Broadcast AV design brings Blockchain show to life

BBC Charter Review seeking input on generating more commercial revenue

Access all areas: A diversity platform made for media

Netflix leadership lays out case for Warner Bros Discovery deal

UK government names Creative Industries Council members

Disney strikes $1bn investment deal with OpenAI

Nigel Warner to succeed John McVay as CEO of Pact

UK film and TV industry backs clean power plan

AI – Tutorial, Ep 1: Understanding the legal landscape of generative AI

Behind the scenes: The Running Man

Sky’s Priya Dogra to become Chief Executive of Channel 4

One Battle After Another, The White Lotus, and Adolescence lead Golden Globe nominees

President Trump weighs in on Netflix deal to buy Warner Bros Discovery

Accelerating Innovation Podcast, Ep 4: A Framework for Generative AI

Bundesliga launches first-ever FAST channel in the UK and Ireland

Ireland, Spain, the Netherlands, and Slovenia boycott Eurovision

Paramount Skydance launches hostile takeover bid for Warner Bros Discovery

Poacher turned gamekeeper: Netflix rules, for now

ITV Sport Production to produce World Snooker Tour coverage for 5

Luma AI to launch London office headed by Jason Day

Netflix to acquire WBD for $72bn

How CMMF improves player performance

Accelerating Innovation Podcast, Ep 3: Master Control Cloud

Spain’s LaLiga agrees €5.25bn football rights with Telefónica and DAZN

BBC remains popular but “must take a firmer grip” in crises, says Ofcom

TikTok and YouTube trigger influencer boom among older audiences

Stephen J Arnell: “AI definitely has its uses, but it is presently way too bland”

Rory Peck Awards: Truth has never needed its defenders more

MediaForEurope expands European TV footprint with Impresa deal

Warner Bros Discovery sets December 1 deadline for second round bids

Marlow Film Studios wins planning permission from UK government

IBC Accelerators triumph with Best AI Innovation at Broadcast Tech Awards

ITN launches low-latency IP control room

Fast channels: Building on the opportunity of local markets

BBC Board Member Shumeet Banerji resigns

Sports rights spend to top $78bn by 2030

Paramount secures Champions League football rights in UK

Camerimage: “The time to be afraid of AI was two years ago”

AI-Media taps AVE as rental partner in Australia

Scalable broadcast tech provides backbone for Esports World Cup Festival

UK television exports break £2bn barrier

AI to disrupt sports and media landscape in 2026, warns IMG report

ACE and DAZN force closure of Spanish piracy operation Photocall

TNT Sports and The Ashes: “We need to be at the heart of the story”

Paramount, Comcast and Netflix prepare bids for Warner Bros Discovery

Trump confirms plan to sue BBC despite apology for Panorama edit

BBC Studios and Moonraker VFX partner for immersive experiences

Sky Sports extends Ryder Cup and DP World Tour deal

Accelerating Innovation Podcast, Ep 1: Conquering the Air(Waves)

Sony launches virtual production studio at Norwich University

Disney’s Alice Taylor to lead BBC Studios’ AI Creative Lab

LuckyChap and Mediawan launch London division led by Mona and Tanya Qureshi

Jen Smith, CIISA: "Bullying, harassment, and discrimination are what stifle creativity"

Clément Schwebig to succeed Thomas Rabe as CEO of RTL Group

Innovations from Freely and CCMA’s 3Cat win acclaim at 2025 HbbTV Awards

Sky unveils first hydrogen and sodium battery for TV production

Fremantle UK names Adam Middleton as Head of Digital and Branded Content

DAZN launches on Prime Video in UK and US

Distribution – Tutorial, Ep 2: Building resilient streaming: Beyond multi-CDN switching

Bullying, harassment, and discrimination in M&E industry drop to 41%

Touch the future: Immersive video will soon make its presence felt

Panorama edit not defamatory, responds BBC

Behind the scenes: Frankenstein

ITV confirms talks with Comcast

Distribution – Tutorial, Ep 1: Top recommendations for FAST success

Warner Bros Discovery unveils Olympic Winter Games studios

ITV strikes free-to-air darts deal

Behind the scenes: Good Boy

Can genAI unlock ad revenue for cash-strapped broadcasters?

AI production company Wonder Studios secures £12m funding

One in 10 internet users watch 10-minute dramas, finds Ampere Analysis

5G in broadcast: Standalone capacity to expand broadcasters' horizons

XR Sports Alliance gains new members

Behind the scenes: A House of Dynamite

UEFA becomes first sports body to join anti-piracy body ACE

MediaPro CEO Taxto Benet to step down

Paralysing piracy: Industry grapples with growing, industrial-scale theft

Henley Festival: Private 5G innovation transforms live production

NEP Group secures funding and debt refinancing

Apple wins US broadcast rights to Formula 1

Netflix to merge Scanline VFX and Eyeline Studios

Behind the scenes: Train Dreams

CNN to launch subscription streaming service

Netflix to offer podcasts with Spotify deal

Freely adds 10 new streaming channels to lineup

Netflix teams with Guillermo del Toro and Gobelins Paris on stop-motion studio

Apple TV+ set for rebrand

WBD rejects Paramount takeover bid

Channel 4 and UKTV strike streaming deal

MTV to cut five channels in UK

NAB NY preview: Political backdrop casts long shadow over TV innovation

Behind the scenes: It Was Just an Accident

Immersive Flashback captures Bastille Day for VR

Fremantle appoints Chief Executive of AI label, Imaginae Studios

Measuring the value of the TV homepage

Behind the scenes: The Lost Bus

Kudos Knight launches Peaky Blinders training bootcamp

MPA calls on OpenAI to take “immediate” action on Sora2 copyright concerns

UK Culture Secretary Lisa Nandy considers mix of BBC funding options

Thai Authorities raid and shut down major illegal streaming service

Nicolas Winding Refn: “If you mass produce nothingness, why would anyone care?”

Elstree Studios reopens historic soundstages

Deep Fusion and Topfoto to produce AI-powered documentaries

Accelerating Innovation – Tutorial, Ep 2: Measuring the value of the connected TV screen

MXL: Transforming production with open collaboration and shared memory

Latest from Dolby designed to transform sports streaming experience

MediaForEurope in talks to acquire stake in Portugal’s Impresa

Comcast appoints Mike Cavanagh as Co-Chief Executive

Particle6 launches talent studio to create AI stars

Trump threatens to impose tariffs on films made outside America

How to use HTML graphics today

Behind the scenes: Bulk

Bafta names leaders of Film, Games, and TV committees

Belfast Harbour Studios to be operated by MBS Group

Walt Disney raises prices for Disney+ platform

Accelerating Innovation – Tutorial, Ep 1: How to develop modular end-to-end HTML graphics workflows

From pixels to projectors: Recreating Minecraft’s voxelised world for the big screen

Sky Studios Elstree set for major expansion

Saudi Arabia’s PIF acquires majority stake in MBC Group

Canal+ takes control of South Africa’s Multichoice

Wisycom provides box-fresh signal transport

Shining a light on the latest luminaires

Lenses in focus with innovations from Angenieux, Tokina, Fujifilm and more

RTS Cambridge Convention: One last wave of the flag for British news and content

Behind the scenes: Nobody 2

The Studio, The Pitt, and Adolescence lead Emmy winners

ITV Studios confirms London’s H Club Studio as home for daytime shows

How loud can you stream? Why sound levels are back on the agenda

Paramount Skydance readies bid for Warner Bros Discovery

UK Culture Minister opens Pinewood Independent Film Hub

Tech-driven experiences winning hearts of fans and staff

IBC2025 Session Summary: “The AI Engine Room – Driving Media Compliance for Monetisation”

IBC2025 Session Summary: “How Prime Video is Changing Production with 'Last One Laughing' in the Cloud”

How staircase encounter led to PGA AR shot tracing

Samsung Display sets out priorities at IBC2025

ProAV panel: “Fan engagement through a finger is going to be a complete game changer”

"I'd love an invisibility cloak" – Wildlife Filmmaker Jeff Wilson

Thelma Schoonmaker: “I have the best job in the world”

Evan Shapiro: “Netflix knows who its competition is”

Demonstration of AI-based fancam production for the Kohaku Uta Gassen using 8K cameras and VVERTIGO post-production pipeline

PGA’s AR drone breakthrough brings fans closer to the action

Reference-free measurement of dialog intelligibility in (post)-production, content analyses, and live broadcast applications

Omdia’s Paul Erickson: “Live sports have proven to be the most reliable high-engagement driver”

Leveraging Private 5G for Live TV Production: A Case Study from the 2025 World University Winter Games

Contextual AR in the wild: enhancing live cycling broadcasts

Developing an AI-based assistant system for Paris Olympics live broadcasts: swimming and fencing

What next in streaming? “You can’t depend on what is being made elsewhere”

ABC celebrates AI success

What do creators want at IBC2025?

