Netflix leads the tally of 2018 Emmy nominations with 112 nods, surpassing HBO’s 108.
From newsrooms to sports and TV production, AI is already being used to speed up and boost the creative process. But could it replace humans altogether?
Oscar winning director Kevin Macdonald and his production team tell IBC365 how they overcame poor quality 1980s home video archive to bring his latest feature doc, Whitney – about the iconic but troubled star - to the big screen.
There is a major new market emerging in the creation of branded video content - and it is being filled by small, multi-skilled digital production companies, who have no particular interest in broadcast TV.
The business of being funny is no laughing matter. Compared to genres like factual, reality and drama, comedy can be too expensive, too regionally specific and just too much of a risk.
Andy Serkis speaks about the “liberating tool” of performance capture and reveals all about his latest project Mowgli.
In the second part of our look at ethnic diversity in broadcasting, it’s plain that wholesale change – not just in one sector or area of opportunity – is required for the good of the industry.
Cutting films for an auteur is a tough challenge, one that demands a deep immersion in the script and the personality of the filmmaker. Imagine then what a balancing act must have to be performed when you are the go to editor for two of the world’s leading directors.
With many broadcasters still grappling with how to collaborate with freewheeling creators, has BBC Wales hit on the ideal model for community interaction?
Looking back on almost 50 years of iconic films, ranging from The Shawshank Redemption and The Big Lebowski to Skyfall and Blade Runner 2049, the British cinematographer discusses his creative approach and his life in pictures.
Love Island, This Country and Detectorists were among the programmes honoured at last night’s Baftas, with Peaky Blinders and The Handmaid’s Tale also triumphing in their categories.
Women are under-represented in all areas of broadcast, from leadership roles at hardware and software firms, to directors and script writers, camera operators and engineers.
Oscar-nominated sound designer Julian Slater speaks about new ways of editing sound and why the term ‘immersive’ can be a red herring.
IBC365 speaks to three VR and 360-degree video directors and cinematographers about how they capture immersive content and what the future holds.
Capturing and crafting immersive content requires specialist tools. Dick Hobbs looks at some of the latest technology for creating VR, AR and 360-degree video.
Mobile video journalists (MoJo) from CBC, RTE and BBC offer insight into how technology has revolutionised reporting, the impact of mobile apps and the threat to traditional reporting.
BBC Studios Chief Executive Tim Davie, Discovery Networks International President and Chief Executive Jean-Briac ‘JB’ Perrette and YouTube Chief Product Officer Neal Mohan are to deliver keynotes at the IBC2018 Conference.
In the first in a series of interviews with industry-leading craft talent, Goldcrest’s Jet Omoshebi speaks about breaking into the world of grading and the essential attributes of a colourist.
Game of Thrones wins three awards including a special award for “pushing boundaries”.
With ever-increasing competition among broadcasters for viewers and revenue, John Maxwell Hobbs asserts there is no ‘magic bullet’.
Watch now to hear key players discuss real world experience of the role AI is taking in live sports.
The power of archive is dramatically on show in Lionsgate’s Michael Caine-fronted feature documentary My Generation, which traces the cultural revolution that occurred in the 1960s.
Black Mirror, Line of Duty, The Crown and Three Girls have all been nominated in three categories for the 2018 Bafta television awards.
In the second instalment in a series of articles that look at job roles and their relationship with technology, Alana Foster speaks with three unmanned aerial vehicle (UAV) operators.
Not everything that happens in Vegas stays in Vegas: IBC365 is joined by a panel of industry experts to review what went on, what was hot, and what happened at the NAB 2018 conference and show floor.
A focus on functionality, utility, and efficiency may have produced a long list of recent innovations, but are we exploring the creative potential in new technology?
The Royal Television Society recognised BBC’s Planet Earth II, ITV’s Love Island and C4’s The End of the F***ing World for excellence in British television.
Ed Miliband and Hilary Mantel were among the winners of the Broadcasting Press Guild (BPG) Awards for podcast and radio programme of the year.
The Royal Television Society (RTS) has announced its 2018 programme awards nominations.
Fitting out a new ‘pay as you go’ news studio required a focus on future proofing and building an infrastructure with the resilience and contingency to handle 4K from cameras to cables, writes Wesley Dodd.
The Shape of Water scooped the Best Picture gong during the 90th Academy Awards with I, Tonya, Three Billboards and Darkest Hour also awarded across the categories.
The power of Facebook, Amazon, Apple, Netflix and Google was a recurring subject on the opening day of the conference at Mobile World Congress.
The way we shoot and deliver TV and film may have changed, but despite the constant cycle of change, cinema and TV is still in good health, says John Maxwell Hobbs.
Murdoch extends Sky News promise and Disney and Marvel break box office records.
Making sure that metadata remains with material, the use of AI to search archives and workflows that allow journalists to publish one story to multiple platforms simultaneously - George Jarrett completes a two-part look at the newsroom technology market.
Sir Ridley Scott awarded the highest honour at the Baftas as Three Billboards, Darkest Hour and The Shape of Water scoop top awards.
The creative talent responsible for VFX and editing of big screen blockbusters Maze Runner: The Death Cure, Downsizing and Paddington 2 discuss their craft.
The Broadcasting Press Guild (BPG) has shortlisted traditional and online-first television programmes for its 44th annual awards.
In the first of a two part series on newsroom technology, George Jarrett talks to the BBC and vendors about enabling journalists and delivering content to digital and broadcast platforms.
The Royal Television Society has announced the nominations for its 2018 Television Journalism Awards.
Technicolor CTO Jon Walkenhorst and colleagues discuss how emerging technology is changing the way stories are told.
IBC365 previews the technical categories for the 90th Academy Awards in which digital acquisition dominates.
