Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
The giant CES 2018 show opens on January 7 and it is widely expected that more than a few stands will be showcasing 8K video content on giant displays.
IP networks in video production environments opens up the application of achitectural patterns from enterprise IT to the domain of broadcast and media production.
WiB is a new system concept proposed for DTT, where potentially all UHF channels allocated to broadcasting services are used from all transmitter sites.
Treating media workflows as supply chains is a commercial revolution, not a technological one, says SDVI Corporation Chief Product Officer Simon Eldridge.
Snell Advanced Media’s (SAM) Digital Fact Book has been used to create a new industry-wide glossary by the IABM.
Existing production workflows need to be re-engineered to deliver multiple live feeds to a central location, explains John Smith, managing director, Media Links EMEA.
Digital Video Broadcasting (DVB) has published phase one of the European Telecommunications Standards Institute (ETSI) new video and audio coding specification enhancing future interoperability for UHD TV broadcasters with HDR.
Over the last few years, HTTP-based adaptive streaming has become the technology of choice for streaming media content over the Internet.
Speed reading can often lead to misinterpretation. The title of this paper, “USING IMF FOR INTERNATIONAL DISTRIBUTION”, is intentionally ambiguous, hence the subtitle WHAT DOES THAT MEAN? Assuming that you interpret IMF as SMPTE’s Interoperable Mastering Format (1), the ambiguity comes from the word using.