Parenthood in the wild: Jeff Wilson on filming nature’s most demanding role

Netflix pioneers production innovation

New fixtures from Robe light the way

Ross Video acquires LAMA at IBC

Fox Sports’ Brad Cheney: “5G is here and real”

ABC Assist: Harnessing AI to empower journalists, not replace them

Blackcam 4D offers cinematic live production

Formula 1’s Ruth Buscombe: “AI capabilities make capturing video less labour-intensive”

Netflix and Vancouver Media share tale of innovation and reinvention

Pixboom camera ignites low-cost high-speed cinematography

Broadcasters adapt operations for new era of viewing

TikTok: People 42% more likely to switch to live match after seeing clips on platform

EVS in full control with Tactiq

UK broadcaster celebrates YouTube success

Akamai containers give sports an edge

Big tech and a growth mindset

Audinate gets AMPPed up at IBC

Fremantle’s Jens Richter: “We want to make sure the AI knowledge is at every level”

Mike Darcey: “Like trying to predict the impact of the internet from the standpoint of the ‘90s”

Canon's Full-frame C50 pushes at open gate

IBC2025 Session Summary: Pushing the Limits: AI Innovation in Live Sports with Formula 1

YouTube and Channel 4 show they’re “better together”

YouTube’s Justine Ryst: “Come in the spaceship and reinvent the way we think about content”

CTO Roundtable: WBD and ITV chart the future of AI in media

IBC2025 Session Summary: "How Microsoft and The Premier League are personalising the fan experience"

How DAZN used data to tame multiple CDN’s for the FIFA Club World Cup

Future Tech: Framedrop brings a streamlined publishing workflow to IBC2025

IBC Keynote: ABC’s Damian Cronan on harnessing AI “in the service of our staff”

SMPTE, EBU, and VSF win Emmy award for developing ST 2110

The affinity ecosystem: Evan Shapiro on streaming, studios, and the creator economy

Caerus brings new abilities to camera work

Blackmagic Design launches ProDock

Google’s Jatin Dev: “No opportunity that is worth monetising should be lost”

Building a true Premier League facility

Beamr showcases 4K live quality enhancements

Schoeps finds space for audio

Riedel reveals Bolero Mini beltpack

Live sports coverage hits new heights with aerial-based private 5G networks

Future Tech: Magycal to stream live races with interactive AI features

Future Tech: Iyuno to announce localising subtitle system

Future Tech: Baron Weather to display 3D weather visualisation technology

Future Tech: Dot Group to launch sustainability tracker for broadcaster IT operations

Future Tech: Storyboarder.ai to demo updated AI-powered storyboarding solution

Fremantle appoint Head of Global AI

Brad Pitt’s production company launches European production division

ACE and DAZN shut down Italy’s most-visited illegal sports streamers

BBC Research & Development wins Emmy Award for Innovation

Customise local content with Radio.Cloud

Grass Valley demo to meet the demands of fast-turnaround productions

Future Tech: Frammer AI to automatically create FAST channels

World’s largest illegal live sports streamer shut down

Fight Nation Championship: “Without this setup, it would be impossible to deliver a serious event”

Prodys expands Quantum2 family with global debut

Nugen Audio's DialogCheck to make IBC debut

LED wand from Nanlite is good for a light spell

Universal wireless audio management beckons with Sennheiser and SoundBase

Hawk-Woods to highlight Shark Fin adaptor

Emergent ups the volume for volumetric capture

IBC2025 unveils latest details for Accelerator Programme POCs

Panaro watertight case has the Max factor

Glensound's Dark makes light work of audio management

Percon delivers strong connections for tough TV

Compact Osee switcher streams solo or together

Making light work of heavy audio equipment with OR-440 sound harness

Obsbot Vox offers sound streaming over long distance

Interactive showcase from Audio-Technica

5 to broadcast NFL games free-to-air in UK

Amazon Prime Video rejigs senior team amid focus on AI

IBC2025 to host conference session and special screening of Becoming Led Zeppelin

Esports World Cup: “Everybody born on this planet is going to be a gamer”

Live video workflows: How IP and 5G are answering the call for low-latency contribution

Shonda Rhimes: “I'm never going to write a show that doesn't include me”

Netflix publishes generative AI guidance for filmmakers

US spending on sports rights hits $30.5bn for 2025

Rock-a-bye Gen 2 on show from NB Stabilizer

Dream Chip to showcase world’s smallest global shutter broadcast camera

ITV Studios names Matthew O’Shea as Technology Director

Behind the agenda: The “Grunt Work” myth and AI’s role in the newsroom

Leading pirate sports streamer in Latin America arrested

Paramount set for thousands of job cuts

Netflix triumphs at Edinburgh TV Festival’s awards

Nearly half of TV workforce is out of work, finds Bectu

Beamr to launch 4K Super Resolution

WSC Sports leverages Wowza to deliver instant AI-powered highlights

Denmark’s JFM teams with Wowza for live local sports

Vienna selected as host city for 2026 Eurovision Song Contest

Bundesliga unveils multi-layered football rights strategy in UK & Ireland

Edinburgh TV Festival: TV tourists, the Trump effect and YouTube

IP and cloud-driven broadcasts: Why control systems matter more than ever

Libec's QL40B streamlines height adjustments

Content Everywhere: Streamlining live channel delivery at a global scale

IBC Conference: BBC Sport’s John Murphy on the evolution of virtual studios

Lawo brings Dynamic media agility Home

Domo to demo Formula E on-board camera tech

Atomos to debut Ninja TX

Dazn to launch global LaLiga Channel

Littlewoods studio developer flags funding concerns

News network MSNBC to rebrand

South Korean drama commissions shrink despite global demand

Kodak denies ‘inaccurate’ closure reports

Thelma Schoonmaker to receive IBC2025 International Honour for Excellence

TPN to add two tiers to Shield content security program

ScreenSkills e-learning: Pulling back the curtain on post-production

Polar Graphics to launch LTO archive expansion at IBC2025

Prime Minister promises “full backing” for UK’s Crown Works Studios

Sky Sports unveils Premier League tech innovation plans

Paramount Global’s new leadership sets out future plans

Service List Registry appoints Peter MacAvock to advisory board

Blast and Singapore Tourism Board to host four esports arena events

Streamers reduce scripted TV commissions

Live boxing returns to BBC Sport primetime television with Boxxer deal

BFI statistics point to a mixed start to 2025 for UK film and TV shoots

RØDE and Vortex partner to transform remote content creation

Riedel expands SimplyLive offering

Discover real-world reverberation profiles with Nugen's Reverb Map

Octopus updates Newsroom

IBC Incubator 2025: Changing the Game ... Again

Why AI in media needs a rethink: It’s not about generating more, it’s about governing better

Paramount signs exclusive media rights to UFC

Germany’s ProSieben backs higher takeover bid by MFE

Skydance closes $8.4bn Paramount merger

Arri reportedly weighing sale options

Behind the scenes – Bookish: “We murder very well”

NEP Connect unveils key appointments

Phantom Digital Effects acquires Milk Visual Effects and Lola Post

On the box: Harnessing sustainable set technology for Treehouse

VFX studio Glassworks to close

Steven Knight to write next Bond film for Amazon MGM Studios

Sennheiser unveils MKH 8018 shotgun mic

Global VFX and animation workforce grows

Riedel adds to intercom and live production portfolio

Esports audience and broadcast platforms

Behind the scenes – F1: The Movie

RaceTech invests in Kokusai Denki camera systems

BBC News hires Anjali Kapoor to drive AI adoption and innovation

Paramount, Skydance merger approved by FCC

NBCUniversal explores launch of sports cable network

Women’s Euro final is most watched TV moment of 2025

Financial instability and AI causing workforce disruption, says Creative Access report

