The DVB is working hard on the next phase of OTT delivery, writes DVB Project Head of Technology Peter Siebert.
IBC2018: Senior execs from companies such as Avid, AWS, NEP and ITV debate the state of the industry at IABM Business Breakfast.
Team behind new Netflix sci-fi drama The Innocents reveal how it was produced in HDR.
IBC2018: UHD screens will be in every third home in the US and every sixth home in Europe by the end of this year, says satellite operator
8K, in the shape of NHK’s Super Hi-Vision, has been an important part of the IBC Future Zone for years. This year, however, it’s breaking out to the rest of the show. How long, then, before 8K starts to go mainstream?
As mobile video continues to grow, so too do consumer expectations, writes Penthera President and Chief Operating Officer Daniel Taitz.
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
Ultra High Definition (UHD) and High Dynamic Range (HDR) are set to be two of the hottest topics at IBC2018.
BBC R&D has scooped the Best Conference Paper Award for its research into practical uses of AI for production.
UHD, HDR, AI, VR and social media expansion make debut for FIFA’s World Cup.
Post-production companies, long considered to be the ‘last stage’ in the broadcast and film chain, are often the most enthusiastic early adopters of cutting edge technology.
Coverage of the UEFA Champions League Final is set to be another UHD and VR 360 spectacular, while chances seem high that the BBC will commit to UHD HDR live streaming of FIFA World Cup in Russia.
Direct view LED displays promise greater luminosity and lower running costs, but will the high cost of installation and audience appetite for crisper images support rollout of the Samsung and Sony-backed technology?
As the media technology industry gathered in Las Vegas for NAB, the IABM produced a regional report on one of the world’s largest broadcast and media markets.
NAB 2018: The range of cameras with larger sensors from the likes of Arri, Panavision, Red and Sony offer more choice than ever when it comes to acquisition formats and lens options.
NAB 2018: A glut of statistics on consumer interest in UHD, as well as the unveiling of kit from the likes of Sony, Blackmagic, Canon and Panasonic point to the steady uptake of UHD.
NAB 2018: The Ultra HD Forum has released its Phase B guidelines demonstrating at the Las Vegas trade show the developments of UHD and HDR formats to enhance viewing experiences.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
The Cannes MIPtv programming market in April will see plenty of 4K/UHD programming available. IBC365 looks at some of the anticipated highlights.
From AI to M&A, Dick Hobbs picks his way through the marketing buzz to predict what visitors might be talking about at NAB 2018.
From increased application of artificial intelligence to an acceleration in adoption of the cloud, IABM Lead Research Analyst Lorenzo Zanni selects five trends that will shape the broadcast technology sector.
Over-the-air (OTA) TV, higher definition content and immersive experiences were top of the agenda during the conference sessions at CES.
PyeongChang is shaping up to be the most innovative Olympics ever, with advances in 8K and 5G production and an avalanche of OTT content.
The availability of BBC natural history series Blue Planet II in UHD HDR has been one of the more high profile recent HDR releases, but have the variety of industry standards and approaches hampered rollout?
Interview: Netflix Manager of Production Engineering Jimmy Fusil on overcoming the UHD challenge and managing big data.
HDR will soon be just as much about delivering great video experiences to tablets and smartphones as it is about delivering to the UHD TV in the living room.
IBC2017: Deep dive into a new generation of audio, better HDR and HFR were on the agenda when executives assembled during the Ultra HD Forum Masterclass.
There are now more than 50 commercial Ultra HD services worldwide, but for many broadcasters, moving to UHD is a more distant aspiration.
NBC has said that it is excited about the potential of 5G to offer its sports fans a better user experience over mobile.
There’s no doubt that the roll out of UHD services has been slower than the adoption of HD. IBC held a conference session on UHD to allow senior figures from Sky, Sony Pictures Entertainment, Netflix, Ericsson and Molinare to air the reasons why.
