard the one about the TV comedy shot in 12K? Sky Deutschland has
A show about the history of comedy for Sky Deutschland’s new thematic HD channel Sky Comedy was shot almost entirely in 12K resolution, no joke.
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Industry Trends
Behind the Scenes: Love & Anarchy
For the team behind Netflix show Love Anarchy, HDR with Dolby Vision gave the opportunity to explore the kind of textures and subtleties that “made all the difference”.
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Industry Trends
The art of running a niche streaming service
How can niche OTT services attract and engage viewers in such a competitive streaming landscape? IBC365 talks to specialised SVODs History Hit and Alchemiya to find out.
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Industry Trends
Oscars nominations: Inside the editing category
The Oscars editing category features a varied mix of shortlisted films. IBC365 finds out how they were cut, with insight from those tasked with editing the features.
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News
RTS announces programme awards winners
The Royal Television Society (RTS) has announced the winners of its Programme Awards 2021, with Michaela Coel picking up three wins for her BBC series I May Destroy You.
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Industry Trends
Oscars nominations: Inside the cinematography category
IBC365 delves into the Best Cinematography category of the 2021 Oscar nominations.
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Industry Trends
Behind the Scenes: Promising Young Woman
IBC365 speaks with Oscar-nominated editor Frédéric Thoraval about how he cut Promising Young Woman.
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Executive Interviews
Interview: Cara Sheppard, Twickenham Studios
After a majorly disrupted 2020, production in the UK looks to be well and truly back on track and Twickenham Studios, led by managing director Cara Sheppard, is keen capitalise.
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Executive Interviews
Interview: Úna Ní Dhonghaíle, editor
The multi-award winning editor of Three Girls, The Crown and Death on the Nile speaks with IBC365 about her journey to becoming one of Hollywood’s most sought after editors.
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Executive Interviews
Interview: Tami Reiker, cinematographer
IWD: In the first in a series of interviews with inspirational female leaders to mark International Women’s Day, Tami Reiker ASC reveals how she made history as the first woman to win an American Society of Cinematographers Award.
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News
MovieLabs appoints Spencer Stephens to production technology and security role
Motion Pictures Laboratories (MovieLabs) has appointed Spencer Stephens to the role of Senior Vice President, Production Technology and Security.
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Industry Trends
Behind the Scenes: Judas and the Black Messiah
Editor Kristan Sprague explains why they made multiple cuts of the story of Fred Hampton, the firebrand leader of the Black Panther Party who was killed in 1969.
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Industry Trends
Producing a cinematic Super Bowl
This weekend’s Super Bowl LV will look very different with a less-than-half-full stadium of fans and referees in masks, but one thing remains the same – there will be plenty of innovation for the fans watching on TV, including new camera angles and augmented reality graphics.