From crowd to cloud: Esports broadcasting in 2025

G&D to showcase real-world OB van and studio workflows

IBC Accelerators: Master Control Cloud

DAZN and TVU Networks support FIFA Club World Cup 2025

ORS Group and Insys unite under Big Blue Marble brand

SkyRace des Matheysins: Reliable live production in hostile terrain

Sasha Breslau to lead content acquisitions for HBO Max in UK & Ireland

Behind the scenes: Live Aid at 40

Connective tech – Tutorial, Ep 1: Technical integration in the cloud – enabling media workflows that work

Choosing the right cameras for esports production

DFT’s Polar is hot stuff in China

Compact UHL-X40 new from Ikegami

Myriad Cloud offers multiple options for radio

Live captions get a GenAI makeover with Videolinq

Project NEO: Reimagining the live broadcast model

Serious Fraud Office freezes crypto assets of Arena TV CEO

World’s biggest LED virtual production stage launches in China

Netflix embraces generative AI for Argentine TV series

EMG/Gravity Media rebrands under Gravity Media logo

The rest is podcasting: How the stars aligned for vodcasts

Amazon reveals how Prime Video is incorporating genAI

Esports – Tutorial, Ep 3: Developing an esports broadcast strategy

Precision in post: Stem separation and spectral editing

Wimbledon 2025 drives record digital audience for BBC Sport

HBO’s Harry Potter TV series starts production at Leavesden

How Sky Sports is delivering the Lions Tour down under

Video replicants and the drive for ethical LLMs

Astera’s in control with Quikpunch

Sony supports high-quality virtual production with Capri video wall

Technical facility requirements for a live esports broadcast

Netflix in talks with Spotify about live music events

DAZN secures rights to Italy’s Serie A football in UK and US markets

Esports – Tutorial, Ep 2: How to build a live production workflow for esports broadcasts

Behind the Scenes: Jurassic World Rebirth

Key funder withdraws from Crown Works Studios project

Esports World Cup plans biggest video game tournament ever staged

Practical tips for storyboarding with AI

Pinewood Group submits data centre planning application

BBC goes hybrid for coverage of UEFA Women’s Euros

BTS: Tour de France 2025

LiveU’s Steve Wind-Mozley on acquisition of “complementary and adjacent” Actus Digital

Esports – Tutorial, Ep 1: The anatomy of an esports production

BBC launches pay model for US website

Denis Villeneuve to direct next James Bond film

Behind the scenes: Dept. Q

Hilary Rosen appointed Deputy Chair of BAFTA’s board of trustees

UK government unveils £380m Creative Industries Sector Plan

Shonda Rhimes to receive inaugural Edinburgh Fellowship

Virtual production facility Studio Ulster launches

BBC threatens legal action against AI firm Perplexity

Manfrotto’s Hybrid tripod is just the one

Epic reach for anamorphic cine lenses

Sigma Aizu prime lenses go wide open

Ethical considerations when using AI

AI – Tutorial, Ep 3: Practical AI tips for filmmaking

Sheffield DocFest: Panellists scold media for succumbing to ‘climate of fear’

Saran Media goes live with Friend MTS anti-piracy services

NativeWaves collaborates with Polsat Plus

Kate Phillips appointed as BBC’s Chief Content Officer

Behind the scenes: How to Train Your Dragon

Machine burning: Is it high time for a global AI energy regulator?

Pact CEO John McVay to step down

DAZN and IMG kick off FIFA Club World Cup

AI – Tutorial, Ep 2: How to co-create the future with AI

Resistance may be futile: Animators unite to fight and work with AI

Loneliness driving poor mental health in film and TV industry

Angela Jain appointed Head of Content at Disney+ EMEA

SXSW London: Engagement, futurism and AI collide in East London

Hollywood is over: Time for creators to take charge

France Télévisions wins top EBU tech prizes

Warner Bros. Discovery to split into two companies

BFI publishes AI recommendations for UK screen sector

Behind the scenes: Andor

Enterprise video boom creates “huge opportunity” for AV vendors - report

Amazon names Nicole Clemens as Head of International Originals

The use of AI-powered graphics in creation

Indie partnership to bring next-gen immersive storytelling to London’s Science Museum

Media's known unknowns: Why five key things we know make the future so uncertain

Olympic Broadcasting Services launches training initiative for female camera operators

IBC Accelerators: AI Agent Assistants for Live Production

The Bends: Hollywood studios unite to fast-track Veo 3 education

Maria Kyriacou confirmed as Chairwoman of ProSiebenSat.1

Mandy Walker elected President of American Society of Cinematographers

AI – Tutorial, Ep 1: How AI tools are transforming graphics and video

FlightStory: Forget the creator economy, this is the era of the creator founder

IBC Accelerators: A Framework for Generative AI in Broadcasting

Georgia Brown joins podcast platform Podimo

Disney+ takes rights to UEFA Women’s Champions League in Europe

5 strikes free-to-air deal for international cricket

Google Veo 3 incorporates sound with video

ITV overhauls production of daytime shows

LiveU completes acquisition of Actus Digital

AI and copyright: How precarious is the legal landscape for creatives?

ProAV and broadcast: When worlds collide

Andy Beale appointed Director of Technology at Premier League

BBC Studios unveils unscripted restructuring and international focus

BT nears sale of TNT Sports stake to Warner Bros Discovery - report

Behind the scenes: Sinners

Neglect of working class comes home to roost in British TV

BBC’s Tim Davie backs IP switchover plan for 2030s

Los Angeles unveils location of IBC for 2028 Olympics and Paralympics

MPTS 2025 reveals a media industry struggling to keep pace

Delyth Evans confirmed as Chair of S4C

Mr Loverman, Mr Bates vs The Post Office lauded at BAFTA TV Awards

Mark Burnett and Nick Clegg among speakers for RTS Cambridge Convention 2025

Working Title’s Sarah-Jane Wright to chair ScreenSkills’ film fund

Where can XR technology deliver real change?

Secret Level: Storyboard to screen without ever picking up a camera

Alice Webb named CEO of MediaCity

Creative Cities Convention: Concern and caution expressed by UK TV over tariff threat

Accelerating innovation – Tutorial, Ep 3: Merging real and virtual worlds in broadcasting

Behind the scenes: 1992 and the colourist of Seville

Channel 4 sets out AI principles

Lucinda Hicks named CEO of Sister Group

Trump signs order to block funding for public broadcasters

Trump announces 100% tariff on movies made outside America

Farnborough International Studios partners with Quite Brilliant for virtual production

C4 boss Alex Mahon lined up for live entertainment role

Banijay in talks about ITV acquisition – reports

Baby Reindeer, Rivals and Slow Horses lead BAFTA Television Craft Awards

Mediapro withdraws criticism of LaLiga tender process for broadcast contracts

LTN helps Tennis Channel go to IP distribution

Altman Solon’s Global Sports Survey highlights sports growth in Middle East

Behind the scenes: Warfare

Alex Mahon steps down as CEO of Channel 4

European women’s football media rights remain undervalued, finds report

Comcast’s Peacock platform hits 41m subscribers

Effects of AI on broadcast newsrooms ‘astounding’ says EBU

EastEnders wins BAFTA Television Craft Special Award

The finalisation process: What needs to happen before we go on set?

