Applications for the Society of Motion Picture and Television Engineers (SMPTE) annual student paper award and scholarship have opened.
Changing the culture of production companies and breaking up the “boys club network” should be a top priority according to Brave Bison boss Claire Hungate.
A drama commissioning club for telcos, Atrium launched nearly two years ago with great fanfare and a mission to help regional telcos compete with global streamers for high-end drama projects. Tim Dams checks in on Atrium’s progress so far.
The 4K/UHD expectations of some leading streaming services mean that the home viewing experience could soon rival that encountered in commercial cinemas, writes David Davies.
Oscar winning cinematographer Dion Beebe has described using ultra high frame rates to film Ang Lee’s sci-fi actioner Gemini Man, as part of the future of cinema.
From the auction of Sky, to the rising interest in 5G and growing adoption of AI, IBC’s owners share their highlights and reflections of the last 12 months.
IBC365 takes an in-depth look at an increasingly popular choice for acquisition, with new methods trading cumbersome, data heavy workflows for virtually identical image fidelity but at lower data rates and file sizes.
Experts at the cutting edge of esports explore opportunity within the market, including content evolution and brand partnerships, whilst keeping a close eye on governance and regulation.
Gameshow Taskmaster has been a standout hit for UKTV and is now entertaining audiences around the world. Creator Alex Horne and execs from UKTV and production company Avalon explain how the show was exported to 17 countries.
There’s a huge amount of change taking place in the audio business, driven by the move towards immersive sound. Nowhere was this clearer than at this year’s IBC.
Andrew Dunne brought unique perspectives about high dynamic range and distribution to the IBC Big Screen session ‘HDR focus: Blue Planet II and The Grand Tour’. George Jarrett was able to dive deep and explore his point of view.
Grainy, black and white footage of World War One has been given the ultimate restoration treatment to startling effect in They Shall Not Grow Old.
JB Perrette is totally changing the look and feel of Discovery Networks International.
Antenna Group is an Athens-based multinational broadcaster with a very strong presence in Greece (with its ANT1 free-to-air channel) as well as radio stations, and channels in Serbia, Montenegro, Slovenia and Romania. Its media investments include broadband services, publishing, music labels, and even a credit card business. IBC365 speaks to ...
IBC2018: India has eight versions of Big Brother, while young people are abandoning conventional TV in the Middle East… The challenges of operating in the Asia Pacific and Middle East markets were laid bare in two IBC panels.
IBC2018: The strongest case for the use of AI production tools is in lower cost genres of television, says BBC AI Research Engineer Craig White.
IBC2018: Awards presented to Eurosport, Medialaan, RTÉ, Econet Media, BBC R&D as well as Sesame Street co-creator Joan Ganz Cooney
IBC2018: High end cinema drones were put through their paces by programme makers in an HBO documentary which premiered at IBC.
IBC2018: New fund will back drama and comedy shorts, announces BBC Studios boss Tim Davie in keynote IBC address.
IBC2018: Broadcasters must partner with digital platforms like YouTube, WhatsApp, Twitter and Facebook to launch shows that attract young audiences, says Endemol Shine’s Peter Salmon.
IBC2018: Creative deal making, speed and solid financial backing are vital for broadcasters like the BBC to secure the best content, says BBC Studios CEO Tim Davie.
A multi-disciplinary media executive with over 12 years of experience in cross media production and business development. Matt Tabaccos leads the commercial strategy at Ruptly Video News Agency, helping the company become the go-to brand in news media.
Wonderhood Studios Chief Executive and Founder on what the future will look like for broadcasters, their relationship with the technology giants and the “great opportunities” on the horizon.
With the barriers to entry to launching an OTT service coming down all the time, David Wood finds out how producers are going direct to market with niche offerings such as True Royalty.
Broadcasting veteran Peter Salmon has a job that demands he be ubiquitous, crossing platforms, formats and countries alike as he spins ideas around the ‘internationally travelling community’ of one of the world’s biggest content factories.
For traditional broadcasters, the world of sport provides inspiration for stirring up fan engagement. Google’s Strategic Partner Lead for Broadcast & Sport Ben Napier explains how.
Sports federations are increasingly partnering with sports producers to broadcast their niche events, IBC365 talks to leading sports producers about the do’s and don’t of covering smaller tournaments.
Watch on demand as IBC365 previews the anticipated themes and highlights of IBC2018.
To meet the viewer expectations of instant news and coverage of anything that moves, broadcasters and brand owners are pressured to accelerate their output. At the same time, budgets are shrinking, says Mobile Viewpoint Managing Director Michel Bais.
As telcos look toward verticals for 5G, IBC Chief Executive Michael Crimp and TM Forum Chief Executive Nik Willetts explain how the TM Forum’s Catalyst programme can develop use cases within the media and entertainment industry.
Does news that Vivendi is to close its Studio+ mobile focussed short content platform only two years after launch point to wider weaknesses in the short-form market?