IBC2017: Panellists offer insights and ideas on fusing the creative and technical sides of VR and 360-degree video production.
Event visitors expect an exciting programme, enhanced with visual techniques and storytelling, that gives them more than just information and facts, says Nynke Lipsius.
The giant CES 2018 show opens on January 7 and it is widely expected that more than a few stands will be showcasing 8K video content on giant displays.
Planet Earth II and Taboo were among the programmes honoured at last night’s Royal Television Society Craft and Design Awards.
The European Broadcasting Union (EBU) has launched a campaign to demonstrate that public service media (PSM) is key to a strong society.
Is this the most dangerous time to be a journalist? Industry figures spoke to IBC365 on reporting in a conflict zone, facing threats and the fake news phenomenon.
IBC2017: Choosing the right camera for filmmaking is easier and cheaper with digital products offering flexible solutions.
IBC2017: Reuters focusses on audience engagement, newsgathering and delivering reliable journalism to news organisations and audiences globally.
360 degree film making necessitates a new language for storytelling, the case study is based on material from two user studies on a 360 video profile of an artist.
Last night’s Rory Peck Awards recognised the achievements of freelancers working behind the camera in some of the world’s most hostile environments.
The filming techniques and camera technology used to capture elements of the world’s oceans that have never been seen before.
With a plethora of platforms to serve and in the era of fake news, the task of managing a team of journalists and delivering more digital content is arguably tougher than it’s ever been.
IBC2017: A self-shooting ’one-man band’ set himself the challenge to re-equip his video production kit with the latest equipment for less than €20,000.
With social networks signing live sport deals and commissioning original content, are they a broadcaster’s friend or fiercest rival?
Edgar Wright’s action and crime drama Baby Driver redefined the cinematic post-production workflow with the integration of music storyboarding from start to finish.
A range of technologies are enabling new methods of producing and distributing content to the cinema, TV and online.
From an immense space city to a Lexus inspired spaceship, Rodeo FX played a crucial part in bringing director Luc Besson’s vision of the graphic novel to the big screen
Dunkirk is the latest release in the new and rather specialised sub-genre of war films pushing film technology in new directions.
Hybrid broadcast broadband TV (HbbTV) Association with the HD Forum Italian (HDFI) Association have announced the 2017 HbbTV Symposium at the Auditorium Antonianum in Rome on 17-18 October.
The 2017 programme for the Hollywood Professional Association (HPA) Tech Retreat UK promises rich content on artificial intelligence (AI), machine learning (ML), cloud and high dynamic range (HDR).
The phenomenal changes in the way content is consumed has disrupted the media and technology supply chain for broadcasters and revolutionised the production world.
Celebrating excellence in British broadcasting across television the Royal Television Society (RTS) has opened entries for its 2017 Craft and Design awards.
Naomi Climer will be awarded the Lifetime Achievement honour at the annual TVBEurope Awards.
Virtual reality (VR) will transform into a unique medium of its own, according to Telegraph Group Creative Director Matt Simmonds.
SMPTE Director of Standards and Engineering Howard Lukk, Education Vice President Richard Welsh and Executive Director Barbara Lange will speak at key industry events throughout 2017.
For virtual reality (VR) to flourish creatives should keep experimenting with the technology which also needs to be embraced by the wider broadcast industry, according to Sky Creative Director Richard Nockles.
The 12th annual Hollywood Professional Association (HPA) awards have opened for submissions across a range of creative categories.
Light field technology could help to cut the cost of creating visual effects (VFX) for film and TV productions by doing away with the need for green screens.
21st Century Fox Chief Executive James Murdoch will deliver a keynote address to delegates at the upcoming RTS convention.
Established camera manufacturers were keen to show their virtual reality (VR) credentials at NAB, with Sony, Panasonic and Blackmagic Design among the firms to showcase tools for acquiring content.
Barbie’s video blogs are probably not on your YouTube favourites list, but they are part of an important trend which is rapidly snowballing: the use of gaming render engines to create broadcast and online material, quickly and very cost-effectively.
If you think VR in TV and film is just another passing fad, Sol Rogers, CEO and founder of Rewind, would like to change your opinion.
The Hollywood Professional Association (HPA) opened the call for entries for its Engineering Excellence Award at the Future of Cinema Conference at NAB.
Avid kicked off NAB with a customer and press event that focused on the company’s roll out of cloud-based apps and services.
IBC introduces new categories in response to changing industry trends and dynamics.
Meticulous planning and pre-visualisation were used to create Disney feature The Jungle Book.
The prime movers for virtual reality are gaming and real estate, with other applications in areas such as healthcare and education.
Olivier Schaak, Creative Director, Canal+, on the challenges of storytelling in a multiplatform world
Olivier Schaak offers advice on how to develop a story in a multi-platform world.
One of the UK’s most high profile cinema producers and cultural envoys discussed how British and European cinema must evolve, why cinema and media needs to retain its trusted status, what Brexit means for creative industries
It’s almost a cliché now: we are living in a ‘golden age’ of scripted TV. But what drives this TV renaissance and how it will evolve is a matter of ongoing debate.
Details of the adherence criteria and deadline dates announced
Programme details for The Society of Motion Picture and Television Engineers (SMPTE) conference
Virtual reality (VR) is a hot topic across the media industry and is already beginning to find traction in areas such as sports broadcasting, says Stan Moote.
The Royal Television Society (RTS) revealed its annual Programme Award winners at a gala ceremony in London.
The writer behind one of the biggest dramas of 2016 believes the success of the programme marks the beginning of something big for German TV.
The top 10 television service providers in the United States lost 937,000 television customers in 2016.
Sports as a content genre can be characterized using certain keywords – live, unscripted drama, conversational, loyal audiences