How to use Level Snapshots during pre-production

IBC Innovation Awards 2025: Nominations now open across five categories

How sport is embracing DTC at both ends of the playing field

Behind the scenes: The Last of Us II

Academy updates artificial intelligence guidance for Oscars

Sports streaming piracy has gone ‘through the roof’, say police

Dimension Studio develops end-to-end AI production pipeline

Creating a new sense of place for Welsh media innovation

EU invests €25m in Together fund to back European producers

Behind the scenes – Daredevil: Born Again

LaLiga names HBS and NVP as broadcast partners

UK MPs call for streamer levy to boost film and high-end TV industry

Fremantle launches AI label Imaginae Studios

NAB 2025: Avid’s Craig Wilson on the evolution of mobile tools

NAB show review: Tariffs, technology and legacy business in the spotlight

Virtual Production: Practical advice for lighting the volume

Media share prices tumble in wake of tariffs

Blackmagic PYXIS 12K camera launched at NAB

Grass Valley promotes Jon Wilson to CEO

ITV Studios acquires majority stake in Moonage Pictures

ScreenSkills calls for more focus on mid-level professionals

5G Broadcast emerges to best advantage

Saleha Williams: ‘The industry is changing and IABM needs to as well’

Baby Reindeer leads nominations for BAFTA Television and Craft Awards

MediaForEurope launches takeover bid for Germany’s ProSiebenSat.1

Winners announced for RTS Programme Awards 2025

Jellyfish Pictures files for administration

Pact voices concern about the future health of the production sector

Warner Bros Discovery takes stake in Middle East’s OSN Streaming

ITN promotes Jon Roberts to Chief Technology Officer

BFI to honour Tom Cruise with Fellowship award

BBC, BT, IMG and ITV fined for colluding on freelance sports rates

NAB preview: Agentic AI poised to steal the show

Inside virtual production’s latest processing and toolset innovations

M2A Media partners with Photron Japan

LTN and Lumen join forces for premier sports events production

beIN Asia Pacific picks Planetcast

Behind the scenes: Squid Game 2

Versa Studios names Sarah McGettigan as Head of Sales

Level up: Addressing the skills gap in virtual production

Virtual production – Tutorial, Ep 3: Managing virtual production projects – from scope to delivery

Winning formula: Hydrogen to power motorsport vehicles and production tech

President Trump signs order to cut funding for Voice of America

Avid adds three senior executives to leadership team

ITV, BBC agree four-year Six Nations rugby deal

Cinesite secures $215m funding package

CVP partners with Joe Ransom to launch short film competition

Behind the scenes: Adolescence

Comcast agrees $3bn Olympics rights and technology deal

BBC leads nominations for RTS Programme Awards 2025

Esports on the rise despite Olympic debut delay

BBC secures TV rights for Scotland, Wales and Northern Ireland international football

Shadowbox Studios hires Mike Mosallam as Chief Operating Officer

Sky News expands deal with IRN to include video content

FIFA to base International Broadcast Centre for 2026 World Cup in Dallas

Mediawan takes majority stake in Slow Horses producer See-Saw Films

What drives global viewership? Key insights from 2024

Kickstart Day 2025: BBC’s Marianna Spring on the fight against disinformation

Whisper appoints Richard Lancaster as Chief Technology Officer

The Film and TV Charity opens applications for Reel Impact programme

ITV leads way at RTS Television Journalism Awards

Balancing act: Insight from UK's leading women-powered M&E businesses

Virtual production – Tutorial, Ep 2: How to use Unreal Engine in pre-production

Harnessing technology and people in immersive design

Juno Innovations to bring VFX at scale closer to home

Chris Bird to step down as Director of Prime Video UK

Garden Studios opens four new sound stages

Kate Phillips named BBC Chief Content Officer on interim basis

Wary eye on AI: Post cautiously embraces new generation of tools

IBC Accelerators: 2025 finalists unveiled

Oscars 2025: Craft winners

Versa Studios Manchester opens doors

EMG / Gravity Media adds electric truck to UK fleet

BBC Content Chief Charlotte Moore to leave for Sony and Left Bank roles

Setting the stage: Scotland crews up for virtual production

What is volumetric video?

Behind the scenes: Editing Sugar Babies and By Design in Premiere

Ateliere adds API to Ateliere Live

Production of IBU World Championships Biathlon drives down carbon emissions

Edward Lachman wins ASC Outstanding Achievement Award for Maria

Netflix to invest £1bn on film and TV in Mexico

Dramatic closure of Technicolor VFX has been decades in the making

Streamers to spend $12.5bn on sports rights in 2025 - report

DNEG Group’s Brahma acquires AI developer Metaphysic

Amazon MGM Studios takes creative control of James Bond franchise

Immersive tech – Tutorial, Ep 3: How to get started with immersive audio

Scouting for the volume

Beeb Watch’s Roger Bolton: “If you don’t have sufficient technical knowledge, you have a real problem”

Game changer: Sony rolls out multi-title approach to esports production

40% business rates relief for UK film studios rolled out

Saudi Arabia invests $1bn in DAZN

Flawless launches AI-powered editing tool DeepEditor

Conclave, The Brutalist lead BAFTA winners

European cinema admissions settle at 841 million in 2024

NEP Group reorganises European operations

Tell Media strengthens leadership team, opens Kuala Lumpur office

Kickstart Day 2025: Programme celebrates power of collaboration on centenary of TV

From multicast to MAUD: the evolution of MABR

Kickstart Day 2025: Evolution of the Control Room wins Project of the Year

AI and live production: Experimentation giving way to well-defined applications

ITV brings golf back to free-to-air TV in UK

Fox names John Nallen as President and Chief Operating Officer

Netflix reportedly weighing bid for US rights to Formula 1

Dimension launches live events division

BBC Studios invests in UK unscripted producer Samphire Films

ISE 2025 – Stian Sagholen: “People are talking about it but not actually supplying the solutions”

ISE 2025: Martin Dyster on cloud, standardisation and convergence of broadcast and proAV

Sylvester Stallone invests in film and TV AI platform Largo.ai

Global content spend set for meagre growth in 2025 – report

UK film and high-end TV production hit £5.6bn in 2024

ISE2025: Putting the art into artificial intelligence

ISE 2025: Jan Weigner highlights the importance of reliability in broadcast and proAV

Industry at risk of skilled worker exodus, warns Film and TV Charity

Coming of age: How virtual production is becoming more accessible as it matures

CNN opens new operation in Qatar’s Media City

ITV Studios and All3Media in merger talks – report

S4C appoints Llion Iwan as Chief Content Officer

Immersive tech – Tutorial, Ep 2: Volumetric video and the future of content production

Data-driven audio: Why AI is sounding great for everyone

BBC World Service to cut 130 jobs

Pinewood Studios unveils revised expansion plans

Warner Bros. Discovery to fold Eurosport into TNT Sports in UK & Ireland

London’s newest film and TV campus welcomes first productions

Immersive tech – Tutorial, Ep 1: Immersive design workflow and creative practice

AI in audio for measuring crowd engagement

New tricks: Scriptwriters embrace AI to turn the tables

Live volumetric streaming: “Volumetric video is better than conventional video”