Selected highlights from the Future Zone, one of the most vibrant sections of IBC2017
The demand for greater quality images means that those crafting UHD and HDR content need to do so in a reliable and cost-effective way.
Ultra HD and VR might make all the headlines but when it comes to pushing the boundaries of sports production, but better use of data and artificial intelligence are likely to be the big winners, suggests David Shield.
Broadcasting UHD content is about more than just picture quality says Steam Labs CMO Anna Danilova.
Overcoming a fragmented technology eco-system will be key to widescale take up of advanced formats such as UHD, writes Dr. Hans Hoffmann, EBU.
With many broadcast vendors supporting 5G tests and trials, the nascent technology could lead to much more than faster mobile internet browsing.
The advent of UHD and HDR has made the need for accurate monitoring in the field and post production suites more acute than ever before.
Eutelsat’s latest industry survey focuses on Ultra HD, with an in-depth, across the board examination of how key players see this innovative broadcasting format evolving. Eutelsat Head of Market Research and Customer Experience Claudia Vaccarone discusses the report.
BBC Wales is making the bold step of ditching traditional baseband transmission in its new headquarters which is currently being built in Central Square, Cardiff.
The growing importance – and complexity – of VoD platforms has required vendors and service providers to provide sophisticated solutions.
Several years ago shooting video on DSLRs was a big new trend, then video manufacturers responded with their own large-sensor camcorders. So, what place do the latest DSLRs have in broadcasting?
In the search for the next big thing after HD, first came 4K. It was a simple concept to grasp: four times as many pixels must give a much better picture, surely?
Amazon and Netflix are not only acquiring documentaries and films, but are also heavily involved in producing their own content using ultra high definition (UHD) technologies, according to a white paper – 4K and UHD: So much more than just HD Video – released by IHS Markit.
South American broadcasting is facing similar disruptions to the global market, but the challenges have a local flavour.
Only a decade ago, high definition was the big new thing. With it came new wider 16:9 aspect ratio flat screen TVs that made the living room stylish in a way that old CRTs couldn’t match.
The introduction of image systems with higher dynamic range and a wider colour gamut is a globally active topic.
8K Super Hi-Vision (UHDTV) is a broadcasting medium featuring 16 times the number of pixels as Hi-Vision (HDTV) and 22.2 multichannel sound to provide a highly realistic “you are there” sensation.
As CTO at Globo, Raymundo Barros is responsible for overseeing engineering and technology operations. He led and spearheaded major initiatives such as the transition to digital TV and the creation and distribution of 4K, 4K HDR and 8K content.
We are witnessing today the big shifting of audio-visual professionals towards Beyond HD resolutions.
The arrival of the High Efficiency Video Coding (HEVC) standard enables the deployment of new video services with enhanced viewing experience, such as Ultra HD broadcast services. In addition to an increased spatial resolution, Ultra HD can bring a wider colour gamut (WCG) and a higher dynamic range (HDR) than ...
BT launched its IPTV service in 2006 offering a combination of On-Demand video and Digital Terrestrial Television. In 2012 BT TV added multicast delivered channels to the service providing High Definition (HD) Linear TV, over a Fibre-To-The-Cabinet (FTTC) access network, to BT Broadband customers.
The Centro Televisivo Vaticano (CTV) is the TV broadcasting centre of the Secretariat of Communication of the Holy See and its main goal is to contribute to spreading the universal message of the Pope through the production, distribution and archiving of TV material covering the activities of the Pope and ...
The first public demonstrations of the live production and delivery to home of 3840 x 2160 images were held in the early 2010s. These early trials prioritised the broadcast of higher resolution images over increased dynamic range or wider colour gamut. They were the result of advances in technology throughout ...
NHK has been engaged in the development and standardisation of the 8K “Super Hi- Vision” (SHV) system since 1995. Super Hi-Vision is a state-of-the-art television (TV) broadcasting system that provides ultra-realistic viewing experiences to viewers, creating the sensation that they are in the actual scene.