All Cameras articles – Page 2

  • D4-Canon-lenses
    Daily News

    Broadcast and cinematic lenses in focus


    Canon has launched two lenses, plus an expansion unit that enables its Cinema EOS cameras to fit better in a live broadcast environment.

  • D3-Sony-deal
    Daily News

    Teltec signs deal for 50 cinematic PTZ cameras


    German systems integrator and reseller Teltec has signed a deal with Sony at IBC for 50 of its newly launched ILME-FR7 PTZ cameras.

  • D3-Antelope
    Daily News

    Nucleus will cell you on high-speed cameras


    At the heart of the Nucleus - Antelope’s latest slo-mo system - is a server capable of handling input from two high-speed cameras in UHD and offering at least 40 minutes storage per camera. It also delivers permanent live feeds, as well as instant slow motion.

  • D3-Hitachi
    Daily News

    Large Italian order for new Hitachi UHD camera


    The importance of Italy to Hitachi system camera sales has been emphasised by an order for 66 of its latest UHD camera, bringing to a total of more than 550 studio and OB HD and UHD camera sales since 2018, as part of two long-term contracts.

  • D3-Falcam
    Daily News

    Mounting problems addressed


    Falcam/Ulanzi are showing a wide range of new camera mounts, including a very lightweight tripod, cages and quick-release mounts.

  • D3-Domo-Gravity
    Daily News

    Narrow bandwidth Eclipsed for US Open tennis


    Bandwidth availability for wireless cameras is under increasing pressure, as authorities assign frequencies to more lucrative uses, and broadcasters seek to increase numbers of cameras at events, such as this week’s US Open tennis in Queens, New York, which finished today.

  • D3-AretOB-AP-pix
    Daily News

    Knocking it out of the park


    Corner Cam is a new integrated corner flag and camera for deployment in football matches. Launched at IBC, this collaboration between ARET and sports equipment manufacturers Liski, will integrate Dream Chip’s miniaturised camera AtomOne mini Air into UEFA/FIFA-certified poles.

  • D2-PTZOptics 3x2
    Daily News

    PTZ cameras on the Move and on Track


    PTZOptics and HuddleCam HD have launched four new cameras, with a line of PTZ cameras, webcams and all-in-one content creation tools due to ship this winter.

  • D1-Red Digital Cinema
    Daily News

    Raptor-ous reception for live 8K connection


    Red is showing its new V-Raptor XL 8K VV camera, aimed at high-end TV and movie production, alongside Red Connect, a licence-enabled feature that allows delivery of full-resolution, live R3D video streaming from Red’s latest camera systems.

  • D1-Sony-FR7
    Daily News

    Sony launches world’s first cinematic PTZ camera


    Sony’s new FR7 Cinema Line PTZ is claimed to be the world’s first pan/tilt/zoom camera to combine a full-frame image sensor, interchangeable lenses and remote shooting functionality, opening up PTZ use to those seeking a cinematic look.

  • D1-Dream Chip
    Daily News

    Dream Chip upgrades AtomOne


    Dream Chip is showing upgrades to its AtomOne miniature camera range, including integration with Broadcast Solutions’ meshLink IP-based wireless system.

  • BlackmagicDesign-1-AP-pix-CAP
    Daily News

    Blackmagic has Pocket Cinema upgrade in hand


    IBC visitors can be among the first to get their hands on the new Blackmagic Pocket Cinema Camera 6K G2, the latest model of the popular imager which includes an adjustable touchscreen, a larger battery for longer shooting, plus support for an optional electronic viewfinder.

  • Adobe-1-AP-pix-MB
    Daily News

    Adobe Camera to Cloud makes IBC debut


    Since its introduction in 2020,’s Camera to Cloud (C2C) has been one of the fastest-growing technologies in video production. The software, which is now part of Adobe, makes the cloud-based workflow available to virtually anyone who shoots video, regardless of what kind of camera they use.

  • Mediaedge-1
    Daily News

    Mediaedge introduces high-speed box camera with global appeal


    The Mediaedge QDCam is a high-speed box camera with a global shutter that is aimed at sports production at an affordable cost.

  • Canon-1
    Daily News

    Canon focuses on remote and virtual production


    The past few years has seen a growing need for streamlined crews and low-cost content creation, resulting in the rise of remote and virtual production systems, something Canon will be focusing on at IBC.

  • Sony-1n3x2nlandscape
    Daily News

    Sony’s HDC-F5500 jazzes up live production


    Sony’s recently introduced HDC-F5500 system camera boasts a Super 35mm frame and a 4K CMOS global shutter image sensor, to give a cinematic look with easy integration into live production systems.

  • Commonwealth-Games-image-600x400
    Industry Trends

    Evolving live sports production - lessons from the biggest sporting events


    From 5G mobile connectivity to drones and data-enhanced storytelling, the biggest sporting events of 2022 show how new technologies are driving live sports production.

  • Marshall-2 portrait
    Daily News

    Marshall makes moves to NDI|HX3


    Productions looking to produce content with fewer staff on-site and limited IP bandwidth have a new option in the CV730-ND3 PTZ camera from Marshall, which uses the new NDI|HX3 platform to deliver ultra-low latency and improved video quality in less bandwidth than full NDI-enabled cameras.

  • Libec-1
    Daily News

    New Libec camera support is a fine balance


    The HS Series collection of fluid heads and tripod systems will be introduced at IBC2022. Compared to Libec’s previous RS Series, the newly designed fluid heads are said to be more user friendly, with a Perfect Balance System that enables the camera to be precisely balanced at any tilt angle.

  • Zeiss-1
    Daily News

    Zeiss lens mapping service focuses on VFX efficiency


    CinCraft Mapper is a new digital service that Zeiss claims will quickly and simply provide frame-accurate lens distortion and shading data for the visual effects industry. This data will enable digital compositing and matchmoving systems to achieve cinematic results that are as realistic and precise as possible.