Banijay unveils combined central scripted leadership

TV and video streaming account for 4% of global emissions – report

BAFTA albert appoints new board

SMPTE names Raymond Yeung as Standards Vice President

DAZN owner invests extra $827m to propel sports streaming ambitions

LTN partners with Pro Volleyball Federation

Germany’s Kicker picks Bitmovin Play

Pinewood to host government-backed R&D lab for creative industries

Oscars preview: Deep dive on nominations in Cinematography, Editing and VFX

97th Academy Awards: Emilia Pérez leads with 13 nominations

Rise of the creator economy – the democratisation of content creation

Legal considerations for AI in production

ISE 2025 preview: Event demonstrates ubiquity of live streamed video

UK government unveils £60m funding package for creative industries

BBC updates generative AI guidance

Behind the scenes: A Complete Unknown

Conclave leads nominations for 2025 BAFTA Film Awards

Film and TV Charity unveils first ambassadors

Virtually untethered: V-Nova replicates game-like freedom for XR video

Behind the scenes: The Brutalist

Labour exploring ‘alternative funding options’ to BBC licence fee

BBC Director-General Tim Davie to head Creative Cities Convention speakers

ITV names Sam Tatlow as Head of Diversity, Equity and Inclusion

Disney, Fox and Warner Bros Discovery cancel Venu Sports launch

Digital Catapult: AI innovations to supercharge the creative industries

Future predictions – Part II: Leaders and analysts

Netflix’s first NFL coverage attracts over 60m viewers

Europol takes down network of illegal streaming platforms

Neil Hatton, Steve Morrison and Amanda Berry win New Year Honours

European Commission to investigate Liberty Media’s acquisition of Dorna Sports

Netflix secures US rights to FIFA Women’s World Cup 2027 and 2031

DCMS unveils Creative Industries Taskforce members

BBC World Service enhances programme offer for Syria

DAZN acquires Australian pay-TV group Foxtel

AI – Tutorial, Ep 2: How to unlock the power of AI in audio

Behind the scenes: Bringing live deepfakes to the fore in Here

AI – Tutorial, Ep 1: How to build AI tools into your video production workflow

Broadcasting in 2024: Spotlight falls on production and platforms

Highlight of the year: Olympic Gold for 5G as adoption gathers pace

Shinfield Studios’ Nick Smith and Ian Johnson to retire

BBC and ITV confirm rights deal for FIFA World Cup 2026 and 2030

Transporting live video: three main ways to protect your data

Blackmagic URSA Cine Immersive camera released for pre-order

US writers call on Hollywood studios to take action against AI firms

Arte joins European Broadcasting Union

Lee Walters appointed Chair of BAFTA Cymru

Paris 2024 audience hit five billion – IOC report

ITV strikes partnership deal with YouTube

Behind the Scenes: Disclaimer

LTN and DAZN expand partnership on live events

Gracenote On Sport is launched

EMG / Gravity Media expands presence in the US

Shareholders approve break up of Vivendi media group

Mary Berry and Jessica Gunning among 2024 Women in Film & TV winners

RSIFF: Kingdom underlines ambitions to become filmmaking powerhouse

Behind the Scenes: Conclave

Ofcom: almost half of broadcasting employees now based outside London

BBC, Netflix lead way at RTS Craft & Design Awards

Behind the Scenes: Wicked

Liverpool to pilot 'plug and play' power facilities for film and TV productions

Former Pulse Films CEO Thomas Benski launches media group Lumina

Armando Iannucci launches Touchscreen with BBC Studios development deal

UK government scraps expert panel advising on BBC funding

The Rory Peck Awards 2024: Protecting freedom of expression and democracy

Police dismantle world’s largest piracy streaming network

Behind the Scenes: Blitz

Out of bounds: LiveU explores the limits of 5G for remote broadcast

Applications now open for IBC Accelerators Kickstart Day 2025

Potential suitors eye bid for ITV

EBU members launch Security4Media association

Andrew Dagnell named ITV’s Director of News and Current Affairs

Premier League to launch in-house media production operation

Camerimage: “We have to be part of the change”

YouTube emerges as priority platform for sports industry

Behind the Scenes: How sound and vision get under the skin in Nickel Boys

Warner Bros. Discovery strikes 11-year NBA deal

High standards: live production and the move to IP

Fulwell 73, The SpringHill Company to merge

Netflix sees 60m households tune in for Paul vs Tyson boxing

BBC Studios backs new entertainment indie Jolly Octopus

AMC Networks takes full control of BBC America

Vizrt names Rohit Nagarajan as CEO

Behind the Scenes: Gladiator II

TAMS: fulfilling the promise of IP interoperability

Behind the scenes - Joker: Folie à Deux

Landsec takes full control of MediaCity UK

Zinc Media Group acquires Raw Cut, ITV Studios buys Eagle Eye

UK industry welcomes enhanced VFX tax incentive

Six biggest audiovisual companies to spend record $126bn on content in 2024

Co-piloting the Olympics: “human-centric AI” as a creative partner

Deep Fusion enlists AI replica of Michael Parkinson to host interview series

Behind the Scenes: Emilia Pérez

Warner Bros. Discovery extends cycling rights in Europe

Spain’s TV3 picks TVU Networks tech

Sveriges Television picks Ateliere Live

ScreenSkills publishes five-year plan to develop UK screen workforce

Fivefold Studios launches virtual production facility in Wales

EMG / Gravity Media names Eamonn Curtin as Chief Commercial Officer

OBS launches engineering programme for women in sports broadcasting

Changing the Game: Predictive Generative AI

Channel 4 hires David Wigglesworth to lead 4creative

Behind the Scenes: Anora

Be Seen. Be Heard : Building Resilience and Opening Access for Emerging Talent

Adobe unveils editing upgrades as Firefly labelled first GenAI video model “safe for commercial use”

Pinewood to launch Indie Film Hub

Modelling intent: How evolution of AI will turbocharge creative capabilities

Arjan van Westerloo to head NEP Group in UK, Netherlands and Ireland

Liverpool Council greenlights Littlewoods studios

World Rugby appoints HBS as production partner for Rugby World Cups

In Conversation with Mstyslav Chernov

Transformative Filmmaking: Deliver cinematic-quality films, faster with Flawless

Verizon Fireside Chat

IBC Accelerators: Genesis of Digital Replicas and Talent ID concept

GenAI in Media Production with Viaccess-Orca

The Future of GenAI with Ad-Tech: AI in Production

Looking Glass Survey 2024 Shows ‘Very Poor’ Mental Health in Film and TV

The Evolution of Live Production: Where are we on the transformational IP journey?

Commercial wins and IP Networks with Techex

Suppliers are helping customers to cut costs, says DPP report

Karl Warner joins BBC Studios Productions

Orchestrated 5G Live Media Production: Latest experiences from the cutting edge

Elevating Storytelling with Semantic Technologies

Giving new tech a home: IP Networks with the BBC

How Sports Broadcasters Are Transforming Content Production into Fan Experiences

Next-Gen Video Editing - Say Goodbye to Hauling Hard Drives

IBC Accelerators: Genesis of Scalable Ultra-Low Latency Streaming for Premium Sports

Behind the Scenes: SFX and dynamic lighting merge worlds in Beetlejuice Beetlejuice

Increased inclusivity and programme consistency among benefits of live IP workflows

Accelerating AI whilst championing diversity with Omroep ZWART

Sky, BBC and Channel 4: Start with the audience and work backwards

Paris 2024 Olympics a hotbed for broadcast innovation

Roland-Garros appoints Whisper as host broadcaster

Energy transition for London film and TV production as new report published

IBC Accelerators: Interoperability crucial to achieving scalable ultra-low latency streaming

IBC Accelerators: “Seeing it work and seeing the future possibilities for Live Performances made it all worthwhile”

Qvest refreshes Clipbox

Media Production without Boundaries: “There’s a lot of cool stuff we could do but why should we do it.”

Media Production without Boundaries: We need to pull together to make these ‘interesting times’ work

Accelerators - Evolution of the Control Room: helping content creators to produce a show “without advanced technical expertise”

Challenges facing producers can be beneficial

Late Night at the Euros

Accelerator session - AI Media Innovation Labs

From Planning to Scheduling to Actuals

From Paris to Hong Kong: How LTN and IMAX stream the biggest live events to global audiences with theatre-grade quality

UWA roundtable debates standards and market barriers to UHD adoption

IBC Accelerators - CAPA II project will help broadcasters to “fundamentally shift” to software-defined solutions

Riedel launches SAME for smart audio workflows

CaptionHub Live — Real-Time, Zero Latency AI Live-Subtitling in 130 Languages

Marshall unveils two new PTZ cameras

Engaging audiences with new formats and experiences

Olympics 2024: Technology to broadcast beyond expectations

Machine control from hi human interface

Data + AI unlock the full lifecycle of programming monetization

SoftRail gets light launch from Shotoku

Channel 4, Aardman join consortium to explore AI-driven storytelling

Native Dante compatibility comes HOME

Behind the Scenes: Sharp editing gets the best from Slow Horses

MTSS Presents Sustainability in Action: Real-World Case Studies from Media Tech Leaders

Accelerator session - Scalable Ultra-Low Latency Streaming for Premium Sports

IBC Accelerators - Evolution of the Control Room: AI assistance unlocks potential for voice-controlled automation

Fremantle UK merges production labels Thames and Talkback

Film and TV is “turning a corner” as Production Guild of Great Britain names winners

Shogun leads Emmy award winners

AI in Production – training and targeting

Accelerator session - IP Networks: Finding the Needle in the Haystack

Mstyslav Chernov accepts IHFE Award at IBC2024

Short-form video is eating the world… So how do you optimise for it?

Sporting content moves into the FAST lane

Shaping the Future of Television: Reflections on the Paris Olympics TV 3.0 Live Broadcast Showcase in Brazil

TVU Networks delivers for live sports

How the Royal Belgian FA elevated its content strategy and created monetization opportunities

Mstyslav Chernov warns of the impact of narrative manipulation in modern warfare

Media Production Without Boundaries: Streamlined, Scalable and Decentralised

tiivii, automatic production for live sports

Audio & Speech – advances in production

Olympics 2024: Technology to broadcast beyond expectations - ‘it isn’t all cloud and AI!’