With the deadline to Brexit fast approaching, IBC365 asks leading media executives about the big issues they want government to resolve.
Jeremy Fox, along with former Sony boss Sir Howard Stringer, has a new scheme to provide ammunition to telcos wanting to rival Netflix and Amazon. And it’s working.
With more video being produced than ever before and an increasing array of platforms on which to consume content, the DPP set about examining how today’s production companies work.
CCTV, RTÉ, ESPN and Discovery are among the broadcasters shortlisted for the IBC2018 Innovation Awards.
Oscar winning director Kevin Macdonald and his production team tell IBC365 how they overcame poor quality 1980s home video archive to bring his latest feature doc, Whitney – about the iconic but troubled star - to the big screen.
Discovery’s $2 billion purchase for all non-US television and digital rights of golf’s PGA Tour tournaments could create the largest single sport OTT offering, but why has the broadcaster decided to invest so much in the sport?
In the first in a two-part series we showcase five startup companies from around the world that offer innovative solutions to disrupt the traditional technology ecosystem.
Increasing audience demands for more content and more engagement are driving a new wave of remote production, but the big players stress that, as ever, connectivity is a key factor.
The new age battle for eSports audiences and revenues between the world’s top professional leagues took a giant step forward this month with the launch of the NBA’s own eSports league.
With many broadcasters still grappling with how to collaborate with freewheeling creators, has BBC Wales hit on the ideal model for community interaction?
Attitudes might be moving in the right direction but there’s still an imbalance facing black, Asian and minority ethnic (BAME) talent in the broadcast industry
From Tie Break Tens tennis to Power8 Sprints rowing, bite-sized sports are shooting for digital audiences with short attention spans.
Looking back on almost 50 years of iconic films, ranging from The Shawshank Redemption and The Big Lebowski to Skyfall and Blade Runner 2049, the British cinematographer discusses his creative approach and his life in pictures.
Women are under-represented in all areas of broadcast, from leadership roles at hardware and software firms, to directors and script writers, camera operators and engineers.
Oscar-nominated sound designer Julian Slater speaks about new ways of editing sound and why the term ‘immersive’ can be a red herring.
IBC365 speaks to three VR and 360-degree video directors and cinematographers about how they capture immersive content and what the future holds.
Mobile video journalists (MoJo) from CBC, RTE and BBC offer insight into how technology has revolutionised reporting, the impact of mobile apps and the threat to traditional reporting.
With ever-increasing competition among broadcasters for viewers and revenue, John Maxwell Hobbs asserts there is no ‘magic bullet’.
The power of archive is dramatically on show in Lionsgate’s Michael Caine-fronted feature documentary My Generation, which traces the cultural revolution that occurred in the 1960s.
Belden’s decision to buy SAM and combine it with Grass Valley continues a long history of acquisitions for both companies, but what are the challenges in merging the firms and what does the deal mean for the wider industry?
Belden has completed its acquisition of SAM (Snell Advanced Media), which it will now merge with Grass Valley.
The European Broadcasting Union (EBU) has launched a campaign to demonstrate that public service media (PSM) is key to a strong society.
Is this the most dangerous time to be a journalist? Industry figures spoke to IBC365 on reporting in a conflict zone, facing threats and the fake news phenomenon.
Technical papers on audio presented at IBC2017 included UK startup Salsa Sound, which went on to win the IABM Annual Conference Dragons’ Den competiton earlier this month for its live sports broadcast system.
At IBC2017, industry leaders spoke of the likelihood of consolidation among vendors, but what is driving M&A activity and what will it mean for the industry?
IBC2017: Social media channels want to provide a challenge to the long-form content aired on pay and free-to-air TV channels.
Apple’s recruitment of former Channel 4 creative boss Jay Hunt is a shot across the bows of both traditional broadcasters and digital rivals, writes Kate Bulkley.
With a plethora of platforms to serve and in the era of fake news, the task of managing a team of journalists and delivering more digital content is arguably tougher than it’s ever been.
IBC2017: A self-shooting ’one-man band’ set himself the challenge to re-equip his video production kit with the latest equipment for less than €20,000.
IBC2017: Despite declining viewing figures, there remains plenty of demand for childrens’ TV.
Donald Trump’s tweets, fake news and the future of artificial intelligence in newsgathering were all on the agenda at the first day of the IBC Conference.
Digital competition is spurring media consolidation, with Discovery Communication’s proposed $14.6bn acquisition of Scripps Networks Interactive the latest in a series of acquisitions on the demand-side of the media technology industry.
IBC introduces new categories in response to changing industry trends and dynamics.
Projections for virtual reality hardware are extraordinarily positive, with findings from UK-based Business Insider Intelligence suggesting in excess of five-fold growth over the the next five years.
Details of the adherence criteria and deadline dates announced
Audience analytics are driving content creators to manipulate content to suit relevant audiences across various social media platforms.