All Filmmaking articles – Page 4
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Industry TrendsBehind The Scenes: Moonage Daydream
Filmmaker Brett Morgen describes how dazzling sound and vision can personify the experience of being David Bowie.
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NewsElstree Studios launches additional two soundstages
Elstree Studios has launched two new soundstages.
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NewsWarner Bros. Discovery unveils 10-year DC superhero plan
Warner Bros. Discovery is planning a restructure so it can focus on DC superhero films in a bid to emulate the success of Disney’s Marvel Cinematic Universe.
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NewsZinc Media acquires The Edge Picture Company
Leading factual producer Zinc Media Group has raised £5m and has acquired branded content specialist The Edge Picture Company.
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NewsWales set for £1.6m film and TV studio
A new film and television studio is being planned for Anglesey in Wales to capitalise on the growing number of productions filming across the north of Wales.
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Industry TrendsBehind the Scenes: Making Jordan Peele’s Nope
Making the ‘Great American flying saucer horror’ with director Jordan Peele, editor Nicholas Monsour and DP Hoyte van Hoytema.
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NewsPinewood seeks permission for revised expansion plan
Pinewood Studios has submitted a planning application for an expanded Screen Hub scheme of 1.4 million square feet.
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Daily NewsHS-Art Digital to premiere Diamant-Film Colorizer at IBC
Debuting at IBC2022 will be the Diamant-Film Colorizer, a software solution for colouring black and white movies.
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NewsRTS Awards: Entries open for craft talent in TV and broadcasting
Entries are now open for broadcasters and individual crafts people across all competitive categories for the Royal Television Society Craft & Design Awards 2022.
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Daily NewsDedolight Neo gains from colour collaboration
The versatile dedolight Neo Color LED spotlight is the result of a technology collaboration between Dedo Weigert Film and Prolycht announced last year. It is an advanced 80W adjustable colour focusing spotlight in a familiar dedolight form factor, based on the highly accurate RGBACL Hyperlight Color Engine developed by Prolycht.
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NewsLondon’s 3 Mills Studios embarks on £6 million upgrade
The London Legacy Development Corporation (LLDC) has begun a £6 million renovation and modernisation project to upgrade several of the buildings at its 3 Mills Studios in east London.
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Industry TrendsBehind the scenes: Baz Luhrmann’s Elvis
“He is an entertainer. Everything is made for audiences to experience larger than life,” Mandy Walker ACS ASC, the director of photography, is talking about Baz Luhrmann, the director of Strictly Ballroom, Moulin Rouge and Romeo + Juliet but Elvis is now in the building.
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Daily NewsArri pulls out the stops for Alexa 35
The Alexa 35 camera is claimed to offer “industry-leading image quality at native 4K and 120fps”. It uses Arri’s first new sensor in 12 years, which delivers 2.5 stops more dynamic range (now 17 stops for improved HDR), better low light performance and richer colours.
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NewsTexas set for $267m virtual production, TV and film studios
Hill Country Group has announced plans to build Hill Country Studios, a virtual production, television and film studio in San Marcos, Texas.
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Industry TrendsTop Gun: Maverick – behind the scenes
Having raced motorcycles, been strapped outside an Airbus 400 at lift-off, put a helicopter into a controlled spin and signed on to film aboard the ISS, there was no way Tom Cruise was going to be chromakeyed into a F/A 18 jet for his return as Top Gun: Maverick.
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Industry TrendsBehind The Scenes: Everything Everywhere All At Once
The idea that we can overcome nihilism by embracing kindness is a beautiful concept, explains editor Paul Rogers
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Industry TrendsBehind The Scenes: Heartstopper
Hollyoaks with an art school twist: DOP Diana Olifirova explains how Netflix teen drama Heartstopper wears its heart on its sleeve.
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NewsStage Fifty unveils plans for Wycombe Film Studios
Studio operator Stage Fifty has revealed plans for an eight-stage facility on a 26-acre site near High Wycombe.
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Industry TrendsEditors Assemble: Cutting Hawkeye as a collaborative team
With three directors and crushing deadlines to contend with on Marvel’s limited series about heroic archers, as well as a pandemic to boot, how did the three editors on Hawkeye manage to tell such an enthralling, cohesive story?