IBC2024 celebrates pioneering media initiatives as it announces winners of IBC Innovation Awards

Clipbox collab beween Qvest and Vidispine serves up newsroom efficiencies

AI Meets Software-Defined Infrastructure: Shaping the Future of Live Media

Tata Comms revs up rebrand

American Cinema Editors (ACE): Job ter Burg on how AI is extending the editor’s toolkit

Technical Papers 2024 Session: AI in Production – training and targeting

Intelligent Cloud Storage: The freedom to accelerate media workflows and create new fan experiences

Technical Papers 2024: Audio & Speech – advances in production

How Nine Entertainment & TBS delivered the Paris Olympic Games to a record audience

Linear Acoustic takes to the AERO

UK production sector revenues fall by nearly £400m

Unlocking the power of live and archive using AI

Sony’s 4K camcorder duo on track for AI

Lawo builds more blocks for HOME

PLAZAMEDIA and MR Factory form Virtual Production partnership

KVM control in the Matrix from Adder

Achtel unveils 9x7 Digital Cinema Camera

Transforming Live Media with Software-Defined Solutions

Evertz Fiber X-Link makes a mega connection

Amazon shares vision for convergence

Four times the fun with Astrodesign IP-4042

Slow TV, Fast Innovation: How the Moose Migration Case Study Embodies the Future of Live Cloud Workflows

Fireside Chat: AI vs Creativity – Who dares wins…

Blackmagic unveils high-end URSA Cine 12K

Imagine celebrates four thousand workflows served

Ross Video offers pro switching for smaller operations

IBC Accelerators: CAPA Phase II puts innovations in remote production to the test

PTZ cameras on Cartoni Twin track to new heights

Accelerator session - Connect and Produce Anywhere, Phase II

Kino Flo’s triple pump gets white light right

Accsoon CineView masters 4K wireless transmission

Who owns the customer? Winning the battle for control of the TV experience

Building the future of tech

Accelerator session - Evolution of the Control Room - Leveraging XR, Voice, AI & HTML-Based Graphics Solutions

Shaping Tomorrow’s Broadcast: How the BBC Adopts Cutting-Edge Technology to Engage Audiences

swXtch.io has a wXcked Eye on improved QoS

Trew Audio acquires Pinknoise Systems

ES Broadcast invests in Vinten Versine 360s

Enhancements offer a wXcked Eye on improved QoS

Avoiding production bottlenecks with AJA

Genelec shows how to get ahead in audio

PAG 150Wh battery is better connected

Second 10x zoom lens from Viltrox enters Luna orbit

Tech Strategies Propel New Broadcaster Business Models

Revamped NDI now meets all broadcasters’ needs

BBC NI transitions to IP with new OB

PhotoCineLive unveils cinematic 4K OB

Aputure releases the BLAIR Light project

Sony releases box camera better adapted to IP workflow

Olympian effort leads to IBC integrations for InSync Technology

Cutting a swathe through IP with Blade 4

Canon EOS C80 covers all the bases

Enco takes a diverse approach to virtual production

Tributes paid to former RTS CEO Simon Albury

Initial lineup unveiled for inaugural Mip London market

Banijay Kids & Family acquires French production company Procidis

Larry Ellison to become controlling Paramount shareholder

Zero Density raises the floor for real-time production assets

Volumetric video in real time from Emergent

Hitachi focuses on media over IP integrations

Elation unveils new ellipsoidal light

SMPTE announces 2024 honourees

American Cinema Editors (ACE) Presents Award-Winning Editor Job ter Burg, ACE, NCE, in conversation with Carolyn Giardina

Ross Video to make heads turn with golden celebrations

Vintage-look lenses open new Vistas for Tokina

IBC Conference: Hollywood heavyweights edge closer to seamless IP production ecosystem

Paralympic Games set to break broadcasting records

Esports Zone: Unlocked explores the future of esports and broadcasting at IBC2024

Vogo to implement video replay solution for French Handball League

Marlow Film Studios to appeal council’s decision to block development

David Beckham, Lisa Nandy and Ted Sarandos among RTS London Convention speakers

IBC Conference: Beating fake news - inspiring trust in the age of disinformation

Haivision StreamHub and MoJoPro now available on AWS

Hands on XR studio control from nxtedition

Ukrainian journalist Mstyslav Chernov awarded IBC2024 International Honour for Excellence

Big names and first-time exhibitors prepare to unveil latest innovations at IBC2024

IBC2024 Accelerator Project: Connecting Live Performances of the Future with ULL-AVLM

Streaming – Tutorial, Ep 3: How 5G in broadcasting is revolutionising content production

Edgar Bronfman drops Paramount bid

Amagi Cloudport brings content under control

Edinburgh TV Festival 2024: A challenge to the status quo

Peak TV has been reached and UK public service broadcast is shrinking

New with every view: Eno and the generative algorithm shaking up movie-making

How video refereeing is evolving across the sports universe

European debut for Widepaths ReplayMaster

Shotoku updates TR-XT studio robotics system

Behind the Scenes - Worldbuilding in Furiosa: A Mad Max Saga

How Estonia rolled out VAR across all first-division football matches in Baltic first

Sky Sports+ launches ahead of EFL opening weekend

How AI-enhanced automation led to big efficiency gains for a leading sports league

Clear-Com Virtual Intercom kicks off draft selection

MRMC’s Milo family gets high-speed robotics boost

No clowning around with Cirkus updates

Opening ceremony scores big TV audiences for Paris Olympics

Amazon MGM Studios agrees deal with Scott Stuber to revive United Artists

CAPA II Accelerator project: Revolutionizing live broadcast for Formula E

Virtual Production – Tutorial, Ep 1: Empowering storytelling

Virtual Production – Tutorial, Ep 2: Get to grips with LED volumes

Paris 2024: OBS gets up close and personal to capture Olympic spirit

Mavric from Wohler signals alert status

Green-Go’s wireless comms series Strides out

Canon’s EOS C400 goes off base for low-light shooting

IBC365 Tutorials: Latest speaker lineup unveiled! Breaking boundaries with virtual production

Amazon Prime Video acquires UK’s Bray Film Studios

Paris 2024: Dynamic studios and multilingual reporting to deliver games to 47 markets

MovieLabs opens latest round of submissions for 2030 Showcase Program

Channel 4 reveals Paris 2024 Paralympic Games coverage plans

DAZN & beIN Sports agree last-minute deal for France’s Ligue 1

Behind the Scenes: The Acolyte goes old school to capture original Star Wars grit

Say hola to new intercom panels from AEQ

Multi-format shoulder programming takes Centre Court at Wimbledon

DNEG Group secures $200m investment from United Al Saqer Group

UK general election: Sky News leverages immersive sports studio to transform election night coverage

UK general election: Connectivity key to BBC’s blanket reporting

IBC2024 Accelerator Project: AI Media Production Lab

Remote production and XR technologies drive UK broadcasters’ Euros coverage

Behind the Scenes: Glastonbury 2024

AI – Tutorial, Ep 3: Gen AI in practice - deep dive on deep fakes

Sustainable Salt-E Dog from Anton/Bauer runs on sodium power

Ophit delivers video signal conversion on a plate

SSL sets broadcast controls to a T

AI – Tutorial, Ep 1: Generative AI and its impact on M&E

Studiocanal TV appoints Head of Physical Production

Appear on track for summer of sport

Accedo, Qualcomm and HBS form XR Sports Alliance

Film London activities to generate £9.5bn investment boost for capital

Behind the Scenes: Supacell

Virtual production: learning the trade at the National Film and Television School

People & Purpose – Tutorial, Ep 3: Calculating, reducing and improving your impact on biodiversity

AI in the virtual studio: innovations in replay, tracking and ad verification lead the way

IBC2024 Accelerator Project: Evolution of the Control Room

Skydance improves offer for Paramount Global

Marlow Film Studios denied planning permission

People & Purpose – Tutorial, Ep 2: Providing access provision for disabled talent

BBC News at One moves to Salford

Skills and training: live sport tech roles evolving as automation advances

ITV set for first General Election leaders’ debate

Green screens: creating sustainable productions on location

People & Purpose – Tutorial, Ep 1: How to set up an international mentoring scheme

Behind the Scenes: Eric

Streaming rights: live sports unite audiences in cultural moments worth fighting for

Sean Baker’s Anora wins Cannes Film Festival’s top prize

Digital workstations: audio innovators focusing on flexibility as virtualisation accelerates

Webinar: IP Networks and 5G Workflows

Disney, Fox and Warner Bros Discovery name joint sports streamer Venu Sports

MPTS: British drama and production jobs under threat

Virtual production studio Dimension makes senior hires

Channel 4’s Marcia Williams Talks Programming with ‘Societal Impact’

Danger does not discriminate: World Press Freedom Day 2024

Esports Tutorial: Why Broadcasters Should be Seizing the Moment

Esports – Tutorial, Ep 2: Production

Content Everywhere companies on starting block for Olympics challenge

Behind the Scenes: Civil War

Pact supports Call It! App to create safer and fairer workplaces

UEFA relegates UHD for Euro 2024 and Champions League Final

Richard Young appointed Managing Director of Little Dot’s History Hit

Banijay agrees development deal with Traitors creator Marc Pos

NAB 2024: Eliza Pearce, Deloitte

NAB 2024: Jennifer Way, Farmerswife

NAB 2024: IP-based technologies take centre stage, finds LTN

NAB 2024: Harjinder Sandhu, Zixi

NAB 2024: Ross Video recognised for green tech developments

GenAI will generate more questions than answers

NAB 2024: Cinegy on the eventual emergence of IP and “life after television”

Warner Bros. Discovery offers first look at Paris 2024 production plans

Scotland set for major film and TV studio in Stirling

NAB 2024: Top picks from the showfloor

STV Studios appoints Sara Hamill as Director of Production

Sustainable stories: embracing decarbonisation as a progressive strategy

NAB 2024: Atomos launches Ninja Phone co-processor for iPhones

Behind the Scenes: 3 Body Problem

Inclusion begins in the writers’ room

M-K Kennedy to run TV series at Studiocanal

Having a blast: maximising production value in esports

How did Johnnie Burn become an Oscar-winning Sound Designer?

Behind the scenes: Silo

Overcoming 5G capacity and latency issues for live production

The Crown leads Bafta TV nominations

Pinewood opens expansion of Shepperton Studios

BBC Studios Productions Australia acquires Werner Film Productions

Omar Sy, Louis Leterrier and Thomas Benski launch Carrousel Studios

Behind the Scenes: Masters of the Air

5G in broadcasting: revolutionising content production

How did the BBC restore and colourise The Daleks 60 years after it first aired?

Fremantle strikes deal with Rachel Weisz and Polly Stokes’ Astral Projection

Behind the Scenes - Dune: Part Two

Oscars 2024: WWII narratives feature heavily at this year’s Academy Awards

Channel 4 to cut back Hollyoaks episodes

Adventures beyond stereo: perfecting the immersive audio mix

Behind the Scenes: After the Flood

Focus on young talent and greener futures at BSC Expo

UK’s indie producers need to embrace private equity or risk being left behind

Behind the Scenes: Percy Jackson and the Olympians

FOX, Warner Bros. Discovery and ESPN launch sports streaming giant

ISE 2024: Clear-Com launches cloud-based Intercom

ISE 2024: In what ways are big brands and corporations becoming the new broadcasters?

ISE 2024: AI and optimisation set to shape the future of broadcast

ISE 2024: How is developing tech changing the way the industry operates?

Behind the Scenes: The Zone of Interest

STV Studios becomes majority shareholder in Two Cities Television

ISE review 2024: The age of AV Broadcast

BBC to put production of Blue Peter, Eurovision out to tender

Behind the Scenes: Occupied City

Fremantle takes stake in Phil Harris’s Boldprint Studios

Channel 4 extends Formula 1 production deal with Whisper

Amazon MGM Studios to lease Pinewood Toronto stages

Broadcasting the Paris 2024 Olympic Games

Behind the Scenes: True Detective: Night Country

Oppenheimer, Poor Things lead BAFTA nominations

Mr Bates vs. the Post Office becomes ITV’s biggest new drama in a decade

AXA IM purchases BBC Elstree Centre

Behind the Scenes: Poor Things

Live sports key to streaming growth, says Kantar report

EMG and Gravity Media unveil merger

Oppenheimer, Succession Lead Golden Globe Winners

Behind the Scenes: Ferrari

What to Expect in 2024: Womens Sport Bid Wars, AI and the Olympics

What do Streamers Want? Sitcoms, Police Drama and Reality Shows

Donna Smith at Rise: Recruitment and Skills for Women in Broadcasting

Leonine, Toon2Tango Launch German Animation Studio

How to be a Technology Leader: Confidence, Compassion and Collaboration

Behind the Scenes: Napoleon

Barbie, Oppenheimer and Succession Lead Golden Globe Nominations

Sustainability in Production: The albert Report Tells What’s What and Who’s Who

Behind the Scenes: The Colour Purple

Sustainability in Production: Uncle Albert and the new kids on the block

Fifth Season Hires Charlotte Bloxham as SVP of Physical Production

Technicolor Creative Studios Names Bill Polson as CTO

See-Saw Films Launches Drama Label with Heartstopper Exec Producer

Behind the Scenes: Society of the Snow

Sony Pictures Entertainment Strikes Development Deal with The Guardian

Banijay Launches Sports Division

Sky Strikes Five-year Tennis Deals with ATP and WTA

Panel Discussion: The opportunities and limitations for AI

Warner Bros. Studios Leavesden Launches CrewHQ Training Centre

ST 2110 and NDI: The Stellar Trajectory of IP Video

UK’s Shinfield Studios Nears Completion

SMPTE: Architecting multi-cloud and on-prem workflows solutions for global production needs

Once Upon a Time in Northern Ireland and All that Breathes Lead Grierson Winners

BBC Leads Nominations for RTS Craft & Design Awards 2023

SAG-AFTRA Reveals Details of Hollywood Studio Deal to End Actors’ Strike

Kate Oates Named Head of Drama Productions at BBC Studios

Behind the Scenes: The Buccaneers

From the NFL to Broadcast & Streaming the World’s Biggest Live Events: How 5G is powering the future of media and entertainment

Banijay acquires UK drama indie The Forge

David Flynn launches Plegazoid studio with South Shore

Behind the Scenes: The Killer

ICVFX: Virtual Production enters 2.0

BBC Blames Soap Cancellation on ‘Super Inflation’ in Drama Production

Behind The Scenes: The Creator

Virtual Production: World Premiere case with Sony & Plateau Virtuel

Actors Strike Continues as Negotiations Break Down

Competition and Markets Authority Probes Hiring of TV Production Crew

Behind the Scenes: Special Ops: Lioness

Eight European Broadcasters Launch New8 Drama Collaboration

Building the studio of tomorrow, today!

Federation Studios Hires Cattleyas Marco Chimenz as Co-Managing Director

Warner Bros. Discovery Restructures International Leadership Team

Behind the Scenes: Kiss The Future

Delving Deeper: Will AI help us solve humanity’s biggest challenges?

Asylum Backs Launch of Airey, Hall and Lindsay’s Moon&Back Media

UK Broadcasters Back Creation of Anti-bullying and Harassment Organisation CIISA

Disney+ EMEA Scripted Boss Johanna Devereaux to Join Apple TV+

Prioritising diversity, equity and inclusion at Paramount

Behind the Scenes: Killers Of The Flower Moon

Go beyond limits with live cloud production

A Deep Dive into Arc XP’s Ecosystem

Formula 1: Racing Through Video

Countdown to Olympic Games Paris 2024: How Warner Bros. Discovery Sports Europe is delivering the biggest events in sport

Blurred lines: Gaming & film tech fusion in Fortnite’s Moontopia

Warner Bros. Studios Leavesden to Add 10 More Sound Stages

Nippon Television Acquires Controlling Stake in Studio Ghibli

Spaceport: Three-dimensional viewing experience with Freedom

IMG Tackles Non-live Rugby World Cup Production

Media orchestration, automation and cloud to deliver sustainable streaming and media operations

High Performance Sporting Case Studies

Genelec unveils 9320A reference controller

Gravity Media invests in Sony cameras

Fujifilm expands cinematic lenses for broadcast operations offering

Atomos collaborative cloud editor ready to launch

Behind the Scenes: Rugby World Cup

Amazon Studios’ Scripted Head of Production Frank Murray to launch UK-US indie

IBC2023: Visitor Numbers, Collaboration and Purpose

Future of collaborative editing

5G Jazz Jam Session – An Experiment Of Combined Arts

NGA live-production workflows: Personalised audio experience in broadcasting

Next Generation TV in Brazil during the football World Cup 2022

Using MetaHumans in Large-Scale Sports Production

A subjective study of film grain synthesis for the preservation of creative intent

Efficient Delivery of Audiovisual Content to Mobile Devices Combining 5G Broadcast and CDN Technologies

5G Enables High Bitrate, Low Latency and Mobility on the Live Production of the Biggest Latin America Reality Show

5G Standalone Non-Public Networks: Modernising Wireless Production

IBC2023 Technical Paper Sessions: Live production - next generation technology trials

How innovation in the media technology stack of software, hardware and networking can drive better and more cost-effective performance for streamers

Broadcasting’s Shifting Terrain: Insights on Industry Challenges

Behind the Scenes: One Piece

IBC2023 Accelerator Project: Gallery Agnostic Live Media Production 

IBC2023 Accelerator Project: Connect & Produce Anywhere

PFX, a leading Full Service Post-Production Studio, Streamlines its services with Qumulo's Centralized Approach

IBC Changemakers Podcast Episode 3: No time to mourn our future - A new deal for climate change

IBC2023: Warner Bros. Motion Picture Group to Receive International Honour for Excellence

Natalya Tatarchuk: Making real-time more accessible

Future Tech: XR Sport Throws its Hat in the Ring

Hans Zimmer and Working Title bosses acquire BBC’s Maida Vale Studios

Connecting live from camera to cloud with Imagen

Avid acquired by private equity firm STG for $1.4 billion

Generative AI enhances CGI’s OpenMedia story

Qstech offers TV studio with swift assembly

Live video contribution over 5G with Haivision

One year countdown to the Paris 2024 Olympics begins for broadcasters

Behind the Scenes: The Hundred

IBC Accelerating Innovation Podcast

Interview: Dr Alex Connock on AI - ‘An Explosion of Creativity’

IP and Cloud at IBC2023: Navigating new challenges

Behind the Scenes: Mission: Impossible - Dead Reckoning Part One

Behind the Scenes: Asteroid City

 Behind the Scenes: FIFA Women’s World Cup Australia & New Zealand

Behind the Scenes: Wimbledon 2023

Behind the Scenes: Glastonbury 2023

NAB 2023: Mathieu Yerle, Chyron

Behind the Scenes: Kandahar

NAB 2023: Nicolas Bourdon, EVS

NAB 2023: Rick Young, LTN

NAB 2023: Robert Szabo Rowe, The Switch

NAB 2023: Tonia Maffeo, NDI

Behind the Scenes: Eurovision 2023

Behind the Scenes: Blue Lights

UK film and high-end TV production spend falls to £4.23bn in 2023

MSG Sphere: Not only in Vegas

8K TV: The current state of play

In-depth: Behind the Scenes at RTÉ Visual Radio Studios

Guillermo del Toro’s Pinocchio – Behind the Scenes

American Cinema Editors Present: Paul Machliss, ACE in conversation with Carolyn Giardina

Sustainability in the delivery of Outside Broadcasts - The road to carbon zero and why it isn't remote

Artificial Intelligence (AI) Won’t Be Writing Award-Winning Scripts Soon – But It Could Help Humans Who Do

Global News or Romantic Movies: How Customer Values Are Key for the Entertainment Experience

5G Trials and Tribulations

Predicting Energy Usage of High Dynamic Range Video on Mobile Devices

Fast Multi-Encoding to Reduce the Cost of Video Streaming

An Optimized ‘System Approach’ Deploying 5G Technologies for Mobile Shooting of TV Sport Events

Taking Steps Toward Greener Streaming

5G Edge-XR Project: Live Broadcast XR Experiences Using 5G and Cloud-GPU Compute

Exploring the Benefits of Dynamic Resolution Encoding and Support in DVB Standards

Post-Pandemic Adoption of Cloud-Hosted Environments for Video Editing & TV Production During a Mini (and, Importantly, More Sustainable) 'Industrial Revolution'

5G S-NPN (Standalone Non-Public Network) for Professional Media Production

5G-MAG Reference Tools: Dynamic Content Delivery Switching Between 5G Broadcast and OTT Streaming

Immersive Audio in Large-Scale Sports Production

Automated Content Enrichment in Sports Broadcast

Providing Immersive Sign Language Education Program Utilizing Android TV Platform and AI Technologies for Better Communication of Deaf Family

Encoding Optimizations for Video Game Live Streaming

A Personalized Pro-Active Smart Environment to Support a Sustainable Media Usage

Artificial intelligence in broadcasting

Behind The Scenes: Heartstopper

Behind the scenes: Boiling Point

No Time To Die: Behind the Scenes with cinematographer Linus Sandgren

Customized Facial Expression Analysis in Video

Assessment of Quantization Artifacts in SDR and HDR and CNN-Based Correction

Using a Colour Appearance Model Accounting for the Human Visual System for Down Mapping Hybrid Log-Gamma (HLG) to Standard Dynamic Range (SDR)

Optimizing UHD Production With Super Resolution Techniques

Enhancing Media Through the Development of a Public Service Data Ecosystem

TV-Watching Robot: Toward Enriching Media Experience and Activating Human Communication

The Itinerant Orchestra, a 5G, Multi-Camera, Remote and Distributed Video Production Experiment

Stronger Together: Cross Service Media Recommendations

Cloud-Based Multi-Station Distribution Architecture for Networked Radio Stations

Secure Global Production – Using the JT-NM Reference Architecture to Build Cloud/Hybrid Workflows

Streamlining Workflows in the Digital Newsroom With Cloud Native Tools

Dialog+ in Broadcasting: First Field Tests Using Deep-Learning-Based Dialogue Enhancement

Trans-Vector Platform: Optimised Distribution of Video Assets Across Digital Channels

Realising Additional Value from Linear Content Using Metadata and Automation

5G Media Distribution ‐ Status and Ongoing Work

Creating Transformational Media Solutions Using 5G Edge Computing

5G Broadcast and Evolution Towards New Radio: Perspectives for Media Delivery to Mobile Devices

The Challenges Involved in Generating ST 2110 Streams on Standard IT Hardware

ST2110 Network-Attached Display for Virtualizing Production

Face Detector: A Real-time Face Recognition System for Live Broadcasting

Tokyo Olympics 2020: BBC and NBC reveal remote production plans

Behind the Scenes: The French Dispatch

How We Built It: Boom Radio’s home broadcasting setup

Behind the Scenes: Mank

ChyronHego’s Tracab heads towards goal of making semi-automated offside calls

Behind the scenes: Avatar 2 and 3

Behind the scenes: The Mandalorian’s groundbreaking virtual production

US-based Blackhall to open £150m studio complex in Reading

User Acceptance of Emotion-Aware Mood-Improving Voice Assistants

Flexible Virtualization of Radio Production and Playout

MARCONI: Towards an Integrated, Intelligent Radio Production Platform

Lessons Learnt During One Year of Commercial Volumetric Video Production

Leveraging Acoustic Information for Enhanced Personalization in the Entertainment Domain

Evolution of Radio Services in the Era of Voice-Controlled Digital Assistants

The Emerging MPEG-5 EVC Standard – Applications, Technology and Results

Using Machine Learning and Behavioural Analysis for User-Tailored Viewer Experience

Deep-Learning Based Precoding Techniques for Next-Generation Video Compression

5G for Broadcasters – New Opportunities for Distribution and Content

Comparative Analysis of Real-Time Multi-View Reconstruction of a Sign Language Interpreter

A Study on the Transmission Scheme for the Advanced ISDB-T and Verification by Large-Scale Field Experiments in Japan

Taking Object-Based Media from the Research Environment into Mainstream Production

Single HDR SDR Workflow Production for Live Football & Rugby